"Beautiful, high-stepping Yoruba of Harlem is invited to the annual cotillion thrown by African American high society of Queens. Caught between the indifference of her father, the excitement of her social-climbing mother, and her prodigal boyfriend's militancy, Yoruba persuades her sister debutantes to challenge the aging doyennes in one of the most sidesplitting scenes in American literature."

"A housewife takes up bodybuilding and sees radical changes to her physique, which her workaholic husband fails to notice. A boy waits at a bus stop, mocking commuters struggling to keep their umbrellas open in a typhoon, until an old man shows him that they hold the secret to flying. A saleswoman in a clothing boutique waits endlessly on a customer who won't come out of the fitting room, and who may or may not be human. A newlywed notices that her spouse's features are beginning to slide around his face to match her own. In these eleven stories, the individuals who lift the curtains of their orderly homes and workplaces are confronted with the bizarre, the grotesque, the fantastic, the alien--and find a doorway to liberation. The English-language debut of one of Japan's most fearlessly inventive young writers"--Back cover.

 "For fifteen years August Sitwell has worked for the Barclays, a well-to-do white family who plucked him from an orphan asylum and gave him a job. The groundskeeper is part of the household's all-black staff, along with "Miss Mamie," the talented cook, pretty new maid Jennie Williams, and three young kitchen apprentices - the latest orphan boys Mr. Barclay has taken in to "civilize" - boys like August. But the Barclays' fortunes have fallen, and their money is almost gone. When a prospective business associate proposes selling Miss Mamie's delicious rib sauce to local markets under the brand name "The Rib King" - using a caricature of a wildly grinning August on the label - Mr. Barclay, desperate for cash, agrees. Yet neither Miss Mamie nor August will see a dime. Humiliated, August grows increasingly distraught, his anger building to a rage that explodes in shocking tragedy. "--Publisher.

Bone, an illegitimate child in a family of social outcasts, sees her mother's happiness with her new husband and will not tell when the stepfather begins abusing her in the 1950s.

"From the Pulitzer Prize finalist, author of The Moor's Account–a timely and powerful new novel about the suspicious death of a Moroccan immigrant that is at once a family saga, a murder mystery, and a love story, all of it informed by the treacherous fault lines of American culture. Nora Guerraoui, a jazz composer, returns home to a small town in the Mojave after hearing that her father, owner of a popular restaurant there, has been killed in a suspicious hit-and-run car accident. Told by multiple narrators–Nora herself, Jeremy (the Iraq war veteran with whom she develops an intimacy), widow Maryam, Efrain (an immigrant witness to the accident who refuses to get involved for fear of deportation), Coleman (the police investigator), and Driss (the dead man himself), The Other Americans deftly explores one family's secrets and hypocrisies even as it offers a portrait of Americans riven by race, class, and religion, living side by side, yet ignorant of the vicissitudes that each tribe, as it were, faces" – provided by publisher.

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"Keiko Furukura had always been considered a strange child, and her parents always worried how she would get on in the real world, so when she takes on a job in a convenience store while at university, they are delighted for her. For her part, in the convenience store she finds a predictable world mandated by the store manual, which dictates how the workers should act and what they should say, and she copies her coworkers' style of dress and speech patterns so that she can play the part of a normal person. However, eighteen years later, at age 36, she is still in the same job, has never had a boyfriend, and has only few friends. She feels comfortable in her life, but is aware that she is not living up to society's expectations and causing her family to worry about her. When a similarly alienated but cynical and bitter young man comes to work in the store, he will upset Keiko's contented stasis--but will it be for the better? Sayaka Murata brilliantly captures the atmosphere of the familiar convenience store that is so much part of life in Japan. With some laugh-out-loud moments prompted by the disconnect between Keiko's thoughts and those of the people around her, she provides a sharp look at Japanese society and the pressure to conform, as well as penetrating insights into the female mind. Convenience Store Woman is a fresh, charming portrait of an unforgettable heroine that recalls Banana Yoshimoto, Han Kang, and Amélie ." -- (Source of summary not specified).

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"Anita lives in Karachi's biggest slum. Her mother is a maalish wali, paid to massage the tired bones of rich women. But Anita's life will change forever when she meets her elderly neighbour, a man whose shelves of books promise an escape to a different world. On the other side of Karachi lives Monty, whose father owns half the city and expects great things of him. But when a beautiful and rebellious girl joins his school, Monty will find his life going in a very different direction. Sunny's father left India and went to England to give his son the opportunities he never had. Yet Sunny doesn't fit in anywhere. It's only when his charismatic cousin comes back into his life that he realises his life could hold more possibilities than he ever imagined. These three lives will cross in the desert, a place where life and death walk hand in hand, and where their closely guarded secrets will force them to make a terrible choice" -- Publisher description.

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"From Key West to Maine, this collection of stories depicts the lives of characters who are no longer provincial but are not yet cosmopolitan. These women and their gay male friends are B-listers of a new, ironic, media-soaked culture. They live in a rich but increasingly divided America, a weirdly paradoxical country increasingly accepting of gay marriage but still marked by prejudice, religious strictures, and swaths of poverty and hopelessness. Carroll shows us people stunned by the shock of the now, who have forgotten their pasts and can't envision a future."

"It's 2008, and the rise of Barack Obama ushers in a new kind of hope. In Chicago, Ruth Tuttle, an Ivy-League educated black engineer, is married to a kind and successful man. He's eager to start a family, but Ruth is uncertain. She has never gotten over the baby she gave birth to, and abandoned, when she was a teenager. She had promised her family she'd never look back, but Ruth knows that to move forward, she must make peace with the past. Returning home, Ruth discovers the Indiana factory town of her youth is plagued by unemployment, racism, and despair. Determined, Ruth begins digging into the past. As she uncovers burning secrets her family desperately wants to hide, she unexpectedly befriends Midnight, a young white boy who is also adrift and looking for connection. When a traumatic incident strains the town's already searing racial tensions, Ruth and Midnight find themselves on a collision course that could upend both their lives."--Publisher.

"Rick Nagano is a graduate student in the history department at USC, struggling to make rent on his South Los Angeles apartment near the neighborhood where his family once lived. When he lands a job as a research assistant for the elderly Mrs. W--, the heir to an oil fortune, he sees it first simply as a source of extra cash. But as he grows closer to the iconoclastic, charming, and feisty Mrs. W--, he gets drawn into a world of privilege and wealth far different from his racially mixed, blue-collar beginnings. Putting aside his half-finished dissertation, Rick sets up office in Mrs. W--'s grand Bel Air mansion and begins to transcribe her journals - which document an old Los Angeles not described in his history books. He also accompanies Mrs. W-- to venues frequented by the descendants of the land and oil barons who built the city. One evening, at an event, he meets Fiona Morgan - the elegant scion of an old steel family - who takes an interest in his studies. Irresistibly drawn to Fiona, he agrees to help her with a project of questionable merit in the hopes he'll win her favor. A Student of History explores both the beginnings of Los Angeles and the present-day dynamics of race and class. It offers a window into the usually hidden world of high society, and the influence of historic families on current events. Like Great Expectations and The Great Gatsby, it features, in Rick Nagano, a young man of modest means who is navigating a world where he doesn't belong." (from dust jacket)