"Emplumada is Lorna Dee Cervantes's first book, a collection of poems remarkable for their surface clarity, precision of image, and emotional urgency. Rooted in her Chicana heritage, these poems illuminate the American experience of the last quarter century and, at a time when much of what is merely fashionable in American poetry is recondite and exclusive, Cervantes has the ability to speak to and for a large audience."--Amazon.com.
The World Falls Away. Pittsburgh, PA: University of Pittsburgh Press, 2012. eBook @ Harvard Library [HarvardKey required]Abstract.
"Wanda Coleman creates the kind of poetry that excites and ignites those who hate poetry, refreshes it for those who are bored by it, and inspires those who want to write it."
Emplumada. Pitt poetry series. Pittsburgh, PA: University of Pittsburgh Press, 1981. Book @ Harvard LibraryAbstract.
100 Days. Edmonton, Alberta, Canada: The University of Alberta Press, 2016. eBook @ Harvard Library [HarvardKey required]Abstract.
"For 100 days, Juliane Okot Bitek recorded the lingering nightmare of the Rwandan genocide in a poem–each poem recalling the senseless loss of life and of innocence. Okot Bitek draws on her own family's experience of displacement under the regime of Idi Amin, pulling in fragments of the poetic traditions she encounters along the way: the Ugandan Acholi oral tradition of her father–the poet Okot p'Bitek; Anglican hymns; the rhythms and sounds of slave songs from the Americas; and the beat of spoken word and hip-hop. 100 Days is a collection of poetry that will stop you in your tracks." - Publisher description.
Madman at Kilifi. African poetry book series. Lincoln: University of Nebraska Press, 2014. eBook @ Harvard Library [HarvardKey required]Abstract.
" Clifton Gachagua's collection Madman at Kilifi, winner of the Sillerman First Book Prize for African Poets, concerns itself with the immediacy of cultures in flux, cybercommunication and the language of consumerism, polyglot politics and intrigue, sexual ambivalence and studied whimsy, and the mind of a sensitive, intelligent, and curious poet who stands in the midst of it all. Gachagua's is a world fully grounded in the postmodern Kenyan cultural cauldron, a world in which people speak with “satellite mouths,” with bodies that are “singing machines,” and in which the most we can do is “collide against each other.” Here light is graceful, and we glow like undiscovered galaxies and shifting matter. And here as well, we find new expression in a poetry that moves as we do." - Publisher description.
The Kitchen-Dweller's Testimony. African poetry book series. Lincoln: University of Nebraska Press, 2015. eBook @ Harvard Library [HarvardKey required]Abstract.
"Winner of the Sillerman First Book Prize for African Poets, The Kitchen-Dweller's Testimony asks: Whose testimony is valid? Whose testimony is worth recording? Osman's speakers, who are almost always women, assert and reassert in an attempt to establish authority, often through persistent questioning. Specters of race, displacement, and colonialism are often present in her work, providing momentum for speakers to reach beyond their primary, apparent dimensions and better communicate. The Kitchen-Dweller's Testimony is about love and longing, divorce, distilled desire, and all the ways we injure ourselves and one another." - Publisher description.