Publications

    Secret Nation: The Hidden Armenians of Turkey
    Hadjian, Avedis. Secret Nation: The Hidden Armenians of Turkey. London, New York: I.B. Tauris, 2018. Book @ Harvard LibraryAbstract
     "It has long been assumed that no Armenian presence remained in eastern Turkey after the 1915 massacres. As a result of what has come to be called the Armenian Genocide, those who survived in Anatolia were assimilated as Muslims, with most losing all traces of their Christian identity. In fact, some did survive and together with their children managed during the last century to conceal their origins. Many of these survivors were orphans, adopted by Turks, only discovering their "true" identity late into their adult lives. Outwardly, they are Turks or Kurds and while some are practising Muslims, others continue to uphold Christian and Armenian traditions behind closed doors. ln recent years, a growing number of "secret Armenians" have begun to emerge from the shadows. Spurred by the bold voices of journalists like Hrant Dink, the Armenian newspaper editor murdered in Istanbul in 2007, the pull towards freedom of speech and soul-searching is taking hold across the region. Avedis Hadjian has traveled to the towns and villages once densely populated by Armenians, recording stories of survival and discovery from those who remain in a region that is deemed unsafe for the people who once lived there. This book takes the reader to the heart of these hidden communities for the first time, unearthing their unique heritage and identity. Revealing the lives of a people that have been trapped in a history of denial for more than a century, Secret Nation is essential reading for anyone with an interest in the aftermath of the Armenian Genocide in the very places where the events occurred." -- Dust jacket.
    Whereas
    Long Soldier, Layli. Whereas. Minneapolis, Minnesota: Graywolf Press, 2017. Book @ Harvard LibraryAbstract
     This volume confronts the coercive language of the United States government in its responses, treaties, and apologies to Native American peoples and tribes, and reflects that language in its officiousness and duplicity back on its perpetrators. Through an array of short lyrics, prose poems, longer narrative sequences, resolutions, and disclaimers, Layli Long Soldier has created an innovative text to examine histories, landscapes, her own writing, and her predicament inside national affiliations. "I am," she writes, "a citizen of the United States and an enrolled member of the Oglala Sioux Tribe, meaning I am a citizen of the Oglala Lakota Nation -- and in this dual citizenship I must work, I must eat, I must art, I must mother, I must friend, I must listen, I must observe, constantly I must live."
    A Small Place
    Kincaid, Jamaica. A Small Place. 1st ed. New York, NY: Farrar, Straus and Giroux, 2000. Book @ Harvard LibraryAbstract
    "As she bears witness to the sweeping corruption, dilapidated buildings and shameful legacy of Antigua's colonial past, Kincaid compels us to think about the people behind the beautiful landscape of this tiny island."
    The Voice at the Back Door
    Spencer, Elizabeth. The Voice at the Back Door. Baton Rouge, LA: Louisiana State University Press, 1994. eBook @ Harvard Library [Harvard Key required]Abstract

    In the mid-1950s, the town of Lacey in the Mississippi hill country is a place where the lives of blacks and whites, though seemingly separate, are in fact historically and inevitably intertwined. When Lacey's fair-haired boy, Duncan Harper, is appointed interim sheriff, he makes public his private convictions about the equality of blacks before the law, and the combined threat and promise he represents to the understood order of things in Lacey affects almost every member of the community. In the end, Harper succeeds in pointing the way for individuals, both black and white, to find a more harmonious coexistence, but at a sacrifice all must come to regret.

    In The Voice at the Back Door, Mississippi native Elizabeth Spencer gives form to the many voices that shaped her view of race relations while growing up, and at the same time discovers her own voice -- one of hope. Employing her extraordinary literary powers -- finely honed narrative techniques, insight into a rich, diverse cast of characters, and an unerring ear for dialect -- Spencer makes palpable the psychological milieu of a small southern town hobbled by tradition but lurching toward the dawn of the civil rights movement. First published in 1956, The Voice at the Back Door is Spencer's most highly praised novel yet, and her last to treat small-town life in Mississippi.

    Maus: A Survivor's Tale
    Spiegelman, Art. Maus: A Survivor's Tale. 25th ed. New York: Pantheon Books, 2011. Book @ Harvard LibraryAbstract

    In a world where Jews are mice, Germans are Cats and the Polish are pigs, a son documents his parents' experience during the Holocaust and his relationship with his father.

    "On the occasion of the twenty-fifth anniversary of its first publication, here is the definitive edition of the book acclaimed as "the most affecting and successful narrative ever done about the Holocaust" (Wall Street Journal) and "the first masterpiece in comic book history" (The New Yorker). The Pulitzer Prize-winning Maus tells the story of Vladek Spiegelman, a Jewish survivor of Hitler's Europe, and his son, a cartoonist coming to terms with his father's story. Maus approaches the unspeakable through the diminutive. Its form, the cartoon (the Nazis are cats, the Jews mice), shocks us out of any lingering sense of familiarity and succeeds in "drawing us closer to the bleak heart of the Holocaust" (The New York Times). Maus is a haunting tale within a tale. Vladek's harrowing story of survival is woven into the author's account of his tortured relationship with his aging father. Against the backdrop of guilt brought by survival, they stage a normal life of small arguments and unhappy visits. This astonishing retelling of our century's grisliest news is a story of survival, not only of Vladek but of the children who survive even the survivors. Maus studies the bloody pawprints of history and tracks its meaning for all of us." -- from publisher's website.

    They Called Us Enemy
    Takei, George, Justin Eisinger, Steven Scott, and Harmony Becker. They Called Us Enemy. Marietta, GA: Top Shelf Productions, 2019. Book @ Harvard LibraryAbstract
    "A stunning graphic memoir recounting actor/author/activist George Takei's childhood imprisoned within American concentration camps during World War II. Experience the forces that shaped an American icon -- and America itself -- in this gripping tale of courage, country, loyalty, and love. George Takei has captured hearts and minds worldwide with his captivating stage presence and outspoken commitment to equal rights. But long before he braved new frontiers in Star Trek, he woke up as a four-year-old boy to find his own birth country at war with his father's -- and their entire family forced from their home into an uncertain future. In 1942, at the order of President Franklin D. Roosevelt, every person of Japanese descent on the west coast was rounded up and shipped to one of ten 'relocation centers', hundreds or thousands of miles from home, where they would be held for years under armed guard. They Called Us Enemy is Takei's firsthand account of those years behind barbed wire, the joys and terrors of growing up under legalized racism, his mother's hard choices, his father's faith in democracy, and the way those experiences planted the seeds for his astonishing future. What is American? Who gets to decide? When the world is against you, what can one person do?"-- Provided by publisher.
    Mediocre: The Dangerous Legacy of White Male America
    Oluo, Ijeoma. Mediocre: The Dangerous Legacy of White Male America. New York: Seal Press, 2020. Book @ Harvard LibraryAbstract

    View eBook @ Harvard Library [HarvardKey required]

    "In her new book, rather than tear down the statues of certain white men, Ijeoma Oluo casts her eye on the long view of a nation that, as a whole, has built a dominant identity for white men. Her book challenges what we value most in America, during a tumultuous time of upheaval as we painfully strive toward a more perfect union. With her signature sharp wit, Oluo exposes how white male identity not only blatantly marks our divided culture today, from presidential politics to popular culture, but it is insidiously embedded even in the history of apparent progress, from women entering the workforce, to rising access to higher education, to the work of white civil rights advocates and male feminists. Oluo relates the glorification of White male aggression behind Western Expansion, the disdain of women workers strengthening the Great Depression, the fear of racial integration driving the Great Migration, and more examples of how White male America was forged and reinforced-at a devastating cost. Far from arguing that all white men are mediocre, Oluo instead challenges a national narrative that for generations has defined success exclusively around white men. Status for white men is granted only in relation to others, and is separated from actual achievement. This is not a benign mediocrity; it is brutal for everyone who is erased. Deeply researched, passionate, and revelatory, Oluo's Mediocre argues that if we wish to move beyond the rancorous politics where only white men are created equal, if we wish to write better stories for the next generation of Americans, we first need upend everything we thought we knew about our founding stories"–

    Assata: An Autobiography
    Shakur, Assata. Assata: An Autobiography. Chicago: Lawrence Hill Books, 2001. Book @ Harvard LibraryAbstract

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    "On May 2, 1973, Black Panther Assata Shakur, aka JoAnne Chesimard, lay in a hospital, close to death, handcuffed to her bed, while local, state, and federal police attempted to question her about the shootout on the New Jersey Turnpike that claimed the life of a white state trooper. Long a target of J. Edgar Hoover's campaign to defame, infilitrate, and criminalize Black nationalist organizations and their leaders, Shakur was incarcerated for four years prior to her conviction on flimsy evidence in 1977 as an accomplice to murder. ... Two years after her conviction, Assata Shakur escaped from prison. She was given political asylum by Cuba, where she now resides." From the bookjacket.

    Palestinian Walks: Forays Into a Vanishing Landscape
    Shehadeh, Raja. Palestinian Walks: Forays Into a Vanishing Landscape. New York: Scribner, 2008. Book @ Harvard LibraryAbstract
    "Raja Shehadeh is a passionate hill walker. He enjoys nothing more than heading out into the countryside that surrounds his home. But in recent years, his hikes have become less than bucolic and sometimes downright dangerous. That is because his home is Ramallah, on the Palestinian West Bank, and the landscape he traverses is now the site of a tense standoff between his fellow Palestinians and settlers newly arrived from Israel.

    In this original and evocative book, we accompany Raja on six walks taken between 1978 and 2006. The earlier forays are peaceful affairs, allowing our guide to meditate at length on the character of his native land, a terrain of olive trees on terraced hillsides, luxuriant valleys carved by sacred springs, carpets of wild iris and hyacinth and ancient monasteries built more than a thousand years ago. Shehadeh's love for this magical place saturates his renderings of its history and topography. But latterly, as seemingly endless concrete is poured to build settlements and their surrounding walls, he finds the old trails are now impassable and the countryside he once traversed freely has become contested ground. He is harassed by Israeli border patrols, watches in terror as a young hiking companion picks up an unexploded missile and even, on one occasion when accompanied by his wife, comes under prolonged gunfire.

    Amid the many and varied tragedies of the Middle East, the loss of a simple pleasure such as the ability to roam the countryside at will may seem a minor matter. But in Palestinian Walks, Raja Shehadeh's elegy for his lost footpaths becomes a heartbreaking metaphor for the deprivations of an entire people estranged from their land." --Publisher description.
    In the Country of Women: A Memoir
    Straight, Susan. In the Country of Women: A Memoir. New York: Catapult, 2019. Book @ Harvard LibraryAbstract
    "In inland Southern California, near the desert and the Mexican border, Susan Straight, a self-proclaimed book nerd, and Dwayne Sims, an African American basketball player, started dating in high school. After college, they married and drove to Amherst, Massachusetts, where Straight met her teacher and mentor, James Baldwin, who encouraged her to write. Once back in Riverside, at driveway barbecues and fish fries with the large, close-knit Sims family, Straight--and eventually her three daughters--heard for decades the stories of Dwayne's female ancestors. Some women escaped violence in post-slavery Tennessee, some escaped murder in Jim Crow Mississippi, and some fled abusive men. Straight's mother-in-law, Alberta Sims, is the descendant at the heart of this memoir. Susan's family, too, reflects the hardship and resilience of women pushing onward--from Switzerland, Canada, and the Colorado Rockies to California. A Pakistani word, biraderi, is one Straight uses to define a complex system of kinship and clan--those who become your family. An entire community helped raise her daughters. Of her three girls, now grown and working in museums and the entertainment industry, Straight writes, "The daughters of our ancestors carry in their blood at least three continents. We are not about borders. We are about love and survival." In the Country of Women is a valuable social history and a personal narrative that reads like a love song to America and indomitable women." -- from Jacket.
    The Heartbeat of Wounded Knee: Native America from 1890 to the Present
    Treuer, David. The Heartbeat of Wounded Knee: Native America from 1890 to the Present. New York: Riverhead Books, 2019. Book @ Harvard LibraryAbstract

    View eBook @ Harvard Library [HarvardKey required]

    The received idea of Native American history -- as promulgated by books like Dee Brown's 1970 mega-bestselling Bury My Heart at Wounded Knee -- has been that American Indian history essentially ended with the 1890 massacre at Wounded Knee. Not only did one hundred fifty Sioux die at the hands of the U.S. Cavalry, but Native civilization did as well. Growing up Ojibwe on a reservation in Minnesota, training as an anthropologist, and researching Native life past and present for his nonfiction and novels, David Treuer has uncovered a different narrative. Because they did not disappear -- and not despite but rather because of their intense struggles to preserve their language, their traditions, their families, and their very existence -- the story of American Indians since the end of the nineteenth century to the present is one of unprecedented resourcefulness and reinvention. Treuer melds history with reportage and memoir. Tracing the tribes' distinctive cultures from first contact, he explores how the depredations of each era spawned new modes of survival. The devastating seizures of land gave rise to increasingly sophisticated legal and political maneuvering that put the lie to the myth that Indians don't know or care about property. The forced assimilation of their children at government-run boarding schools incubated a unifying Native identity. Conscription in the U.S. military and the pull of urban life brought Indians into the mainstream and modern times, even as it steered the emerging shape of self-rule and spawned a new generation of resistance. The Heartbeat of Wounded Knee is the intimate story of a resilient people in a transformative era.

    Milk
    Van Sant, Gus. Milk. United States: Universal Studios Home Entertainment, 2009. Film @ Harvard LibraryAbstract
    His life changed history, his courage changed lives. Harvey Milk is a middle-aged New Yorker who, after moving to San Francisco, becomes a Gay Rights activist and city politician. On his third attempt, he is elected to San Francisco's Board of Supervisors in 1977, the first openly-gay man to be elected to public office in the United States. The following year, both he and the city's mayor, George Moscone, are shot to death by former city supervisor, Dan White, who blames his former colleagues for denying White's attempt to rescind his resignation from the board. Based on the true story of Harvey Milk.
    Pride
    Warchus, Matthew. Pride. United Kingdom: Sony Pictures Home Entertainment, 2014. Film @ Harvard LibraryAbstract
    U.K. gay activists work to assist miners during their extended strike of the National Union of Mineworkers in the summer of 1984.
    Howard Zinn on Race
    Zinn, Howard. Howard Zinn on Race. New York: Seven Stories Press, 2011. Book @ Harvard LibraryAbstract
    "Howard Zinn on Race is Zinn's choice of the shorter writings and speeches that best reflect his views on America's most taboo topic. As chairman of the history department at all black women's Spelman College, Zinn was an outspoken supporter of student activists in the nascent civil rights movement. In "The Southern Mystique," he tells of how he was asked to leave Spelman in 1963 after teaching there for seven years. "Behind every one of the national government's moves toward racial equality," writes Zinn in one 1965 essay, "lies the sweat and effort of boycotts, picketing, beatings, sit-ins, and mass demonstrations." He firmly believed that bringing people of different races and nationalities together would create a more compassionate world, where equality is a given and not merely a dream. These writings, which span decades, express Zinn's steadfast belief that the people have the power to change the status quo, if they only work together and embrace the nearly forgotten American tradition of civil disobedience and revolution. In clear, compassionate, and present prose, Zinn gives us his thoughts on the Abolitionists, the march from Selma to Montgomery, John F. Kennedy, picketing, sit-ins, and, finally, the message he wanted to send to New York University students about race in a speech he delivered during the last week of his life"–
    Our History Is the Future: Standing Rock versus the Dakota Access Pipeline, and the Long Tradition of Indigenous Resistance
    Estes, Nick. Our History Is the Future: Standing Rock versus the Dakota Access Pipeline, and the Long Tradition of Indigenous Resistance. London, New York: Verso, 2019. Book @ Harvard LibraryAbstract

    View eBook @ Harvard Library [HarvardKey required]

    "In 2016, a small protest encampment at the Standing Rock reservation in North Dakota, initially established to block construction of the Dakota Access oil pipeline, grew to be the largest Indigenous protest movement in the twenty-first century, attracting tens of thousands of Indigenous and non-Native allies from around the world. Its slogan "Mni Wiconi"–Water is Life–was about more than just a pipeline. Water Protectors knew this battle for Native sovereignty had already been fought many times before, and that, even after the encampment was gone, their anti-colonial struggle would continue. In Our History is the Future, Nick Estes traces traditions of Indigenous resistance leading to the \#NoDAPL movement from the days of the Missouri River trading forts through the Indian Wars, the Pick-Sloan dams, the American Indian Movement, and the campaign for Indigenous rights at the United Nations. While a historian by trade, Estes also draws on observations from the encampments and from growing up as a citizen of the Oceti Sakowin (the Nation of the Seven Council Fires), making Our History is the Future at once a work of history, a personal story, and a manifesto"– provided by publisher.

    Horses, Horses, In the End the Light Remains Pure: A Tale that Begins with Fukushima
    Furukawa, Hideo, Douglas Slaymaker, and Akiko Takenaka. Horses, Horses, In the End the Light Remains Pure: A Tale that Begins with Fukushima. Weatherhead books on Asia. New York: Columbia University Press, 2016. Book @ Harvard LibraryAbstract

    View eBook @ Harvard Library [HarvardKey required]

    "Horses, Horses, in the End the Light Remains Pure is a multifaceted literary response to the earthquake, tsunami, and nuclear meltdown that devastated northeast Japan on March 11, 2011. The novel is narrated by Hideo Furukawa, who travels back to his childhood home near Fukushima after 3/11 to reconnect with a place that is now doubly alien. His ruminations conjure the region's storied past, particularly its thousand-year history of horses, humans, and the struggle with a rugged terrain. Standing in the morning light, these horses also tell their stories, heightening the sense of liberation, chaos, and loss that accompanies Furukawa's rich recollections. A fusion of fiction, history, and memoir."--Syndetics.

    Out In Time: The Public Lives of Gay Men from Stonewall to the Queer Generation
    Halkitis, Perry N. Out In Time: The Public Lives of Gay Men from Stonewall to the Queer Generation. New York: Oxford University Press, 2019. Book @ Harvard LibraryAbstract

    View eBook @ Harvard Library [HarvardKey required]

    "The civil rights of LGBTQ people have slowly yet steadily strengthened since the Stonewall Riots of June, 1969. Despite enormous opposition from some political segments and the catastrophic effects of the AIDS crisis, the last five decades have witnessed improvement in the conditions of the lives of LGBTQ individuals in the United States. As such, the realities and challenges faced by a young gay man coming of age and coming out in the 1960s is, in many profound ways, different from the experiences of a young gay man coming of age and coming out today. Out in Time explores the life experiences of three generations of gay men --the Stonewall, AIDS, and Queer generations-- arguing that while there are generational differences in the lived experiences of young gay men, each one confronts its own unique historical events, realities, and socio-political conditions, there are consistencies across time that define and unify the identity formation of gay men. Guided by the vast research literature on gay identity formation and coming out, the ideas and themes explored here are seen through the oral histories of a diverse set of fifteen gay men, five from each generation. Out in Time demonstrates how early life challenges define and shape the life courses of gay men, demarcating both the specific time-bound challenges encountered by each generation, and the universal challenges encountered by gay men coming of age across all generations and the conditions that define their lives."--Publisher's description

    Gay Bar: Why We Went Out
    Lin, Jeremy Atherton. Gay Bar: Why We Went Out. New York: Little, Brown and Company, 2021. Book @ Harvard LibraryAbstract
    "Strobing lights and dark rooms, drag queens on counters, first kisses, last call; the gay bar has long been a place of solidarity and sexual expression. Now they are closing, a cultural demolition that has Jeremy Atherton Lin wondering: Could this spell the end of gay identity as we know it? In prose as exuberant as a hit of poppers and dazzling as a disco ball, the author embarks on a transatlantic tour of the hangouts that marked his life, with each club, pub and dive revealing itself to be a palimpsest of queer history. Gay Bar time-travels from Hollywood nights in the 1970s to a warren of cruising tunnels built beneath London in the 1770s; from chichi bars in the wake of AIDS to today's fluid queer spaces; through glory holes, into Crisco-slicked dungeons and down San Francisco alleys. Atherton Lin charts police raids and riots, posing and passing out--and a chance encounter one restless night that would change his life forever. The journey that emerges is an inquiry into the link between place and identity, inviting us to go beyond Stonewall and enter the underground"--adapted from book jacket.

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