Publications

    Amazons, Abolitionists, and Activists: A Graphic History of Women's Fight for their Rights
    Kendall, Mikki, A. D'Amico, Shari Chankhamma, and Erica Schultz. Amazons, Abolitionists, and Activists: A Graphic History of Women's Fight for their Rights. California: Ten Speed Press, 2019. Book @ Harvard LibraryAbstract
    "A bold and gripping graphic history of the fight for women's rights The ongoing struggle for women's rights has spanned human history, touched nearly every culture on Earth, and encompassed a wide range of issues, such as the right to vote, work, get an education, own property, exercise bodily autonomy, and beyond. Amazons, Abolitionists, and Activists is a fun and fascinating graphic novel-style primer that covers the key figures and events that have advanced women's rights from antiquity to the modern era. In addition, this compelling book illuminates the stories of notable women throughout history–from queens and freedom fighters to warriors and spies–and the progressive movements led by women that have shaped history, including abolition, suffrage, labor, civil rights, LGBTQ liberation, reproductive rights, and more. Examining where we've been, where we are, and where we're going, Amazons, Abolitionists, and Activists is an indispensable resource for people of all genders interested in the fight for a more liberated future"– provided by publisher.
    Mediocre: The Dangerous Legacy of White Male America
    Oluo, Ijeoma. Mediocre: The Dangerous Legacy of White Male America. New York: Seal Press, 2020. Book @ Harvard LibraryAbstract

    View eBook @ Harvard Library [HarvardKey required]

    "In her new book, rather than tear down the statues of certain white men, Ijeoma Oluo casts her eye on the long view of a nation that, as a whole, has built a dominant identity for white men. Her book challenges what we value most in America, during a tumultuous time of upheaval as we painfully strive toward a more perfect union. With her signature sharp wit, Oluo exposes how white male identity not only blatantly marks our divided culture today, from presidential politics to popular culture, but it is insidiously embedded even in the history of apparent progress, from women entering the workforce, to rising access to higher education, to the work of white civil rights advocates and male feminists. Oluo relates the glorification of White male aggression behind Western Expansion, the disdain of women workers strengthening the Great Depression, the fear of racial integration driving the Great Migration, and more examples of how White male America was forged and reinforced-at a devastating cost. Far from arguing that all white men are mediocre, Oluo instead challenges a national narrative that for generations has defined success exclusively around white men. Status for white men is granted only in relation to others, and is separated from actual achievement. This is not a benign mediocrity; it is brutal for everyone who is erased. Deeply researched, passionate, and revelatory, Oluo's Mediocre argues that if we wish to move beyond the rancorous politics where only white men are created equal, if we wish to write better stories for the next generation of Americans, we first need upend everything we thought we knew about our founding stories"–

    In the Country of Women: A Memoir
    Straight, Susan. In the Country of Women: A Memoir. New York: Catapult, 2019. Book @ Harvard LibraryAbstract
    "In inland Southern California, near the desert and the Mexican border, Susan Straight, a self-proclaimed book nerd, and Dwayne Sims, an African American basketball player, started dating in high school. After college, they married and drove to Amherst, Massachusetts, where Straight met her teacher and mentor, James Baldwin, who encouraged her to write. Once back in Riverside, at driveway barbecues and fish fries with the large, close-knit Sims family, Straight--and eventually her three daughters--heard for decades the stories of Dwayne's female ancestors. Some women escaped violence in post-slavery Tennessee, some escaped murder in Jim Crow Mississippi, and some fled abusive men. Straight's mother-in-law, Alberta Sims, is the descendant at the heart of this memoir. Susan's family, too, reflects the hardship and resilience of women pushing onward--from Switzerland, Canada, and the Colorado Rockies to California. A Pakistani word, biraderi, is one Straight uses to define a complex system of kinship and clan--those who become your family. An entire community helped raise her daughters. Of her three girls, now grown and working in museums and the entertainment industry, Straight writes, "The daughters of our ancestors carry in their blood at least three continents. We are not about borders. We are about love and survival." In the Country of Women is a valuable social history and a personal narrative that reads like a love song to America and indomitable women." -- from Jacket.
    Gay Bar: Why We Went Out
    Lin, Jeremy Atherton. Gay Bar: Why We Went Out. New York: Little, Brown and Company, 2021. Book @ Harvard LibraryAbstract
    "Strobing lights and dark rooms, drag queens on counters, first kisses, last call; the gay bar has long been a place of solidarity and sexual expression. Now they are closing, a cultural demolition that has Jeremy Atherton Lin wondering: Could this spell the end of gay identity as we know it? In prose as exuberant as a hit of poppers and dazzling as a disco ball, the author embarks on a transatlantic tour of the hangouts that marked his life, with each club, pub and dive revealing itself to be a palimpsest of queer history. Gay Bar time-travels from Hollywood nights in the 1970s to a warren of cruising tunnels built beneath London in the 1770s; from chichi bars in the wake of AIDS to today's fluid queer spaces; through glory holes, into Crisco-slicked dungeons and down San Francisco alleys. Atherton Lin charts police raids and riots, posing and passing out--and a chance encounter one restless night that would change his life forever. The journey that emerges is an inquiry into the link between place and identity, inviting us to go beyond Stonewall and enter the underground"--adapted from book jacket.