"Phil Klay's Redeployment takes readers to the frontlines of the wars in Iraq and Afghanistan, asking us to understand what happened there, and what happened to the soldiers who returned. Interwoven with themes of brutality and faith, guilt and fear, helplessness and survival, the characters in these stories struggle to make meaning out of chaos. In "Redeployment", a soldier who has had to shoot dogs because they were eating human corpses must learn what it is like to return to domestic life in suburbia, surrounded by people "who have no idea where Fallujah is, where three members of your platoon died." In "After Action Report", a Lance Corporal seeks expiation for a killing he didn't commit, in order that his best friend will be unburdened. A Mortuary Affairs Marine tells about his experiences collecting remains-of U.S. and Iraqi soldiers both. A chaplain sees his understanding of Christianity, and his ability to provide solace through religion, tested by the actions of a ferocious Colonel. And in the darkly comic "Money as a Weapons System", a young Foreign Service Officer is given the absurd task of helping Iraqis improve their lives by teaching them to play baseball. These stories reveal the intricate combination of monotony, bureaucracy, comradeship and violence that make up a soldier's daily life at war, and the isolation, remorse, and despair that can accompany a soldier's homecoming. Redeployment is poised to become a classic in the tradition of war writing. Across nations and continents, Klay sets in devastating relief the two worlds a soldier inhabits: one of extremes and one of loss. Written with a hard-eyed realism and stunning emotional depth, this work marks Phil Klay as one of the most talented new voices of his generation"– Provided by publisher.
Eleven-year-old Pecola Breedlove, an African-American girl in an America whose love for blonde, blue-eyed children can devastate all others, prays for her eyes to turn blue, so that she will be beautiful, people will notice her, and her world will be different. The story of eleven-year-old Pecola Breedlove, the tragic heroine of Toni Morrison's haunting first novel, grew out of her memory of a girlhood friend who wanted blue eyes. Shunned by the town's prosperous black families, as well as its white families, Pecola lives with her alcoholic father and embittered, overworked mother in a shabby two-room storefront that reeks of the hopeless destitution that overwhelms their lives. In awe of her clean well-groomed schoolmates, and certain of her own intense ugliness, Pecola tries to make herself disappear as she wishes fervently, desperately for the blue eyes of a white girl. In her afterward to this novel, Morrison writes of the little girl she once knew: "Beauty was not simply something to behold, it was something one could do. The Bluest Eye was my effort to say something about that; to say something about why she had not, or possibly never would have, the experience of what she possessed and also why she prayed for so radical an alteration. Implicit in her desire was racial self-loathing. And twenty-years later I was still wondering about how one learns that. Who told her? Who made her feel that it was better to be a freak that what she was? Who had looked at her and found her so wanting, so small a weight on the beauty scale? The novel pecks away at the gaze that condemned her."
"A tender, potent, and compulsively readable novel of a Nigerian-Indian family and the deeply held secret that tests their traditions and bonds"– Provided by publisher., Southeastern Nigeria. Raised by a distant father and an understanding but overprotective mother, Vivek suffers disorienting blackouts, moments of disconnection between self and surroundings. As adolescence gives way to adulthood, Vivek finds solace in friendships with the boisterous daughters of the Nigerwives, foreign-born women married to Nigerian men. But Vivek's closest bond is with Osita, the worldly, high-spirited cousin whose teasing confidence masks a guarded private life. As their relationship deepens, an act of violence leads to a family's struggle with loss and transcendence. – adapted from jacket
"Rosa Guy's novel follows Wade Williams, a brilliant young black man who wakes up in a mental hospital and is told he has assaulted his sister. Throughout Guy's engrossing story, Wade retraces his steps to identify the circumstances that brought him to commit this unthinkable act, and reveals the rich complexity of mid-twentieth-century Harlem and its mothers, sons, and daughters, whose aspirations prevail and perish within both white and black America."–Jacket.
"This book documents the lived experiences of women of color academics who have leveraged their professional positions to challenge the status quo in their scholarship, teaching, service, activism, and leadership. By presenting reflexive work from various vantage points within and outside of the academy, contributors document the cultivation of mentoring relationships, the use of administrative roles to challenge institutional leadership, and more."
"This is the final book in the Plum Flower Trilogy ... The two previous books, The Plum Flower Dance: Poems 1985 to 2005 and The Government of Nature, reveal similar themes that address the author's personal experience with childhood abuse through the context of Daoist renderings of nature as a metaphor for the human body, with an eye to recovery and forgiveness in a very eclectic spiritual life. City of Eternal Spring chronicles Weaver's travels abroad in Taiwan and China, as well as showing the limits of cultural influence."–Publisher's description.
"From Key West to Maine, this collection of stories depicts the lives of characters who are no longer provincial but are not yet cosmopolitan. These women and their gay male friends are B-listers of a new, ironic, media-soaked culture. They live in a rich but increasingly divided America, a weirdly paradoxical country increasingly accepting of gay marriage but still marked by prejudice, religious strictures, and swaths of poverty and hopelessness. Carroll shows us people stunned by the shock of the now, who have forgotten their pasts and can't envision a future."
"In a memoir spanning decades of artistic risk-taking, Genesis P-Orridge, the inventor of "industrial music," founder of Throbbing Gristle and Psychic TV, and world-renowned fine artist takes us on a journey through creativity and destruction, pleasure and pain. Genesis's unwillingness to be stuck-in one place, in one genre, or in one gender-will be an inspiration to the newest generation of trailblazers and nonconformists. It's for an audience that cannot and will not be ignored. 'Nonbinary' has far-reaching potential because of Genesis's remarkable body of work. It is full of great stories about Genesis's experiences with icons like William S. Burroughs and Ian Curtis."