"A powerful, globe-trotting debut short-story collection from an exciting new writer–vivid, character-driven stories about Filipinos from every walk of life. Mia Alvar's stunning debut gives us a vivid, insightful picture of the Filipino diaspora: exiles and emigrants and wanderers uprooting their families to begin new lives in the Middle East and America–and, sometimes, turning back. One man smuggles drugs from his pharmacy in New York to Manila for his ailing father, only to discover an alarming truth about his mother. A woman living in Bahrain faces a challenge that compels her to question her marriage. A college student in Manila struggling to write fiction knows that her brother, who has gone abroad to make money, is the one living a life that stories are made of. The novella-length title story follows the unexpected fates of a journalist and a nurse during the 1970s labor strikes in Manila. Exploring the universal experience of loss, displacement, and the longing to connect across borders both real and imagined, In the Country speaks to the heart of everyone who has ever searched for a place to call home"–Provided by publisher.
"From Cinelle Barnes, author of the memoir Monsoon Mansion, comes a moving and reflective essay collection about finding freedom in America. Out of a harrowing childhood in the Philippines, Cinelle Barnes emerged triumphant. But as an undocumented teenager living in New York, her journey of self-discovery was just beginning. Because she couldn't get a driver's license or file taxes, Cinelle worked as a cleaning lady and a nanny and took other odd jobs–and learned to look over her shoulder, hoping she wouldn't get caught. When she falls in love and marries a white man from the South, Cinelle finds herself trying to adjust to the thorny underbelly of "southern hospitality" while dealing with being a new mother, an immigrant affected by PTSD, and a woman with a brown body in a profoundly white world. From her immigration to the United States, to navigating a broken legal system, to balancing assimilation and a sense of self, Cinelle comes to rely on her resilience and her faith in the human spirit to survive and come of age all over again. Lyrical, emotionally driven, and told through stories both lived and overheard, Cinelle's intensely personal, yet universal, exploration of race, class, and identity redefines what it means to be a woman–and an American–in a divided country."–provided by publisher
"One evening, Ma tells Daughter a story about a tiger spirit who lived in a woman's body, named Hu Gu Po. She hungered to eat children, especially their toes. Soon afterwards, Daughter awakes with a tiger tail. And more mysterious events follow: Holes in the backyard spit up letters penned by her grandmother; a visiting aunt leaves red on everything she touches; another aunt arrives with eels in her belly. All the while, Daughter is falling for her neighbor, a girl named Ben with mysterious powers of her own. As the two young lovers translate the grandmother's letters, Daughter begins to understand that each woman in her family embodies an old Taiwanese myth–and that she will have to bring her family's secrets to light in order to change their destiny. With a poetic voice of crackling electricity, K Ming Chang is an explosive young writer who combines the wit and fabulism of Helen Oyeyemi with the magical realist aesthetic of Maxine Hong Kingston. Tracing one family's history from Mainland China to Taiwan, from Arkansas to California, Bestiary is a novel of migration, queer lineages, and womanhood"– provided by publisher.
"Xiaolu Guo is one of the most acclaimed Chinese-born writers of her generation, an iconoclastic and completely contemporary voice. Her vivid, poignant memoir, Nine Continents is the story of a curious mind coming of age in an inhospitable country, and her determination to seek a life beyond the limits of its borders. Xiaolu Guo has traveled further than most to become who she needed to be. Now, as she experiences the birth of her daughter in a London maternity ward surrounded by women from all over the world, she looks back on that journey. It begins in the fishing village shack on the East China Sea where her illiterate grandparents raised her, and brings her to a rapidly changing Beijing, full of contradictions: a thriving underground art scene amid mass censorship, curious Westerners who held out affection only to disappear back home. Eventually Xiaolu determined to see the world beyond China for herself, and now, after fifteen years in Europe, her words resonate with the insight of someone both an outsider and at home, in a world far beyond the country of her birth. Nine Continents presents a fascinating portrait of China in the eighties and nineties, how the Cultural Revolution shaped families, and how the country's economic ambitions gave rise to great change. It is also a moving testament to the birth of a creative spirit, and of a new generation being raised to become citizens of the world. It confirms Xiaolu Guo as one of world literature's most urgent voices."--Provided by publisher.
"Asian Americans inhabit a purgatorial status: neither white enough nor black enough, unmentioned in most conversations about racial identity. In the popular imagination, Asian Americans are all high-achieving professionals. But in reality, this is the most economically divided group in the country, a tenuous alliance of people with roots from South Asia to East Asia to the Pacific Islands, from tech millionaires to service industry laborers. How do we speak honestly about the Asian American condition--if such a thing exists? Poet and essayist Cathy Park Hong fearlessly and provocatively confronts this thorny subject, blending memoir, cultural criticism, and history to expose the truth of racialized consciousness in America. Binding these essays together is Hong's theory of "minor feelings." As the daughter of Korean immigrants, Cathy Park Hong grew up steeped in shame, suspicion, and melancholy. She would later understand that these "minor feelings" occur when American optimism contradicts your own reality--when you believe the lies you're told about your own racial identity. With sly humor and a poet's searching mind, Hong uses her own story as a portal into a deeper examination of racial consciousness in America today. This intimate and devastating book traces her relationship to the English language, to shame and depression, to poetry and artmaking, and to family and female friendship. A radically honest work of art, Minor Feelings forms a portrait of one Asian American psyche--and of a writer's search to both uncover and speak the truth"-- Provided by publisher.
A ruthlessly honest, emotionally charged, and utterly original exploration of Asian American consciousness and the struggle to be human. Hong blends memoir, cultural criticism, and history to expose the truth of racialized consciousness in America. She believes that "minor feelings" occur when American optimism contradicts your own reality-- when you believe the lies you're told about your own racial identity. -- adapted from jacket
"This novel of a young Samoan-American’s search for authenticity is “a rollercoaster ride inside the haunted house of American multi-cultural sin and shame” (Sherman Alexie). The twenty-eight-year-old mixed-race son of a Samoan immigrant, Paul Tusifale is desperate to find his place in an American culture that barely acknowledges his existence. Within the Silicon Valley landscape of grass-roots activists and dotcom headquarters, where the plight of migrant workers is ever-present, Paul drifts on and off the radar. An unemployed drifter who defiantly—even violently—defends those in need, Paul soon discovers that life as an urban Robin Hood will never provide the answers he seeks. So he decides to try the straight-and-narrow: getting a job, obeying the law, and reconnecting with his family. Along the way, Paul moves through the lives of sinister old friends, suburban cranksters, and septuagenarian swingers. A dynamic addition to America’s diverse literature of the outsider, What We Are brings to life the pull of a departed father’s homeland, the anger of class divisions, the noise of the evening news, and the pathos of the disengaged."
"A story of family identity and belonging follows an Indian family through the marriage of their daughter, from the parents' arrival in the United States to the return of their estranged son. As an Indian wedding gathers a family back together, parents Rafiq and Layla must reckon with the choices their children have made. There is Hadia: their headstrong, eldest daughter, whose marriage is a match of love and not tradition. Huda, the middle child, determined to follow in her sister's footsteps. And their estranged son, Amar, returns to the family for the first time in three years to take his place as brother of the bride. What secrets and betrayals have caused this close-knit family to fracture?" -- adapted from jacket.
"When Huong arrives in New Orleans with her two young sons, she is jobless, homeless, and worried about her husband, Cong, who remains in Vietnam. As she and her boys begin to settle into life in America, she continues to send letters and tapes back to Cong, hopeful that they will be reunited and her children will grow up with a father. Over time, Huong realizes she will never see Cong again. While she copes with this loss, her sons, Tuan and Binh, grow up in their absent father's shadow, haunted by a man and a country trapped in their memory and imagination. As they push forward, the three adapt to life in America in different ways: Huong takes up with a Vietnamese car salesman who is also new in town; Tuan tries to connect with his heritage by joining a local Vietnamese gang; and Binh, now going by Ben, embraces his burgeoning sexuality. Their search for identity–as individuals and as a family–tears them apart, until disaster strikes and they must find a new way to come together and honor the ties that bind them"–