"Weaver has crafted a virtual planet in this book with plenty of alternate geographies for readers of all flavors and stripes. Marvelous. Huge. Prodigious." --North American Review
"Jericho Brown's daring new book The Tradition details the normalization of evil and its history at the intersection of the past and the personal. Brown's poetic concerns are both broad and intimate, and at their very core a distillation of the incredibly human: What is safety? Who is this nation? Where does freedom truly lie? Brown makes mythical pastorals to question the terrors to which we've become accustomed, and to celebrate how we survive. Poems of fatherhood, legacy, blackness, queerness, worship, and trauma are propelled into stunning clarity by Brown's mastery, and his invention of the duplex--a combination of the sonnet, the ghazal, and the blues--testament to his formal skill. The Tradition is a cutting and necessary collection, relentless in its quest for survival while reveling in a celebration of contradiction"--Goodreads.com.
"When Patsy gets her long-coveted visa to America, she looks forward leaving Pennyfield, the beautiful but impoverished Jamaican town where they were raised. Her plans don't include her overzealous, evangelical mother-- or her own five-year-old daughter, Tru. When Patsy arrives in Brooklyn, she survives as an undocumented immigrant, working as a bathroom attendant and nanny. Meanwhile, Tru builds a faltering relationship with her father back in Jamaica, grappling with her own questions of identity and sexuality, and trying desperately to empathize with her mother's decision." -- adapted from jacket
"Kali Fajardo-Anstine's magnetic story collection breathes life into her Latina characters of indigenous ancestry and the land they inhabit in the American West. Against the remarkable backdrop of Denver, Colorado--a place that is as fierce as it is exquisite--these women navigate the land the way they navigate their lives: with caution, grace, and quiet force."
"Ames Hawkins's These are Love(d) Letters is a genre-bending visual memoir and work of literary nonfiction that explores the questions: What inspires a person to write a love letter? What inspires a person to save a love letter even when the love has shifted or left? And what does it mean when a person uses someone else's love letters as a place from which to create their own sense of self? Beginning with the "simple act" of the author receiving twenty letters written by her father to her mother over a six-week period in 1966, These are Love(d) Letters provides a complex pictorial and textual exploration of the work of the love letter. Through intimate and incisive prose-the letters were, after all, always intended to be a private dialogue between her parents-Hawkins weaves her own struggles with gender, sexuality, and artistic awakening in relation to the story of her parents' marriage that ended in divorce. Her father's HIV diagnosis and death by complications related to AIDS provide the context for an unflinchingly honest look at bodily disease and mortality. Hawkins delicately and relentlessly explores the tensions in a father-daughter relationship that stem from a differently situated connection to queer identity and a shared struggle with artistic desire. In communion with queer and lesbian writers from Emily Dickinson and Virginia Woolf to Alison Bechdel and Maggie Nelson, Hawkins pushes exploration of the self with the same intellectual rigor that she critiques the limits of epistolarity by continually relocating all the generative and arresting creative powers of this found art with scholarly rhetorical strategies. Exquisitely designed by Jessica Jacobs, These are Love(d) Letters presents an affective experience that reinforces Hawkins's meditations on the ephemeral beauty of love letters. As poetic as it is visually enticing, the book offers both an unconventional and queer(ed) understanding of the documentarian form, which will excite both readers and artists across and beyond genres."
"Steeped in Cherokee myths and history, a novel about a fractured family reckoning with the tragic death of their son long ago--from National Book Award finalist Brandon Hobson"-- Provided by publisher.
"Quah, Oklahoma. In the fifteen years since their teenage son, Ray-Ray, was killed in a police shooting, the Echota family has been suspended in private grief. The mother, Maria, increasingly struggles to manage the onset of Alzheimer's in her husband, Ernest. Their adult daughter, Sonja, leads a life of solitude, punctuated only by spells of dizzying romantic obsession. And their son, Edgar, fled home long ago, turning to drugs to mute his feelings of alienation. With the family's annual bonfire approaching-- marking both the Cherokee National Holiday and Ray-Ray's death-- each of them feels a strange blurring of the boundary between normal life and the spirit world." -- adapted from jacket
Isaiah was Samuel's and Samuel was Isaiah's. In the barn they tended to the animals, but also to each other, transforming the hollowed-out shed into a place of human refuge, a source of intimacy and hope in a world ruled by vicious masters. When an older fellow slave seeks to gain favor by preaching the master's gospel on the plantation, the enslaved begin to turn on their own. Isaiah and Samuel's love, which was once so simple, is seen as sinful and a clear danger to the plantation's harmony. -- adapted from jacket