"This collection of twenty stories delves into the lives of Egyptian characters, from those living in Egypt to those who have immigrated to the United States. With subtle and eloquent prose, the complexities of these characters are revealed, opening a door into their intimate struggles with identity and place. We meet people who are tempted by the possibilities of America and others who are tempted by the desire to return home. Some are in the throes of re-creating themselves in the new world while others seem to be embedded in the loss of their homeland. Many of these characters, although physically located in either the United States or Egypt, have lives that embrace both cultures."
"The only way to undo racism is to consistently identify and describe it -- and then dismantle it." Ibram X. Kendi's concept of antiracism reenergizes and reshapes the conversation about racial justice in America -- but even more fundamentally, points us toward liberating new ways of thinking about ourselves and each other. In How to Be an Antiracist, Kendi asks us to think about what an antiracist society might look like, and how we can play an active role in building it. In this book, Kendi weaves an electrifying combination of ethics, history, law, and science, bringing it all together with an engaging personal narrative of his own awakening to antiracism. How to Be an Antiracist is an essential work for anyone who wants to go beyond an awareness of racism to the next step: contributing to the formation of a truly just and equitable society." -- Provided by publisher.
"Phil Klay's Redeployment takes readers to the frontlines of the wars in Iraq and Afghanistan, asking us to understand what happened there, and what happened to the soldiers who returned. Interwoven with themes of brutality and faith, guilt and fear, helplessness and survival, the characters in these stories struggle to make meaning out of chaos. In "Redeployment", a soldier who has had to shoot dogs because they were eating human corpses must learn what it is like to return to domestic life in suburbia, surrounded by people "who have no idea where Fallujah is, where three members of your platoon died." In "After Action Report", a Lance Corporal seeks expiation for a killing he didn't commit, in order that his best friend will be unburdened. A Mortuary Affairs Marine tells about his experiences collecting remains-of U.S. and Iraqi soldiers both. A chaplain sees his understanding of Christianity, and his ability to provide solace through religion, tested by the actions of a ferocious Colonel. And in the darkly comic "Money as a Weapons System", a young Foreign Service Officer is given the absurd task of helping Iraqis improve their lives by teaching them to play baseball. These stories reveal the intricate combination of monotony, bureaucracy, comradeship and violence that make up a soldier's daily life at war, and the isolation, remorse, and despair that can accompany a soldier's homecoming. Redeployment is poised to become a classic in the tradition of war writing. Across nations and continents, Klay sets in devastating relief the two worlds a soldier inhabits: one of extremes and one of loss. Written with a hard-eyed realism and stunning emotional depth, this work marks Phil Klay as one of the most talented new voices of his generation"– Provided by publisher.
"Winner of the Pulitzer Prize for fiction, this stunning debut collection unerring charts the emotional journeys of characters seeking love beyond the barriers of nations and generations. In stories that travel from India to America and back again, Lahiri speaks with universal eloquence to everyone who has ever felt like a foreigner."–Provided by publisher.
"From the Pulitzer Prize finalist, author of The Moor's Account–a timely and powerful new novel about the suspicious death of a Moroccan immigrant that is at once a family saga, a murder mystery, and a love story, all of it informed by the treacherous fault lines of American culture. Nora Guerraoui, a jazz composer, returns home to a small town in the Mojave after hearing that her father, owner of a popular restaurant there, has been killed in a suspicious hit-and-run car accident. Told by multiple narrators–Nora herself, Jeremy (the Iraq war veteran with whom she develops an intimacy), widow Maryam, Efrain (an immigrant witness to the accident who refuses to get involved for fear of deportation), Coleman (the police investigator), and Driss (the dead man himself), The Other Americans deftly explores one family's secrets and hypocrisies even as it offers a portrait of Americans riven by race, class, and religion, living side by side, yet ignorant of the vicissitudes that each tribe, as it were, faces" – provided by publisher.
"In 1527 the Spanish conquistador Pánfilo de Narváez arrived on the coast of modern-day Florida with hundreds of settlers, and claimed the region for Spain. Almost immediately, the expedition was decimated by a combination of navigational errors, disease, starvation and fierce resistance from indigenous tribes. Within a year, only four survivors remained: three noblemen and a Moroccan slave called “Estebanico”. The official record, set down after a reunion with Spanish forces in 1536, contains only the three freemen’s accounts. The fourth, to which the title of Laila Lalami’s masterful novel alludes, is Estebanico’s own. Lalami gives us Estebanico as history never did: as Mustafa, the vibrant merchant from Azemmur forced into slavery and a new name, and reborn as the first black explorer of the Americas, discovering and being discovered by various tribes both hostile and compassionate. In Estebanico’s telling, the survivors’ journey across great swathes of the New World transforms would-be conquerors into humble servants and fearful outcasts into faith healers. He remains ever-observant, resourceful and hopeful that he might one day find his way back to his family, even as he experiences an unexpected (if ambiguous) camaraderie with his masters. The Moor’s Account illuminates the ways in which stories can transmigrate into history, and how storytelling can offer a chance for redemption, reinvention and survival." - Publisher description.
"Cassandra Lane's debut memoir WE ARE BRIDGES follows her late entry into pregnancy and motherhood. As she prepares to give birth, she traces the history of her Black American family in the early twentieth-century rural South, including the lynching of her great-grandfather, Burt Bridges, and the pregnancy of her great-grandmother, Mary. With almost no physical record of her ancestors, Cassandra crafts a narrative of familial love and loss to pass on to her child, rescuing the story of her family from erasure"-- Provided by publisher.
"Laymon writes eloquently and honestly about the physical manifestations of violence, grief, trauma, and abuse on his own body. He writes of his own eating disorder and gambling addiction as well as similar issues that run throughout his family. Through self-exploration, storytelling, and honest conversation with family and friends, Heavy seeks to bring what has been hidden into the light and to reckon with all of its myriad sources, from the most intimate--a mother-child relationship--to the most universal--a society that has undervalued and abused black bodies for centuries"-- Provided by publisher.
"In this powerful and provocative memoir, Kiese Laymon fearlessly explores what the weight of a lifetime of secrets, lies, and deception does to a black body, a black family, and a nation teetering on the brink of moral collapse. Laymon invites us to consider the consequences of living in a country wholly obsessed with progress yet wholly disinterested in the messy work of reckoning with where we've been. In Heavy, Laymon writes eloquently and honestly about growing up a hard-headed black son to a complicated and brilliant black mother in Jackson, Mississippi. From his early experiences of sexual violence, to his suspension from college, to his trek to New York as a young college professor, Laymon charts his complex relationship with his family, weight, sex, gambling, and writing. By attempting to name secrets and lies he and his mother spent a lifetime avoiding, Laymon asks himself, his mother, his nation, and us to confront the terrifying possibility that few of us know how to responsibly love"-- Provided by publisher.
"Having a baby to save a marriage--it's the oldest of cliches. But what if the marriage at risk is a gay one, and having a baby involves a surrogate mother? Pat Faunce is a faltering romantic, a former poetry major who now writes textbooks. A decade into his relationship with Stu, an airline pilot from a fraught Jewish family, he fears he's losing Stu to other men--and losing himself in their "no rules" arrangement. Yearning for a baby and a deeper commitment, he pressures Stu to move from Manhattan to Cape Cod, to the cottage where Pat spent boyhood summers. As they struggle to adjust to their new life, they enlist a surrogate: Debora, a charismatic Brazilian immigrant married to Danny, an American home rebuilder. Gradually, Pat and Debora bond, drawn together by the logistics of getting pregnant and away from their spouses. Pat gets caught between loyalties--to Stu and his family, to Debora, to his own potent desires--and wonders: is he fit to be a father? In one of the first novels to explore the experience of gay men seeking a child through surrogacy, Michael Lowenthal writes passionately about marriages and mistakes, loyalty and betrayal, and about how our drive to create families can complicate the ones we already have. The Paternity Test is a provocative look at the new "family values."" - publisher description.
"This novel of a young Samoan-American’s search for authenticity is “a rollercoaster ride inside the haunted house of American multi-cultural sin and shame” (Sherman Alexie). The twenty-eight-year-old mixed-race son of a Samoan immigrant, Paul Tusifale is desperate to find his place in an American culture that barely acknowledges his existence. Within the Silicon Valley landscape of grass-roots activists and dotcom headquarters, where the plight of migrant workers is ever-present, Paul drifts on and off the radar. An unemployed drifter who defiantly—even violently—defends those in need, Paul soon discovers that life as an urban Robin Hood will never provide the answers he seeks. So he decides to try the straight-and-narrow: getting a job, obeying the law, and reconnecting with his family. Along the way, Paul moves through the lives of sinister old friends, suburban cranksters, and septuagenarian swingers. A dynamic addition to America’s diverse literature of the outsider, What We Are brings to life the pull of a departed father’s homeland, the anger of class divisions, the noise of the evening news, and the pathos of the disengaged."
"She was know to the world as Emily Doe when she stunned millions with a letter. Brock Turner had been sentenced to just six months in county jail after he was found sexually assaulting her on Stanford's campus. Her victim impact statement was posted on BuzzFeed, where it instantly went viral--viewed by almost eleven million people within four days, it was translated globally and read on the floor of Congress; it inspired changes in California law and the recall of the judge in the case. Thousands wrote to say that she had given them the courage to share their own experiences of assault for the first time. Now she reclaims her identity to tell her story of trauma, transcendence, and the power of words. It was the perfect case, in many ways--there were eyewitnesses, Turner ran away, physical evidence was immediately secured. But her struggles with isolation and shame during the aftermath and the trial reveal the oppression victims face in even the best-case scenarios. Her story illuminates a culture biased to protect perpetrators, indicts a criminal justice system designed to fail the most vulnerable, and, ultimately, shines with the courage required to move through suffering and live a full and beautiful life. "Know My Name" will forever transform the way we think about sexual assault, challenging our beliefs about what is acceptable and speaking truth to the tumultuous reality of healing. It also introduces readers to an extraordinary writer, one whose words have already changed our world. Entwining pain, resilience, and humor, this memoir will stand as a modern classic." -- summary from book jacket.
"Woman, Native, Other is located at the junction of a number of different fields and disciplines, and it genuinely succeeds in publishing the boundaries of these disciplines further ... In this first full-length study, Trinh Minh-ha examines post-colonial processes of displacement -- cultural hybridization and decentered realities, fragmented selves and multiple identities, marginal voices and languages of rupture. Working at the intersection of several fields -- women's studies, anthropology, critical cultural studies, literary criticism, and feminist theory, she juxtaposes numerous prevailing contemporary discourses in a form that questions the (male-is-norm) literary and theoretical establishment."--Back cover.
"In a landmark book, an extraordinary young woman recounts her coming-of-age as a transgender teen--a deeply personal and empowering portrait of self-revelation, adversity, and heroism. In 2011, Marie Claire magazine published a profile of Janet Mock in which she publicly stepped forward for the first time as a trans woman. Since then, Mock has gone from covering the red carpet for People.com to advocating for all those who live within the shadows of society. Redefining Realness offers a bold new perspective on being young, multiracial, economically challenged, and transgender in America. Welcomed into the world as her parents' firstborn son, Mock set out early on to be her own person--no simple feat for a young person like herself. She struggled as the smart, determined child in a deeply loving, yet ill-equipped family that lacked money, education, and resources. Mock had to navigate her way through her teen years without parental guidance but luckily with a few close friends and mentors she overcame extremely daunting hurdles. This powerful memoir follows Mock's quest for identity, from her early gender conviction to a turbulent adolescence in Honolulu that found her transitioning through the halls of her school, self-medicating with hormones at fifteen, and flying across the world for sex reassignment surgery at just eighteen. Ever resilient, Mock emerged with a scholarship to college and moved to New York City, where she earned her masters degree, basked in the success of an enviable career, and told no one about her past. It wasn't until Mock fell for a man who called her the woman of his dreams that she felt ready to finally tell her story, becoming a fierce advocate for girls like herself. A profound statement of affirmation from a courageous woman, Redefining Realness shows as never before what it means to be a woman today and how to be yourself when you don't fit the mold created for you"-- Provided by publisher.
"When Johnquell, an African American teen, suffers a serious accident in the home of his white neighbor, Mrs. Czernicki, his community must find ways to bridge divisions between black and white, gay and straight, old and young. Set in one of the nation’s most highly segregated cities—Milwaukee, Wisconsin—Meet Me Halfway tells stories of connections in a community with a tumultuous and divided past. In nine stories told from diverse perspectives, Jennifer Morales captures a Rust Belt city’s struggle to establish a common ground and a collective vision of the future.
Morales gives life to multifaceted characters—white schoolteachers and senior citizens, Latino landlords, black and Puerto Rican teens, political activists, and Vietnam vets. As their lives unfold in these stories, we learn about Johnquell’s family—his grandparents’ involvement in the local Black Panther Party, his sister’s on-again, off-again friendship with a white classmate, and his aunt’s identity crisis as she finds herself falling in love with a woman. We also meet Johnquell’s mother, Gloria, and his school friend Taquan, who is struggling to chart his own future.
As an activist mother in the thick of Milwaukee politics, Morales developed a keen ear and a tender heart for the kids who have inherited the city’s troubled racial legacy. With a critical eye on promises unfulfilled, Meet Me Halfway raises questions about the notion of a “postracial” society and, with humor and compassion, lifts up the day-to-day work needed to get there."
Arguably the most celebrated and revered writer of our time now gives us a new nonfiction collection-a rich gathering of her essays, speeches, and meditations on society, culture, and art, spanning four decades. The Source of Self-Regard is brimming with all the elegance of mind and style, the literary prowess and moral compass that are Toni Morrison's inimitable hallmark. It is divided into three parts: the first is introduced by a powerful prayer for the dead of 9/11; the second by a searching meditation on Martin Luther King Jr., and the last by a heart-wrenching eulogy for James Baldwin. In the writings and speeches included here, Morrison takes on contested social issues: the foreigner, female empowerment, the press, money, "black matter(s)," and human rights. She looks at enduring matters of culture: the role of the artist in society, the literary imagination, the Afro-American presence in American literature, and in her Nobel lecture, the power of language itself. And here too is piercing commentary on her own work (including The Bluest Eye, Sula, Tar Baby, Jazz, Beloved, and Paradise) and that of others, among them, painter and collagist Romare Bearden, author Toni Cade Bambara, and theater director Peter Sellars. In all, The Source of Self-Regard is a luminous and essential addition to Toni Morrison's oeuvre.
Eleven-year-old Pecola Breedlove, an African-American girl in an America whose love for blonde, blue-eyed children can devastate all others, prays for her eyes to turn blue, so that she will be beautiful, people will notice her, and her world will be different. The story of eleven-year-old Pecola Breedlove, the tragic heroine of Toni Morrison's haunting first novel, grew out of her memory of a girlhood friend who wanted blue eyes. Shunned by the town's prosperous black families, as well as its white families, Pecola lives with her alcoholic father and embittered, overworked mother in a shabby two-room storefront that reeks of the hopeless destitution that overwhelms their lives. In awe of her clean well-groomed schoolmates, and certain of her own intense ugliness, Pecola tries to make herself disappear as she wishes fervently, desperately for the blue eyes of a white girl. In her afterward to this novel, Morrison writes of the little girl she once knew: "Beauty was not simply something to behold, it was something one could do. The Bluest Eye was my effort to say something about that; to say something about why she had not, or possibly never would have, the experience of what she possessed and also why she prayed for so radical an alteration. Implicit in her desire was racial self-loathing. And twenty-years later I was still wondering about how one learns that. Who told her? Who made her feel that it was better to be a freak that what she was? Who had looked at her and found her so wanting, so small a weight on the beauty scale? The novel pecks away at the gaze that condemned her."
"Milkman Dead was born shortly after a neighborhood eccentric hurled himself off a rooftop in a vain attempt at flight. For the rest of his life he, too, will be trying to fly. As Morrison follows Milkman from his rustbelt city to the place of his family's origins, she introduces an entire cast of strivers and seeresses, liars and assassins, the inhabitants of a fully realized Black world." - Publisher description.
"Two girls who grow up to become women. Two friends who become something worse than enemies. This brilliantly imagined novel brings us the story of Nel Wright and Sula Peace, who meet as children in the small town of Medallion, Ohio. Nel and Sula's devotion is fierce enough to withstand bullies and the burden of a dreadful secret. It endures even after Nel has grown up to be a pillar of the black community and Sula has become a pariah. But their friendship ends in an unforgivable betrayal—or does it end? Terrifying, comic, ribald and tragic, Sula is a work that overflows with life." - Publisher description.
"In this wide-ranging collection of thought-provoking interviews -- including her first and last -- Toni Morrison (whom President Barrack Obama called a "national treasure") details not only her writing life, but also her other careers as a teacher, and as a publisher, as well as the gripping story of her family. In fact, Morrison reveals here that her Nobel Prize-winning novels, such as Beloved and Song of Solomon, were born out of her family's stories -- such as those of her great-grandmother, born a slave, or her father, escaping the lynch mobs of the South. With an introduction by her close friend, poet Nikki Giovani, Morrison hereby weaves yet another fascinating and inspiring narrative -- that of herself." - Publisher description.