••••FRIDAY, 7 FEBRUARY 2020••••
12:00 PM • Registration
1:00 PM • Opening Remarks
1:15 PM • Session 1: Transnational Bodies and National Power
Anne Shreffler, Chair
- Seeing and Hearing Disability in Mauricio Kagel’s Repertoire from Staatstheater (Bethany Younge, Columbia University)
- “New” Conceptualism in Music? Interconnections between European and U.S. Postwar Avant-gardes (Monika Voithofer, University of Graz)
- Deafening Whisper: Russian Youth Speak to Authorities (Michael Mazin, McGill University)
- We Refugees: Collectivity as a Muting Act (Lee Gilboa, Brown University)
3:15 PM • Break
3:30 PM • Roundtable Discussion
Dana Gooley, Chair
- Virginia Danielson (Harvard University)
- Lester Hu (UC Berkeley)
- Alexander Rehding (Harvard University)
- Kate van Orden (Harvard University)
5:15 PM • Dinner [TBD]
7:30 PM • Session 2: Lecture Recitals
[Holden Chapel, Harvard Yard]
Yvette Jackson, Chair
- Hearing “Schubert”: Tracing Musical Values through the Piano Sonata in A minor, D. 845 (Christine Wu, Yale University)
- Motivic Unity in Richard Danielpour’s Piano Fantasy (Michael Clark, Rice University)
- Explore Gagok [ga-gok]: Korean Art Song (Joanna H. Kim, Eastman School of Music)
- SPARKS: Scordatura: Practical Application, Research, and Knowledge Through Sympathetic Strings (Lawrence Wilde, Princeton University, and Charles White, Brandeis University)
••••SATURDAY, 8 FEBRUARY 2020••••
8:30 AM • Registration and Coffee
9:00 AM • Session 1: Performance, Text, and Musical Mediation
Landon Morrison, Chair
- Connections in Wyschnegradsky’s Preludes (Saad Haddad, Columbia University)
- Deep Play (Alicia Britton, Boston University)
- Ghosts at the Machine: Conjuring the Fantastic at the Player Piano (Devanney Haruta, Wesleyan University)
11:00 AM • Break
11:15 AM • Session 2: Historical Theories, Historical Subjects
Joseph Jakubowski, Chair
- Accounting for the Countess: Galant Schemata in Friederika Sophie zu Epstein’s Minuets (Jonathan Salamon, Yale University)
- Heinrich Schenker and Georg Capellen: Conceptualizations of the Future at the Turn of the Century (Anne Hameister, Hamburg University of Music and Drama)
- The Parallelism between Music and Mythology: A Study on Graeco-Mesopotamian Legends (Patrick Huang, University of London)
12:45 PM • Lunch
2:30 PM • Session 3: Colonialism, Racial Politics, and Sonic Ontology
Virginia Danielson, Chair
- On the Linguistic-Syllabic Cognitive Mapping of Sound in Japanese Culture, Interpreted through Medieval Japanese Gagaku Music (Zhoushu Ziporyn, Princeton University)
- Sonic Activism Against the Tear Gas: Hongkonger’s Raging Roars and Sound Acts (Winnie W C Lai, University of Pennsylvania)
- Haunting Vocalities: Sinophone Articulations across Asia/America (Samuel Chan, New York University)
- Kurds and the Cairo Congress of 1932: Colonial Legacies of Exclusion (Jon Bullock, University of Chicago)