When she changed genders, she changed the world. It was the groundbreaking publication of She’s Not There in 2003 that jump-started the transgender revolution. By turns hilarious and deeply moving, Boylan – a cast member on I Am Cait; an advisor to the television series Transparent, and a contributing opinion writer for the New York Times – explores the territory that lies between men and women, examines changing friendships, and rejoices in the redeeming power of love and family.
She’s Not There was one of the first works to present trans experience from the perspective of a literary novelist, opening a door to new understanding of love, sex, gender, and identity. Boylan inspired readers to ask the same questions she asked herself: What is it that makes us—ourselves? What does it mean to be a man, or a woman? How much could my husband, or wife, change—and still be recognizable as the one I love?
Boylan’s humorous, wise voice helped make She’s Not There the first bestselling work by a transgender American–and transformed Boylan into a national spokeswoman for LGBTQ people, their families, and the people that love them. This updated and revised edition also includes a new epilogue from Jenny’s wife Grace; it also contains the original afterward by her friend, novelist and Pulitzer Prize winner Richard Russo.
“Love will prevail,” said Boylan’s conservative mother, as she learned about her daughter’s identity. She’s Not There is the story that helped bring about a world in which that change seems almost possible." - provided by publisher.
"When Patsy gets her long-coveted visa to America, she looks forward leaving Pennyfield, the beautiful but impoverished Jamaican town where they were raised. Her plans don't include her overzealous, evangelical mother-- or her own five-year-old daughter, Tru. When Patsy arrives in Brooklyn, she survives as an undocumented immigrant, working as a bathroom attendant and nanny. Meanwhile, Tru builds a faltering relationship with her father back in Jamaica, grappling with her own questions of identity and sexuality, and trying desperately to empathize with her mother's decision." -- adapted from jacket
Writing in fragmented yet coherent sections, the author shares with us her interior monologue, affording the reader a uniquely honest, insightful, and deeply personal glimpse into a woman’s first and second journeys into motherhood. Giménez Smith begins Bring Down the Little Birds by detailing the relationship with her own mother, from whom her own concept of motherhood originated, a conception the author continually reevaluates and questions over the course of the book.
Combining fragments of thought, daydreams, entries from notebooks both real and imaginary, and real-life experiences, Giménez Smith interrogates everything involved in becoming and being a mother for both the first and second time, from wondering what her children will one day know about her own “secret life” to meditations on the physical effects of pregnancy as well as the myths, the nostalgia, and the glorification of motherhood.
While Giménez Smith incorporates universal experiences of motherhood that other authors have detailed throughout literature, what separates her book from these many others is that her reflections are captured in a style that establishes an intimacy and immediacy between author and reader through which we come to know the secret life of a mother and are made to question our own conception of what motherhood really means."