"In a landmark book, an extraordinary young woman recounts her coming-of-age as a transgender teen--a deeply personal and empowering portrait of self-revelation, adversity, and heroism. In 2011, Marie Claire magazine published a profile of Janet Mock in which she publicly stepped forward for the first time as a trans woman. Since then, Mock has gone from covering the red carpet for People.com to advocating for all those who live within the shadows of society. Redefining Realness offers a bold new perspective on being young, multiracial, economically challenged, and transgender in America. Welcomed into the world as her parents' firstborn son, Mock set out early on to be her own person--no simple feat for a young person like herself. She struggled as the smart, determined child in a deeply loving, yet ill-equipped family that lacked money, education, and resources. Mock had to navigate her way through her teen years without parental guidance but luckily with a few close friends and mentors she overcame extremely daunting hurdles. This powerful memoir follows Mock's quest for identity, from her early gender conviction to a turbulent adolescence in Honolulu that found her transitioning through the halls of her school, self-medicating with hormones at fifteen, and flying across the world for sex reassignment surgery at just eighteen. Ever resilient, Mock emerged with a scholarship to college and moved to New York City, where she earned her masters degree, basked in the success of an enviable career, and told no one about her past. It wasn't until Mock fell for a man who called her the woman of his dreams that she felt ready to finally tell her story, becoming a fierce advocate for girls like herself. A profound statement of affirmation from a courageous woman, Redefining Realness shows as never before what it means to be a woman today and how to be yourself when you don't fit the mold created for you"-- Provided by publisher.
"Activist-academic Meg-John Barker and cartoonist Julia Scheele illuminate the histories of queer thought and LGBTQ+ action in this groundbreaking non-fiction graphic novel. From identity politics and gender roles to privilege and exclusion, Queer explores how we came to view sex, gender and sexuality in the ways that we do; how these ideas get tangled up with our culture and our understanding of biology, psychology and sexology; and how these views have been disputed and challenged. Along the way we look at key landmarks which shift our perspective of what's 'normal'--Alfred Kinsey's view of sexuality as a spectrum, Judith Butler's view of gendered behaviour as a performance, the play Wicked, or moments in Casino Royale when we're invited to view James Bond with the kind of desiring gaze usually directed at female bodies in mainstream media."--Publisher description.
"When Patsy gets her long-coveted visa to America, she looks forward leaving Pennyfield, the beautiful but impoverished Jamaican town where they were raised. Her plans don't include her overzealous, evangelical mother-- or her own five-year-old daughter, Tru. When Patsy arrives in Brooklyn, she survives as an undocumented immigrant, working as a bathroom attendant and nanny. Meanwhile, Tru builds a faltering relationship with her father back in Jamaica, grappling with her own questions of identity and sexuality, and trying desperately to empathize with her mother's decision." -- adapted from jacket
"Ames Hawkins's These are Love(d) Letters is a genre-bending visual memoir and work of literary nonfiction that explores the questions: What inspires a person to write a love letter? What inspires a person to save a love letter even when the love has shifted or left? And what does it mean when a person uses someone else's love letters as a place from which to create their own sense of self? Beginning with the "simple act" of the author receiving twenty letters written by her father to her mother over a six-week period in 1966, These are Love(d) Letters provides a complex pictorial and textual exploration of the work of the love letter. Through intimate and incisive prose-the letters were, after all, always intended to be a private dialogue between her parents-Hawkins weaves her own struggles with gender, sexuality, and artistic awakening in relation to the story of her parents' marriage that ended in divorce. Her father's HIV diagnosis and death by complications related to AIDS provide the context for an unflinchingly honest look at bodily disease and mortality. Hawkins delicately and relentlessly explores the tensions in a father-daughter relationship that stem from a differently situated connection to queer identity and a shared struggle with artistic desire. In communion with queer and lesbian writers from Emily Dickinson and Virginia Woolf to Alison Bechdel and Maggie Nelson, Hawkins pushes exploration of the self with the same intellectual rigor that she critiques the limits of epistolarity by continually relocating all the generative and arresting creative powers of this found art with scholarly rhetorical strategies. Exquisitely designed by Jessica Jacobs, These are Love(d) Letters presents an affective experience that reinforces Hawkins's meditations on the ephemeral beauty of love letters. As poetic as it is visually enticing, the book offers both an unconventional and queer(ed) understanding of the documentarian form, which will excite both readers and artists across and beyond genres."