An ordinary Gazan's chronicle of the struggle to survive during Israel's 2014 invasion of Gaza The fifty-day Israel-Gaza conflict that began in early July of 2014 left over 2,100 people dead. The overwhelming majority of the dead were Palestinians, including some 500 children. Another 13,000-odd Palestinians were wounded, and 17,200 homes demolished. These statistics are sadly familiar, as is the political rhetoric from Israeli and Palestinian authorities alike. What is less familiar, however, is a sense of the ordinary Gazan society that war lays to waste. One of the few voices to make it out of Gaza was that of Atef Abu Saif, a writer and teacher from Jabalia refugee camp, whose eyewitness accounts (published in the Guardian, New York Times, and elsewhere) offered a rare window into the conflict for Western readers. Here, Abu Saif's complete diaries of the war allow us to witness the events of 2014 from the perspective of a young father, fearing for his family's safety. In The Drone Eats with Me, Abu Saif brings readers an intimate glimpse of life during wartime, as he, his wife, and his two young children attempt to live their lives with a sense of normalcy, in spite of the ever-present danger and carnage that is swallowing the place they call home.
An urgent primer on race and racism, from the host of the viral hit video series "Uncomfortable Conversations with a Black Man." "You cannot fix a problem you do not know you have." So begins Emmanuel Acho in his essential guide to the truths Americans need to know to address the systemic racism that has recently electrified protests in all fifty states. "There is a fix," Acho says. "But in order to access it, we're going to have to have some uncomfortable conversations." In Uncomfortable Conversations With a Black Man, Acho takes on all the questions, large and small, insensitive and taboo, many white Americans are afraid to ask-yet which all Americans need the answers to, now more than ever. With the same open-hearted generosity that has made his video series a phenomenon, Acho explains the vital core of such fraught concepts as white privilege, cultural appropriation, and "reverse racism." In his own words, he provides a space of compassion and understanding in a discussion that can lack both. He asks only for the reader's curiosity-but along the way, he will galvanize all of us to join the antiracist fight.
"Race: The Power of an Illusion" is a three-part documentary series produced by California Newsreel that investigates the idea of race in society, science and history. The educational documentary originally screened on American public television and was primarily funded by the Corporation for Public Broadcasting, the Ford Foundation and PBS.
"An excitement and a wonder: strange, crazed, urgent and funny...The wildly talented Adjei-Brenyah has made these edgy tales immensely charming, via his resolute, heartful, immensely likeable narrators, capable of seeing the world as blessed and cursed at once." -- George Saunders
"This book is dark and captivating and essential...A call to arms and a condemnation. Adjei-Brenyah offers powerful prose as parable. The writing in this outstanding collection will make you hurt and demand your hope. Read this book." -- Roxane Gay
A piercingly raw debut story collection from a young writer with an explosive voice; a treacherously surreal, and, at times, heartbreakingly satirical look at what it's like to be young and black in America. From the start of this extraordinary debut, Nana Kwame Adjei-Brenyah's writing will grab you, haunt you, enrage and invigorate you. By placing ordinary characters in extraordinary situations, Adjei-Brenyah reveals the violence, injustice, and painful absurdities that black men and women contend with every day in this country. These stories tackle urgent instances of racism and cultural unrest, and explore the many ways we fight for humanity in an unforgiving world. In "The Finkelstein Five," Adjei-Brenyah gives us an unforgettable reckoning of the brutal prejudice of our justice system. In "Zimmer Land," we see a far-too-easy-to-believe imagining of racism as sport. And "Friday Black" and "How to Sell a Jacket as Told by Ice King" show the horrors of consumerism and the toll it takes on us all. Entirely fresh in its style and perspective, and sure to appeal to fans of Colson Whitehead, Marlon James, and George Saunders, Friday Black confronts readers with a complicated, insistent, wrenching chorus of emotions, the final note of which, remarkably, is hope.
A treacherously surreal, and, at times, heartbreakingly satirical look at what it's like to be young and black in America. By placing ordinary characters in extraordinary situations, Adjei-Brenyah reveals the violence, injustice, and painful absurdities that black men and women contend with every day in this country. Readers are left with a complicated, insistent, wrenching chorus of emotions, the final note of which, remarkably, is hope." -- adapted from info provided
"A deeply personal work about identity and belonging in a nation coming apart at the seams, Homeland Elegies blends fact and fiction to tell an epic story of longing and dispossession in the world that 9/11 made. Part family drama, part social essay, part picaresque novel, at its heart it is the story of a father, a son, and the country they both call home. Ayad Akhtar forges a new narrative voice to capture a country in which debt has ruined countless lives and the gods of finance rule, where immigrants live in fear, and where the nation's unhealed wounds wreak havoc around the world. Akhtar attempts to make sense of it all through the lens of a story about one family, from a heartland town in America to palatial suites in Central Europe to guerrilla lookouts in the mountains of Afghanistan, and spares no one–least of all himself–in the process."–Provided by publisher.
"An extraordinary memoir from an Iranian journalist in exile about leaving her country, challenging tradition, and sparking an online movement against compulsory hijab. A photo on Masih Alinejad's Facebook page: a woman standing proudly, face bare, hair blowing in the wind. Her crime: removing her veil, or hijab, which is compulsory for women in Iran. This is the self-portrait that sparked My Stealthy Freedom, a social media campaign that went viral. But Alinejad is much more than the arresting face that sparked a campaign inspiring women to find their voices. She's also a world-class journalist whose personal story, told in her unforgettably bold and spirited voice in The Wind in My Hair, is emotional and inspiring. She grew up in a traditional village where her mother, a tailor and respected figure in the community, was the exception to the rule in a culture where women reside in their husbands' shadows. As a teenager, Alinejad was arrested for political activism and then surprised to discover she was pregnant while in police custody. When she was released, she married quickly and followed her young husband to Tehran, where she was later served divorce papers, to the embarrassment of her religiously conservative family. She spent years struggling to regain custody of her only son and remains in forced exile from her homeland and her heritage. Following Donald Trump's immigration ban, Alinejad found herself separated from her child, who lives abroad, once again. A testament to a spirit that remains unbroken, and an enlightening, intimate invitation into a world we don't know nearly enough about, The Wind in My Hair is the extraordinary memoir of a woman who overcame enormous adversity to fight for what she believes in and to encourage others to do the same."–Jacket
"A transgender reporter's narrative tour through the surprisingly vibrant queer communities sprouting up in red states, offering a vision of a stronger, more humane America. Ten years ago, Samantha Allen was a suit-and-tie-wearing Mormon missionary who cited the Bible to denounce homosexuality. Now she's a senior Daily Beast reporter happily married to another woman. A lot in her life has changed, but what hasn't changed is her deep love of red state America, and of queer people who stay in so-called flyover country rather than moving to the liberal coasts. In Real Queer America, Allen takes us on a cross-country road trip stretching all the way from Provo, Utah, to the Rio Grande Valley to the Bible Belt and to the Deep South. Her motto for the trip: 'Something gay every day.' Making pit stops at drag shows, political rallies, and hubs of queer life across the heartland, she introduces us to extraordinary LGBT people working for change, including the first openly transgender mayor in Texas, a bisexual activist in Mississippi, the manager of the only queer bar in Bloomington, Indiana, and many more. Along the way, Allen weaves in her own moving story of discovering her identity, venturing out of the closet, meeting her wife, and creating a national network of chosen family. In writing this book, she takes her place among them, reclaiming 'real America' as beautifully, unequivocally, powerfully queer. While Allen faces the dark realities and challenges of queer life in the United States head-on her book is anything but despairing. Real Queer America is a story of hope, joy, friendship, and the exhilarating possibility of change for the better."--Jacket., Review: Capturing profound cultural shifts underway in unexpected places and revealing a national network of chosen family fighting for a better world, this is a treasure trove of uplifting stories and a much-needed source of hope and inspiration in these divided times."
"A powerful, globe-trotting debut short-story collection from an exciting new writer–vivid, character-driven stories about Filipinos from every walk of life. Mia Alvar's stunning debut gives us a vivid, insightful picture of the Filipino diaspora: exiles and emigrants and wanderers uprooting their families to begin new lives in the Middle East and America–and, sometimes, turning back. One man smuggles drugs from his pharmacy in New York to Manila for his ailing father, only to discover an alarming truth about his mother. A woman living in Bahrain faces a challenge that compels her to question her marriage. A college student in Manila struggling to write fiction knows that her brother, who has gone abroad to make money, is the one living a life that stories are made of. The novella-length title story follows the unexpected fates of a journalist and a nurse during the 1970s labor strikes in Manila. Exploring the universal experience of loss, displacement, and the longing to connect across borders both real and imagined, In the Country speaks to the heart of everyone who has ever searched for a place to call home"–Provided by publisher.
"From a dazzling new literary voice, a debut novel about a Palestinian family caught between present and past, between displacement and home ... On the eve of her daughter Alia's wedding, Salma reads the girl's future in a cup of coffee dregs. She sees an unsettled life for Alia and her children; she also sees travel, and luck. While she chooses to keep her predictions to herself that day, they will all soon come to pass when the family is up rooted in the wake of the Six-Day War of 1967. Salma is forced to leave her home in Nablus; Alia's brother gets pulled into a politically militarized world he can't escape; and Alia and her gentle-spirited husband move to Kuwait City, where they reluctantly build a life with their three children. When Saddam Hussein invades Kuwait in 1990, Alia and her family once again lose their home, their land, and their story as they know it, scattering to Beirut, Paris, Boston, and beyond. Soon Alia's children begin families of their own, once again navigating the burdens (and blessings) of assimilation in foreign cities. Lyrical and heartbreaking, Salt Houses is a remarkable debut novel that challenges and humanizes an age-old conflict we might think we understand--one that asks us to confront that most devastating of all truths: you can't go home again"-- Provided by publisher.
"Rooted in Gloria Anzaldúa's experience as a Chicana, a lesbian, an activist, and a writer, the essays and poems in this volume profoundly challenged, and continue to challenge, how we think about identity. Borderlands / La Frontera remaps our understanding of what a "border" is, presenting it not as a simple divide between here and there, us and them, but as a psychic, social, and cultural terrain that we inhabit, and that inhabits all of us. This twenty-fifth anniversary edition features a new introduction by scholars Norma Cantu (University of Texas at San Antonio) and Aida Hurtado (University of California at Santa Cruz) as well as a revised critical bibliography."--Back cover.
"Author, activist, and TED speaker Ashton Applewhite has written a rousing manifesto calling for an end to discrimination and prejudice on the basis of age. In our youth obsessed culture, we're bombarded by media images and messages about the despairs and declines of our later years. Beauty and pharmaceutical companies work overtime to convince people to purchase products that will retain their youthful appearance and vitality. Wrinkles are embarrassing. Gray hair should be colored and bald heads covered with implants. Older minds and bodies are too frail to keep up with the pace of the modern working world and olders should just step aside for the new generation. Ashton Applewhite once held these beliefs too until she realized where this prejudice comes from and the damage it does. Lively, funny, and deeply researched, This Chair Rocks traces her journey from apprehensive boomer to pro-aging radical, and in the process debunks myth after myth about late life. Explaining the roots of ageism in history and how it divides and debases, Applewhite examines how ageist stereotypes cripple the way our brains and bodies function, looks at ageism in the workplace and the bedroom, exposes the cost of the all-American myth of independence, critiques the portrayal of elders as burdens to society, describes what an all-age-friendly world would look like, and offers a rousing call to action. It's time to create a world of age equality by making discrimination on the basis of age as unacceptable as any other kind of bias. Whether you're older or hoping to get there, this book will shake you by the shoulders, cheer you up, make you mad, and change the way you see the rest of your life. Age pride!
In our youth obsessed culture, we're bombarded by media images and messages about the despairs and declines of our later years. Applewhite traces her own journey from apprehensive boomer to pro-aging radical, and in the process debunks myths about late life. Explaining the roots of ageism in history and how it divides and debases, Applewhite examines how ageist stereotypes cripple the way our brains and bodies function. She believes it's time to create a world of age equality by making discrimination on the basis of age as unacceptable as any other kind of bias. -- adapted from jacket
On growing up in the American South of the 1960s--an all-American white boy--son of a long line of Methodist preachers, in the midst of the civil rights revolution, and discovering the culpability of silence within the church. "My dad was a Methodist preacher and his dad was a Methodist preacher," writes John Archibald. "It goes all the way back on both sides of my family. When I am at my best, I think it comes from that sermon place." Everything Archibald knows and believes about life is "refracted through the stained glass of the Southern church. It had everything to do with people. And fairness. And compassion." In Shaking the Gates of Hell, Archibald asks: Can a good person remain silent in the face of discrimination and horror, and still be a good person? Archibald had seen his father, the Rev. Robert L. Archibald, Jr., the son and grandson of Methodist preachers, as a moral authority, a moderate and a moderating force during the racial turbulence of the '60s, a loving and dependable parent, a forgiving and attentive minister, a man many Alabamians came to see as a saint. But was that enough? Even though Archibald grew up in Alabama in the heart of the civil rights movement, he could recall few words about racial rights or wrongs from his father's pulpit at a time the South seethed, and this began to haunt him. In this moving and powerful book, Archibald writes of his complex search, and of the conspiracy of silence his father faced in the South, in the Methodist Church and in the greater Christian church. Those who spoke too loudly were punished, or banished, or worse. Archibald's father was warned to guard his words on issues of race to protect his family, and he did. He spoke to his flock in the safety of parable, and trusted in the goodness of others, even when they earned none of it, rising through the ranks of the Methodist Church, and teaching his family lessons in kindness and humanity, and devotion to nature and the Earth. Archibald writes of this difficult, at times uncomfortable, reckoning with his past in this unadorned, affecting book of growth and evolution.
"Jenna Arnold, director of strategic engagement for the historic 2017 Women's March, helps American white women (one of the most powerful demographics in the world-but too often passive) understand how their influence, power, and voice can better serve those most in need, and how you can take an active role in creating a better future"-- Provided by publisher.
"This imaginative, soulful debut poetry collection captures the experiences of being a young Pakistani Muslim woman in contemporary America. Orphaned as a child, Fatimah Asghar grapples with coming of age and navigating questions of sexuality and race without the guidance of a mother or father. These poems at once bear anguish, joy, vulnerability, and compassion, while also exploring the man facets of violence: how it persists within us, how it is inherited across generations, and how it manifests itself in our relationships. In experimental forms and language both lyrical and raw, Asghar seamlessly braids together marginalized people's histories with her own understanding of identity, place, and belonging."
"It's Christmas Eve in Tinseltown and Sin-Dee is back on the block. Upon hearing that her pimp boyfriend hasn't been faithful during the 28 days she was locked up, the working girl and her best friend, Alexandra, embark on a mission to get to the bottom of the scandalous rumor. Their rip-roaring odyssey leads them through various subcultures of Los Angeles."
"Activist-academic Meg-John Barker and cartoonist Julia Scheele illuminate the histories of queer thought and LGBTQ+ action in this groundbreaking non-fiction graphic novel. From identity politics and gender roles to privilege and exclusion, Queer explores how we came to view sex, gender and sexuality in the ways that we do; how these ideas get tangled up with our culture and our understanding of biology, psychology and sexology; and how these views have been disputed and challenged. Along the way we look at key landmarks which shift our perspective of what's 'normal'--Alfred Kinsey's view of sexuality as a spectrum, Judith Butler's view of gendered behaviour as a performance, the play Wicked, or moments in Casino Royale when we're invited to view James Bond with the kind of desiring gaze usually directed at female bodies in mainstream media."--Publisher description.
"From Cinelle Barnes, author of the memoir Monsoon Mansion, comes a moving and reflective essay collection about finding freedom in America. Out of a harrowing childhood in the Philippines, Cinelle Barnes emerged triumphant. But as an undocumented teenager living in New York, her journey of self-discovery was just beginning. Because she couldn't get a driver's license or file taxes, Cinelle worked as a cleaning lady and a nanny and took other odd jobs–and learned to look over her shoulder, hoping she wouldn't get caught. When she falls in love and marries a white man from the South, Cinelle finds herself trying to adjust to the thorny underbelly of "southern hospitality" while dealing with being a new mother, an immigrant affected by PTSD, and a woman with a brown body in a profoundly white world. From her immigration to the United States, to navigating a broken legal system, to balancing assimilation and a sense of self, Cinelle comes to rely on her resilience and her faith in the human spirit to survive and come of age all over again. Lyrical, emotionally driven, and told through stories both lived and overheard, Cinelle's intensely personal, yet universal, exploration of race, class, and identity redefines what it means to be a woman–and an American–in a divided country."–provided by publisher