"One evening, Ma tells Daughter a story about a tiger spirit who lived in a woman's body, named Hu Gu Po. She hungered to eat children, especially their toes. Soon afterwards, Daughter awakes with a tiger tail. And more mysterious events follow: Holes in the backyard spit up letters penned by her grandmother; a visiting aunt leaves red on everything she touches; another aunt arrives with eels in her belly. All the while, Daughter is falling for her neighbor, a girl named Ben with mysterious powers of her own. As the two young lovers translate the grandmother's letters, Daughter begins to understand that each woman in her family embodies an old Taiwanese myth–and that she will have to bring her family's secrets to light in order to change their destiny. With a poetic voice of crackling electricity, K Ming Chang is an explosive young writer who combines the wit and fabulism of Helen Oyeyemi with the magical realist aesthetic of Maxine Hong Kingston. Tracing one family's history from Mainland China to Taiwan, from Arkansas to California, Bestiary is a novel of migration, queer lineages, and womanhood"– provided by publisher.
"Offers an intersectional framework for understanding how our bodies actually experience the politics of oppression, power, and resistance. At the heart of this exploration of environmental destruction, white working-class identity, queer community, disabled sexuality, childhood sexual abuse, coalition politics, and gender transition is a call for social justice movements that are truly accessible for everyone." --Publisher description.
"Goes beyond transgender to question the need for gender classification. Beyond Trans pushes the conversation on gender identity to its limits: questioning the need for gender categories in the first place. Whether on birth certificates or college admissions applications or on bathroom doors, why do we need to mark people and places with sex categories? Do they serve a real purpose or are these places and forms just mechanisms of exclusion? Heath Fogg Davis offers an impassioned call to rethink the usefulness of dividing the world into not just Male and Female categories but even additional categories of Transgender and gender fluid. Davis, himself a transgender man, explores the underlying gender-enforcing policies and customs in American life that have led to transgender bathroom bills, college admissions controversies, and more, arguing that it is necessary for our society to take real steps to challenge the assumption that gender matters. He examines four areas where we need to re-think our sex-classification systems: sex-marked identity documents such as birth certificates, driver's licenses and passports; sex-segregated public restrooms; single-sex colleges; and sex-segregated sports. Speaking from his own experience and drawing upon major cases of sex discrimination in the news and in the courts, Davis presents a persuasive case for challenging how individuals are classified according to sex and offers concrete recommendations for alleviating sex identity discrimination and sex-based disadvantage--Publisher's website.
"A tender, potent, and compulsively readable novel of a Nigerian-Indian family and the deeply held secret that tests their traditions and bonds"– Provided by publisher., Southeastern Nigeria. Raised by a distant father and an understanding but overprotective mother, Vivek suffers disorienting blackouts, moments of disconnection between self and surroundings. As adolescence gives way to adulthood, Vivek finds solace in friendships with the boisterous daughters of the Nigerwives, foreign-born women married to Nigerian men. But Vivek's closest bond is with Osita, the worldly, high-spirited cousin whose teasing confidence masks a guarded private life. As their relationship deepens, an act of violence leads to a family's struggle with loss and transcendence. – adapted from jacket
"Kali Fajardo-Anstine's magnetic story collection breathes life into her Latina characters of indigenous ancestry and the land they inhabit in the American West. Against the remarkable backdrop of Denver, Colorado--a place that is as fierce as it is exquisite--these women navigate the land the way they navigate their lives: with caution, grace, and quiet force."
"How does a contemporary woman with a career as a poet, professor, and editor experience motherhood with one small child, another soon to be born, and her own mother suddenly diagnosed with a brain tumor and Alzheimer’s? The dichotomy between life as a mother and life as an artist and professional is a major theme in modern literature because often the two seem irreconcilable. In Bring Down the Little Birds, Carmen Giménez Smith faces this seeming irreconcilability head-on, offering a powerful and necessary lyric memoir to shed light on the difficulties—and joys—of being a mother juggling work, art, raising children, pregnancy, and being a daughter to an ailing mother, and, perhaps most important, offering a rigorous and intensely imaginative contemplation on the concept of motherhood as such.
Writing in fragmented yet coherent sections, the author shares with us her interior monologue, affording the reader a uniquely honest, insightful, and deeply personal glimpse into a woman’s first and second journeys into motherhood. Giménez Smith begins Bring Down the Little Birds by detailing the relationship with her own mother, from whom her own concept of motherhood originated, a conception the author continually reevaluates and questions over the course of the book.
Combining fragments of thought, daydreams, entries from notebooks both real and imaginary, and real-life experiences, Giménez Smith interrogates everything involved in becoming and being a mother for both the first and second time, from wondering what her children will one day know about her own “secret life” to meditations on the physical effects of pregnancy as well as the myths, the nostalgia, and the glorification of motherhood.
While Giménez Smith incorporates universal experiences of motherhood that other authors have detailed throughout literature, what separates her book from these many others is that her reflections are captured in a style that establishes an intimacy and immediacy between author and reader through which we come to know the secret life of a mother and are made to question our own conception of what motherhood really means."
"Ames Hawkins's These are Love(d) Letters is a genre-bending visual memoir and work of literary nonfiction that explores the questions: What inspires a person to write a love letter? What inspires a person to save a love letter even when the love has shifted or left? And what does it mean when a person uses someone else's love letters as a place from which to create their own sense of self? Beginning with the "simple act" of the author receiving twenty letters written by her father to her mother over a six-week period in 1966, These are Love(d) Letters provides a complex pictorial and textual exploration of the work of the love letter. Through intimate and incisive prose-the letters were, after all, always intended to be a private dialogue between her parents-Hawkins weaves her own struggles with gender, sexuality, and artistic awakening in relation to the story of her parents' marriage that ended in divorce. Her father's HIV diagnosis and death by complications related to AIDS provide the context for an unflinchingly honest look at bodily disease and mortality. Hawkins delicately and relentlessly explores the tensions in a father-daughter relationship that stem from a differently situated connection to queer identity and a shared struggle with artistic desire. In communion with queer and lesbian writers from Emily Dickinson and Virginia Woolf to Alison Bechdel and Maggie Nelson, Hawkins pushes exploration of the self with the same intellectual rigor that she critiques the limits of epistolarity by continually relocating all the generative and arresting creative powers of this found art with scholarly rhetorical strategies. Exquisitely designed by Jessica Jacobs, These are Love(d) Letters presents an affective experience that reinforces Hawkins's meditations on the ephemeral beauty of love letters. As poetic as it is visually enticing, the book offers both an unconventional and queer(ed) understanding of the documentarian form, which will excite both readers and artists across and beyond genres."
In the ensuing years, as Harper learned to become an effective ER physician, bringing insight and empathy to every patient encounter, she came to understand that each of us is broken—physically, emotionally, psychically. How we recognize those breaks, how we try to mend them, and where we go from there are all crucial parts of the healing process.
The Beauty in Breaking is the poignant true story of Harper’s journey toward self-healing. Each of the patients Harper writes about taught her something important about recuperation and recovery. How to let go of fear even when the future is murky: How to tell the truth when it’s simpler to overlook it. How to understand that compassion isn’t the same as justice. As she shines a light on the systemic disenfranchisement of the patients she treats as they struggle to maintain their health and dignity, Harper comes to understand the importance of allowing ourselves to make peace with the past as we draw support from the present. In this hopeful, moving, and beautiful book, she passes along the precious, necessary lessons that she has learned as a daughter, a woman, and a physician." - Publisher description.
"In a memoir spanning decades of artistic risk-taking, Genesis P-Orridge, the inventor of "industrial music," founder of Throbbing Gristle and Psychic TV, and world-renowned fine artist takes us on a journey through creativity and destruction, pleasure and pain. Genesis's unwillingness to be stuck-in one place, in one genre, or in one gender-will be an inspiration to the newest generation of trailblazers and nonconformists. It's for an audience that cannot and will not be ignored. 'Nonbinary' has far-reaching potential because of Genesis's remarkable body of work. It is full of great stories about Genesis's experiences with icons like William S. Burroughs and Ian Curtis."