Schedule

Download the program booklet (PDF, 525KB)

Unless otherwise stated, all events take place in the Music Building, Harvard University (see Getting Around)
All events are open to the public.

Friday 20 February

 

Registration // 1:00pm

Session 1 // 1:30pm

The State of Work and Play

Chair: Anne Shreffler (Harvard University)
 
  • Symbolic Capital, Neoliberal Labor, and the Omnivore Composer
    Andrea Moore (UCLA)
  • Shaping the Subject with Sound: Homo Economicus and the ‘Affective Logic of Late Capitalism’
    Jordan Musser (Cornell)
  • Pop Will Eat Itself: Hidden Cycles of Exchange in Contemporary Sound
    Julian Day (Sydney College of Arts, University of Sydney)
Break // 3:00pm
 
Faculty Round Table Discussion // 3:30pm // Thompson Room, Barker Humanities Center

Ethical Concerns in Creative Economies 

 
Drinks Reception // 5:30pm
Light snacks will be served
 
Parker Quartet Concert // 8:00pm

 

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Saturday 21 February

 
Breakfast // 8:30am
 
Session 2 // 9:00am

Negotiating Industries

Chair: Tamar Barzel (Wellesley College)
 
  • The ‘Resort’ Studio: Constructing Rock Musicians’ Labor as Both Work and Leisure
    Gabrielle Kielich (Carleton University)
  • Preparing for a popular music career: gendered work and imagined futures in India
    Anaar Desai-Stephens (Cornell)
  • ‘This Must Be The Single’: Valuing the Live Recording in Contemporary Gospel Performance
    Braxton Shelley (U Chicago)
Break // 10:30am
 
Session 3 // 10:45am

Law-Abiding Music

Chair: TBC
  • When Opera Met Film: Copyright and the Implications of Cinema
    Christy Thomas (Yale)
  • Broken Teeth and Bent Trumpets: Regulating the Labor of Early-Modern Trumpeters
    Joshua Gailey (Yale)
  • The New Deal Behind Bars: Henry Cowell, Music Reform, and the Great Depression at San Quentin
    Velia Ivanova (Columbia)
Lunch // 12:15pm
 
Session 4 // 1:15pm

Regulating the Body

Chair: Chris Hasty (Harvard University)
 
  • Across The Sonic Border (Variations on 50hz)
    Amina Abbas-Nazari (Royal College of Art, London)
  • The Failure of Bodies and Systems, Sewing the Fields
    Sivan Cohen Elias (Harvard)
Break // 2:45pm
 
Session 5 // 3:00pm

Mechanics of Production

Chair: Emily Dolan (Harvard University) 
 
  • Music Imitating Machines, Machines Imitating Humans: Industrialization and the Three Kinds of Mechanical Music
    Allison Wente (U Texas, Austin)
  • Female Labor and Video Games in the Work of Electronic Composer Laetitia Sonami
    Lucie Vágnerová (Columbia)
  • Anachronic Song? Replicating the Romanesca
    Mark Rodgers (Yale)
 
Break // 4:30pm
 
Keynote // 5:00pm

Keynote Address

Robin James

Work and Play - Program Book512 KB