"In a memoir spanning decades of artistic risk-taking, Genesis P-Orridge, the inventor of "industrial music," founder of Throbbing Gristle and Psychic TV, and world-renowned fine artist takes us on a journey through creativity and destruction, pleasure and pain. Genesis's unwillingness to be stuck-in one place, in one genre, or in one gender-will be an inspiration to the newest generation of trailblazers and nonconformists. It's for an audience that cannot and will not be ignored. 'Nonbinary' has far-reaching potential because of Genesis's remarkable body of work. It is full of great stories about Genesis's experiences with icons like William S. Burroughs and Ian Curtis."
Scholar and activist,Paul Ortiz, challenges the notion of westward progress as exalted by widely taught formulations such as "manifest destiny" and "Jacksonian democracy," and shows how placing African American, Latinx, and Indigenous voices unapologetically front and center transforms US history into one of the working class organizing against imperialism.
"From one of the most brilliant and influential lawyers of our time comes an unforgettable true story about the redeeming potential of mercy. Bryan Stevenson was a gifted young attorney when he founded the Equal Justice Initiative, a legal practice dedicated to defending the poor, the wrongly condemned, and those trapped in the furthest reaches of our criminal justice system. One of his first cases was that of Walter McMillian, a young man sentenced to die for a notorious murder he didn't commit. The case drew Stevenson into a tangle of conspiracy, political machination, and legal brinksmanship - and transformed his understanding of mercy and justice forever."--Back cover.
"Gay Asian American Yale Law School professor Kenji Yoshino fuses legal manifesto and poetic memoir to call for a redefinition of civil rights in our law and culture. Everyone covers. To cover is to downplay a disfavored trait so as to blend into the mainstream. Because all of us possess stigmatized attributes, we all encounter pressure to cover in our daily lives. Given its pervasiveness, we may experience this pressure to be a simple fact of social life.
Against conventional understanding, Kenji Yoshino argues that the demand to cover can pose a hidden threat to our civil rights. Though we have come to some consensus against penalizing people for differences based on race, sex, sexual orientation, religion, and disability, we still routinely deny equal treatment to people who refuse to downplay differences along these lines. Racial minorities are pressed to 'act white' by changing their names, languages, or cultural practices. Women are told to 'play like men' at work. Gays are asked not to engage in public displays of same-sex affection. The devout are instructed to minimize expressions of faith, and individuals with disabilities are urged to conceal the paraphernalia that permit them to function.
In a wide-ranging analysis, Yoshino demonstrates that American civil rights law has generally ignored the threat posed by these covering demands. With passion and rigor, he shows that the work of civil rights will not be complete until it attends to the harms of coerced conformity." (Publisher's description)
The Combahee River Collective, a group of radical black feminists, was one of the most important organizations to develop out of the anti-racist and women's liberation movements of the 1960s and 70s. In this collection, founding members of the organization and contemporary activists reflect on the legacy of its contributions to black feminism and its impact on today's struggles.
"From the Pulitzer Prize finalist, author of The Moor's Account–a timely and powerful new novel about the suspicious death of a Moroccan immigrant that is at once a family saga, a murder mystery, and a love story, all of it informed by the treacherous fault lines of American culture. Nora Guerraoui, a jazz composer, returns home to a small town in the Mojave after hearing that her father, owner of a popular restaurant there, has been killed in a suspicious hit-and-run car accident. Told by multiple narrators–Nora herself, Jeremy (the Iraq war veteran with whom she develops an intimacy), widow Maryam, Efrain (an immigrant witness to the accident who refuses to get involved for fear of deportation), Coleman (the police investigator), and Driss (the dead man himself), The Other Americans deftly explores one family's secrets and hypocrisies even as it offers a portrait of Americans riven by race, class, and religion, living side by side, yet ignorant of the vicissitudes that each tribe, as it were, faces" – provided by publisher.
"One evening, Ma tells Daughter a story about a tiger spirit who lived in a woman's body, named Hu Gu Po. She hungered to eat children, especially their toes. Soon afterwards, Daughter awakes with a tiger tail. And more mysterious events follow: Holes in the backyard spit up letters penned by her grandmother; a visiting aunt leaves red on everything she touches; another aunt arrives with eels in her belly. All the while, Daughter is falling for her neighbor, a girl named Ben with mysterious powers of her own. As the two young lovers translate the grandmother's letters, Daughter begins to understand that each woman in her family embodies an old Taiwanese myth–and that she will have to bring her family's secrets to light in order to change their destiny. With a poetic voice of crackling electricity, K Ming Chang is an explosive young writer who combines the wit and fabulism of Helen Oyeyemi with the magical realist aesthetic of Maxine Hong Kingston. Tracing one family's history from Mainland China to Taiwan, from Arkansas to California, Bestiary is a novel of migration, queer lineages, and womanhood"– provided by publisher.
"Asian Americans inhabit a purgatorial status: neither white enough nor black enough, unmentioned in most conversations about racial identity. In the popular imagination, Asian Americans are all high-achieving professionals. But in reality, this is the most economically divided group in the country, a tenuous alliance of people with roots from South Asia to East Asia to the Pacific Islands, from tech millionaires to service industry laborers. How do we speak honestly about the Asian American condition--if such a thing exists? Poet and essayist Cathy Park Hong fearlessly and provocatively confronts this thorny subject, blending memoir, cultural criticism, and history to expose the truth of racialized consciousness in America. Binding these essays together is Hong's theory of "minor feelings." As the daughter of Korean immigrants, Cathy Park Hong grew up steeped in shame, suspicion, and melancholy. She would later understand that these "minor feelings" occur when American optimism contradicts your own reality--when you believe the lies you're told about your own racial identity. With sly humor and a poet's searching mind, Hong uses her own story as a portal into a deeper examination of racial consciousness in America today. This intimate and devastating book traces her relationship to the English language, to shame and depression, to poetry and artmaking, and to family and female friendship. A radically honest work of art, Minor Feelings forms a portrait of one Asian American psyche--and of a writer's search to both uncover and speak the truth"-- Provided by publisher.
A ruthlessly honest, emotionally charged, and utterly original exploration of Asian American consciousness and the struggle to be human. Hong blends memoir, cultural criticism, and history to expose the truth of racialized consciousness in America. She believes that "minor feelings" occur when American optimism contradicts your own reality-- when you believe the lies you're told about your own racial identity. -- adapted from jacket
"Xiaolu Guo is one of the most acclaimed Chinese-born writers of her generation, an iconoclastic and completely contemporary voice. Her vivid, poignant memoir, Nine Continents is the story of a curious mind coming of age in an inhospitable country, and her determination to seek a life beyond the limits of its borders. Xiaolu Guo has traveled further than most to become who she needed to be. Now, as she experiences the birth of her daughter in a London maternity ward surrounded by women from all over the world, she looks back on that journey. It begins in the fishing village shack on the East China Sea where her illiterate grandparents raised her, and brings her to a rapidly changing Beijing, full of contradictions: a thriving underground art scene amid mass censorship, curious Westerners who held out affection only to disappear back home. Eventually Xiaolu determined to see the world beyond China for herself, and now, after fifteen years in Europe, her words resonate with the insight of someone both an outsider and at home, in a world far beyond the country of her birth. Nine Continents presents a fascinating portrait of China in the eighties and nineties, how the Cultural Revolution shaped families, and how the country's economic ambitions gave rise to great change. It is also a moving testament to the birth of a creative spirit, and of a new generation being raised to become citizens of the world. It confirms Xiaolu Guo as one of world literature's most urgent voices."--Provided by publisher.