Publications

    Meet Me Halfway: Milwaukee Stories
    Morales, Jennifer. Meet Me Halfway: Milwaukee Stories. Madison: University of Wisconsin Press, 2015. eBook @ Harvard Library [HarvardKey required]Abstract
    "When Johnquell, an African American teen, suffers a serious accident in the home of his white neighbor, Mrs. Czernicki, his community must find ways to bridge divisions between black and white, gay and straight, old and young. Set in one of the nation’s most highly segregated cities—Milwaukee, Wisconsin—Meet Me Halfway tells stories of connections in a community with a tumultuous and divided past. In nine stories told from diverse perspectives, Jennifer Morales captures a Rust Belt city’s struggle to establish a common ground and a collective vision of the future.

    Morales gives life to multifaceted characters—white schoolteachers and senior citizens, Latino landlords, black and Puerto Rican teens, political activists, and Vietnam vets. As their lives unfold in these stories, we learn about Johnquell’s family—his grandparents’ involvement in the local Black Panther Party, his sister’s on-again, off-again friendship with a white classmate, and his aunt’s identity crisis as she finds herself falling in love with a woman. We also meet Johnquell’s mother, Gloria, and his school friend Taquan, who is struggling to chart his own future.

    As an activist mother in the thick of Milwaukee politics, Morales developed a keen ear and a tender heart for the kids who have inherited the city’s troubled racial legacy. With a critical eye on promises unfulfilled, Meet Me Halfway raises questions about the notion of a “postracial” society and, with humor and compassion, lifts up the day-to-day work needed to get there."
    Madman at Kilifi
    Gachagua, Clifton, and Kwame Senu Neville Dawes. Madman at Kilifi. African poetry book series. Lincoln: University of Nebraska Press, 2014. eBook @ Harvard Library [HarvardKey required]Abstract
    "    Clifton Gachagua's collection Madman at Kilifi, winner of the Sillerman First Book Prize for African Poets, concerns itself with the immediacy of cultures in flux, cybercommunication and the language of consumerism, polyglot politics and intrigue, sexual ambivalence and studied whimsy, and the mind of a sensitive, intelligent, and curious poet who stands in the midst of it all. Gachagua's is a world fully grounded in the postmodern Kenyan cultural cauldron, a world in which people speak with “satellite mouths,” with bodies that are “singing machines,” and in which the most we can do is “collide against each other.” Here light is graceful, and we glow like undiscovered galaxies and shifting matter. And here as well, we find new expression in a poetry that moves as we do." - Publisher description.