"In 2019, traditional masculinity is both rewarded and sanctioned. Men grow up being told that boys don’t cry and dolls are for girls (a newer phenomenon than you might realize—gendered toys came back in vogue as recently as the 80s). They learn they must hide their feelings and anxieties, that their masculinity must constantly be proven. They must be the breadwinners, they must be the romantic pursuers. This hasn’t been good for the culture at large: 99% of school shooters are male; men in fraternities are 300% (!) more likely to commit rape; a woman serving in uniform has a higher likelihood of being assaulted by a fellow soldier than to be killed by enemy fire.
"In For the Love of Men, Liz offers a smart, insightful, and deeply-researched guide for what we're all going to do about toxic masculinity. For both women looking to guide the men in their lives and men who want to do better and just don’t know how, For the Love of Men will lead the conversation on men's issues in a society where so much is changing, but gender roles have remained strangely stagnant. What are we going to do about men? Liz Plank has the answer. And it has the possibility to change the world for men and women alike." -- Provided by publisher.
In After I Was Raped, we meet five individuals: a four-year-old girl, two Dalit women, an eight-month-old infant and a young professional. Through extensive interviews with them and their families and communities at large, Urmi Bhattacheryya reveals the stories of these survivors of sexual violence, as they recount how their lives and relationships have changed in the aftermath of assault. Shamed, ostracized and weighed down by guilt and depression, they continue to brave the most challenging realities.
At a time when only high-profile, sensationalized cases of sexual violence provoke a public reaction and many stories go unheard, Bhattacheryya’s sensitive portrayal of the lives of these little-known survivors raises difficult but important questions about our convenient collective amnesia." - provided by publisher.
"When Patsy gets her long-coveted visa to America, she looks forward leaving Pennyfield, the beautiful but impoverished Jamaican town where they were raised. Her plans don't include her overzealous, evangelical mother-- or her own five-year-old daughter, Tru. When Patsy arrives in Brooklyn, she survives as an undocumented immigrant, working as a bathroom attendant and nanny. Meanwhile, Tru builds a faltering relationship with her father back in Jamaica, grappling with her own questions of identity and sexuality, and trying desperately to empathize with her mother's decision." -- adapted from jacket
"Cassandra Lane's debut memoir WE ARE BRIDGES follows her late entry into pregnancy and motherhood. As she prepares to give birth, she traces the history of her Black American family in the early twentieth-century rural South, including the lynching of her great-grandfather, Burt Bridges, and the pregnancy of her great-grandmother, Mary. With almost no physical record of her ancestors, Cassandra crafts a narrative of familial love and loss to pass on to her child, rescuing the story of her family from erasure"-- Provided by publisher.
"She was know to the world as Emily Doe when she stunned millions with a letter. Brock Turner had been sentenced to just six months in county jail after he was found sexually assaulting her on Stanford's campus. Her victim impact statement was posted on BuzzFeed, where it instantly went viral--viewed by almost eleven million people within four days, it was translated globally and read on the floor of Congress; it inspired changes in California law and the recall of the judge in the case. Thousands wrote to say that she had given them the courage to share their own experiences of assault for the first time. Now she reclaims her identity to tell her story of trauma, transcendence, and the power of words. It was the perfect case, in many ways--there were eyewitnesses, Turner ran away, physical evidence was immediately secured. But her struggles with isolation and shame during the aftermath and the trial reveal the oppression victims face in even the best-case scenarios. Her story illuminates a culture biased to protect perpetrators, indicts a criminal justice system designed to fail the most vulnerable, and, ultimately, shines with the courage required to move through suffering and live a full and beautiful life. "Know My Name" will forever transform the way we think about sexual assault, challenging our beliefs about what is acceptable and speaking truth to the tumultuous reality of healing. It also introduces readers to an extraordinary writer, one whose words have already changed our world. Entwining pain, resilience, and humor, this memoir will stand as a modern classic." -- summary from book jacket.
"Woman, Native, Other is located at the junction of a number of different fields and disciplines, and it genuinely succeeds in publishing the boundaries of these disciplines further ... In this first full-length study, Trinh Minh-ha examines post-colonial processes of displacement -- cultural hybridization and decentered realities, fragmented selves and multiple identities, marginal voices and languages of rupture. Working at the intersection of several fields -- women's studies, anthropology, critical cultural studies, literary criticism, and feminist theory, she juxtaposes numerous prevailing contemporary discourses in a form that questions the (male-is-norm) literary and theoretical establishment."--Back cover.
"In a landmark book, an extraordinary young woman recounts her coming-of-age as a transgender teen--a deeply personal and empowering portrait of self-revelation, adversity, and heroism. In 2011, Marie Claire magazine published a profile of Janet Mock in which she publicly stepped forward for the first time as a trans woman. Since then, Mock has gone from covering the red carpet for People.com to advocating for all those who live within the shadows of society. Redefining Realness offers a bold new perspective on being young, multiracial, economically challenged, and transgender in America. Welcomed into the world as her parents' firstborn son, Mock set out early on to be her own person--no simple feat for a young person like herself. She struggled as the smart, determined child in a deeply loving, yet ill-equipped family that lacked money, education, and resources. Mock had to navigate her way through her teen years without parental guidance but luckily with a few close friends and mentors she overcame extremely daunting hurdles. This powerful memoir follows Mock's quest for identity, from her early gender conviction to a turbulent adolescence in Honolulu that found her transitioning through the halls of her school, self-medicating with hormones at fifteen, and flying across the world for sex reassignment surgery at just eighteen. Ever resilient, Mock emerged with a scholarship to college and moved to New York City, where she earned her masters degree, basked in the success of an enviable career, and told no one about her past. It wasn't until Mock fell for a man who called her the woman of his dreams that she felt ready to finally tell her story, becoming a fierce advocate for girls like herself. A profound statement of affirmation from a courageous woman, Redefining Realness shows as never before what it means to be a woman today and how to be yourself when you don't fit the mold created for you"-- Provided by publisher.
"Keiko Furukura had always been considered a strange child, and her parents always worried how she would get on in the real world, so when she takes on a job in a convenience store while at university, they are delighted for her. For her part, in the convenience store she finds a predictable world mandated by the store manual, which dictates how the workers should act and what they should say, and she copies her coworkers' style of dress and speech patterns so that she can play the part of a normal person. However, eighteen years later, at age 36, she is still in the same job, has never had a boyfriend, and has only few friends. She feels comfortable in her life, but is aware that she is not living up to society's expectations and causing her family to worry about her. When a similarly alienated but cynical and bitter young man comes to work in the store, he will upset Keiko's contented stasis--but will it be for the better? Sayaka Murata brilliantly captures the atmosphere of the familiar convenience store that is so much part of life in Japan. With some laugh-out-loud moments prompted by the disconnect between Keiko's thoughts and those of the people around her, she provides a sharp look at Japanese society and the pressure to conform, as well as penetrating insights into the female mind. Convenience Store Woman is a fresh, charming portrait of an unforgettable heroine that recalls Banana Yoshimoto, Han Kang, and Amélie ." -- (Source of summary not specified).
"In her new book, rather than tear down the statues of certain white men, Ijeoma Oluo casts her eye on the long view of a nation that, as a whole, has built a dominant identity for white men. Her book challenges what we value most in America, during a tumultuous time of upheaval as we painfully strive toward a more perfect union. With her signature sharp wit, Oluo exposes how white male identity not only blatantly marks our divided culture today, from presidential politics to popular culture, but it is insidiously embedded even in the history of apparent progress, from women entering the workforce, to rising access to higher education, to the work of white civil rights advocates and male feminists. Oluo relates the glorification of White male aggression behind Western Expansion, the disdain of women workers strengthening the Great Depression, the fear of racial integration driving the Great Migration, and more examples of how White male America was forged and reinforced-at a devastating cost. Far from arguing that all white men are mediocre, Oluo instead challenges a national narrative that for generations has defined success exclusively around white men. Status for white men is granted only in relation to others, and is separated from actual achievement. This is not a benign mediocrity; it is brutal for everyone who is erased. Deeply researched, passionate, and revelatory, Oluo's Mediocre argues that if we wish to move beyond the rancorous politics where only white men are created equal, if we wish to write better stories for the next generation of Americans, we first need upend everything we thought we knew about our founding stories"–