"An extraordinary memoir from an Iranian journalist in exile about leaving her country, challenging tradition, and sparking an online movement against compulsory hijab. A photo on Masih Alinejad's Facebook page: a woman standing proudly, face bare, hair blowing in the wind. Her crime: removing her veil, or hijab, which is compulsory for women in Iran. This is the self-portrait that sparked My Stealthy Freedom, a social media campaign that went viral. But Alinejad is much more than the arresting face that sparked a campaign inspiring women to find their voices. She's also a world-class journalist whose personal story, told in her unforgettably bold and spirited voice in The Wind in My Hair, is emotional and inspiring. She grew up in a traditional village where her mother, a tailor and respected figure in the community, was the exception to the rule in a culture where women reside in their husbands' shadows. As a teenager, Alinejad was arrested for political activism and then surprised to discover she was pregnant while in police custody. When she was released, she married quickly and followed her young husband to Tehran, where she was later served divorce papers, to the embarrassment of her religiously conservative family. She spent years struggling to regain custody of her only son and remains in forced exile from her homeland and her heritage. Following Donald Trump's immigration ban, Alinejad found herself separated from her child, who lives abroad, once again. A testament to a spirit that remains unbroken, and an enlightening, intimate invitation into a world we don't know nearly enough about, The Wind in My Hair is the extraordinary memoir of a woman who overcame enormous adversity to fight for what she believes in and to encourage others to do the same."–Jacket
"A raw, unflinching, and inspirational memoir by a former United States Marine Captain describing her journey from dutiful daughter of immigrants to wide-eyed recruit to radical activist dedicated to effecting historic policy reform in the military. After a lifetime of buckling to the demands of her strict Indian parents, Anuradha Bhagwati abandons her grad school career at Harvard University to join the Marines. It's the fiercest, most violent, most masculine branch of the military: the perfect place for her to prove that she's the ultimate Cool Girl, someone who can brawl with the boys in every sense of the word. Or at least that's what she thinks. From the moment training begins, Anuradha's G.I. Jane fantasy is punctured. As a bisexual woman of color in the military, she faces adversity and underestimation at every stage, confronting misogyny, racism, abuse, and astonishing injustice perpetrated by those in power. Pushing herself beyond her limits to prove her ability, she is forced to wrestle with what exactly drove her to pursue such punishment and violence in the first place. Once her service concludes in 2004, instead of retreating and putting it all behind her, she decides to do the exact opposite: take to task the leaders and outmoded conventions that she found so objectionable and even dangerous. Full of strength, courage, and heroic resilience, Unbecoming is about one woman who learned to believe in herself in spite of everything; it is the kind of story that will light a fire beneath you, and that will inspire our next generation of fierce female heroes to always persist"-- Provided by publisher.
"Inspired by Octavia Butler's explorations of our human relationship to change, Emergent Strategy is radical self-help, society-help, and planet-help designed to shape the futures we want to live. Change is constant. The world is in a continual state of flux. It is a stream of ever-mutating, emergent patterns. Rather than steel ourselves against such change, this book invites us to feel, map, assess, and learn from the swirling patterns around us in order to better understand and influence them as they happen. This is a resolutely materialist "spirituality" based equally on science and science fiction, a visionary incantation to transform that which ultimately transforms us."--Amazon.com.
"From the founder and activist behind one of the largest movements of the twentieth and twenty-first centuries, the "me too" movement, Tarana Burke debuts a powerful memoir about her own journey to saying those two simple yet infinitely powerful words-me too-and how she brought empathy back to an entire generation in one of the largest cultural events in American history. Tarana didn't always have the courage to say "me too." As a child, she reeled from her sexual assault, believing she was responsible. Unable to confess what she thought of as her own sins for fear of shattering her family, her soul split in two. One side was the bright, intellectually curious third generation Bronxite steeped in Black literature and power, and the other was the bad, shame ridden girl who thought of herself as a vile rule breaker, not of a victim. She tucked one away, hidden behind a wall of pain and anger, which seemed to work...until it didn't. Tarana fought to reunite her fractured soul, through organizing, pursuing justice, and finding community. In her debut memoir she shares her extensive work supporting and empowering Black and brown girls, and the devastating realization that to truly help these girls she needed to help that scared, ashamed child still in her soul. She needed to stop running and confront what had happened to her, for Heaven and Diamond and the countless other young Black women for whom she cared. They gave her the courage to embrace her power. A power which in turn she shared with the entire world. Through these young Black and brown women, Tarana found that we can only offer empathy to others if we first offer it to ourselves. Unbound is the story of an inimitable woman's inner strength and perseverance, all in pursuit of bringing healing to her community and the world around her, but it is also a story of possibility, of empathy, of power, and of the leader we all have inside ourselves. In sharing her path toward healing and saying "me too," Tarana reaches out a hand to help us all on our own journeys"-- Provided by publisher.
"In the wake of the police shooting of a black teenager, Los Angeles is as tense as it's been since the unrest of the early 1990s. But Grace Park and Shawn Matthews have their own problems. Grace is sheltered and largely oblivious, living in the Valley with her Korean-immigrant parents, working long hours at the family pharmacy. She's distraught that her sister hasn't spoken to their mother in two years, for reasons beyond Grace's understanding. Shawn has already had enough of politics and protest after an act of violence shattered his family years ago. He just wants to be left alone to enjoy his quiet life in Palmdale. But when another shocking crime hits LA, both the Park and Matthews families are forced to face down their history while navigating the tumult of a city on the brink of more violence"-- Amazon.com
"Offers an intersectional framework for understanding how our bodies actually experience the politics of oppression, power, and resistance. At the heart of this exploration of environmental destruction, white working-class identity, queer community, disabled sexuality, childhood sexual abuse, coalition politics, and gender transition is a call for social justice movements that are truly accessible for everyone." --Publisher description.
"A memoir of the first eighty-three years in the life of Ada Deer, the first woman to serve as head of the Bureau of Indian Affairs, and her tireless campaigns to reverse the forced termination of the Menominee tribe and to ensure sovereignty and self-determination for all tribes"-- Provided by publisher.
"A deeply personal story, written with humor and honesty, this book is a testimony to the ability of one individual to change the course of history through hard work, perseverance, and an unwavering commitment to social justice"-- Provided by publisher.
"A look at life in contemporary Palestine through the lens of its literary culture Marcello Di Cintio first visited Palestine in 1999 and, like most outsiders, the Palestinian narrative he knew was one defined by unending struggle, a near-Sisyphean curse of stories of oppression, exile, and occupation told over and over again. In the summer of 2014, during a brief lull in the bombing from Israel's Operation Protective Edge, photos emerged of a young Gazan girl in a green dress sifting through the rubble of her destroyed home. She was looking for her books. In Pay No Heed to the Rockets, Di Cintio travels to Palestine to find the girl. Using the form of a political-literary travelogue, he explores what literature means to modern Palestinians and how Palestinians make sense of the conflict between a rich imaginative life and the daily violence of survival. Taking the long route through the West Bank, into Jerusalem, across Israel and finally into Gaza, he meets with poets, authors, librarians, and booksellers to learn about Palestine through their eyes, and through the story of their stories. Di Cintio travels through the rich cultural and literary heritage of Palestine. It's there that he uncovers a humanity, and a beauty, often unnoticed by news media. At the seventieth anniversary of the Arab-Israeli War, Pay No Heed to the Rockets tells a fresh story about Palestine, one that begins with art rather than war"–Provided by publisher.
"Through the story of Tamara, an abused Native American girl, North Dakota Senator Byron Dorgan tells the story of the many children living on Indian reservations. On a winter morning in 1990, Senator Byron Dorgan of North Dakota picked up the Bismarck Tribune. On the front page, a small girl gazed into the distance, shedding a tear. The headline: "Foster home children beaten–and nobody's helping". Dorgan, who had been working with American Indian tribes to secure resources, was distressed. He flew to the Standing Rock Indian Reservation to meet with five-year-old Tamara and her grandfather. They became friends. Then she disappeared. And he would search for her for decades until they finally found each other again. This book is her story, from childhood to the present, but it's also the story of a people and a nation. More than one in three American Indian/Alaskan Native children live in poverty. AI/AN children are disproportionately in foster care and awaiting adoption. Suicide among AI/AN youth ages 15 to 24 is 2.5 times the national rate. How have we allowed this to happen? As distressing a situation as it is, this is also a story of hope and resilience. Dorgan, who founded the Center for Native American Youth at the Aspen Institute, has worked tirelessly to bring Native youth voices to the forefront of policy discussions, engage Native youth in leadership and advocacy, and secure and share resources for Native youth. Readers will fall in love with this heartbreaking story, but end the book knowing what can be done and what they can do"– provided by publisher.
"Washington Black is an eleven-year-old field slave who knows no other life than the Barbados sugar plantation where he was born. When his master's eccentric brother chooses him to be his manservant, Wash is terrified of the cruelties he is certain await him. But Christopher Wilde, or "Titch," is a naturalist, explorer, scientist, inventor, and abolitionist. He initiates Wash into a world where a flying machine can carry a man across the sky; where two people, separated by an impossible divide, might begin to see each other as human; and where a boy born in chains can embrace a life of dignity and meaning. But when a man is killed and a bounty is placed on Wash's head, Titch abandons everything to save him. What follows is their flight along the eastern coast of America, and, finally, to a remote outpost in the Arctic, where Wash, left on his own, must invent another new life."
"A bold and uncompromising feminist manifesto that shows women and girls how to defy, disrupt, and destroy the patriarchy by embracing the qualities they've been trained to avoid. Seizing upon the energy of the #MeToo movement, feminist activist Mona Eltahawy advocates a muscular, out-loud approach to teaching women and girls to harness their power through what she calls the "seven necessary sins" that women and girls are not supposed to commit: to be angry, ambitious, profane, violent, attention-seeking, lustful, and powerful. All the necessary "sins" that women and girls require to erupt. Eltahawy knows that the patriarchy is alive and well, and she is fed the hell up: Sexually assaulted during hajj at the age of fifteen. Groped on the dance floor of a night club in Montreal at fifty. Countless other injustices in the years between. Illuminating her call to action are stories of activists and ordinary women around the world--from South Africa to China, Nigeria to India, Bosnia to Egypt--who are tapping into their inner fury and crossing the lines of race, class, faith, and gender that make it so hard for marginalized women to be heard. Rather than teaching women and girls to survive the poisonous system they have found themselves in, Eltahawy arms them to dismantle it. Brilliant, bold, and energetic, The Seven Necessary Sins for Women and Girls is a manifesto for all feminists in the fight against patriarchy"-- Provided by publisher.
"In seven essays that combine memoir, polemic and cultural criticism, Mona Eltahawy explains how we must seize what she calls the feminist revolutionary moment that has galvanized women and queer people across the world through such movements as #MeToo, to support survivors of sexual assault and expose predators, the Irish women who successfully led a successful referendum to legalize abortion in their country, the South Korean women who have held the largest women's protests in their country against spycams that are used to invade their privacy, to the LGBTQ activists in India who pushed their Supreme Court to overturn British colonial era legislation criminalizing homosexuality"-- Provided by publisher.
"In 2016, a small protest encampment at the Standing Rock reservation in North Dakota, initially established to block construction of the Dakota Access oil pipeline, grew to be the largest Indigenous protest movement in the twenty-first century, attracting tens of thousands of Indigenous and non-Native allies from around the world. Its slogan "Mni Wiconi"–Water is Life–was about more than just a pipeline. Water Protectors knew this battle for Native sovereignty had already been fought many times before, and that, even after the encampment was gone, their anti-colonial struggle would continue. In Our History is the Future, Nick Estes traces traditions of Indigenous resistance leading to the \#NoDAPL movement from the days of the Missouri River trading forts through the Indian Wars, the Pick-Sloan dams, the American Indian Movement, and the campaign for Indigenous rights at the United Nations. While a historian by trade, Estes also draws on observations from the encampments and from growing up as a citizen of the Oceti Sakowin (the Nation of the Seven Council Fires), making Our History is the Future at once a work of history, a personal story, and a manifesto"– provided by publisher.
" A veteran of the women's and gay movement of the past 30 years, Max's mid-life crisis hits in the midst of the post-9/11 world. Max is lonely and uncertain about her future -- fearful, in fact, of America's future with its War on Terror and War in Iraq -- with only a core group of friends to turn to for reassurance. Max is shaken from her crisis, however, by the news that her friend Vickie, a transvestite, has been found murdered on her way home late one night. As the community of cross-dressers, drag queens, lesbian and gay men, and "genderqueers" of all kinds stand up together in the face of this tragedy, Max taps into the activist spirit she thought had long disappeared and for the first time in years discovers hope for her future."
"What would happen if people started moving beyond the conversation and took action to combat racism? We are in an era where many Americans express the sentiment, "I thought we were past that," when a public demonstration of racism comes across their radar. Long before violence committed by police was routinely displayed on jumbotrons publicizing viral executions, the Black community has continually tasted the blood from having police boots in their mouths, ribs, and necks. The widespread circulation of racial injustices is the barefaced truth hunting us down, forcing us to confront the harsh reality–we haven't made nearly as much racial progress as we thought. The Antiracist: How to Start the Conversation about Race and Take Action, will compel readers to focus on the degree in which they have previously, or are currently contributing to the racial inequalities in this country (knowingly or unknowingly), and ways they can become stronger in their activism. The Antiracist is an explosive indictment on injustice, highlighted by Kondwani Fidel, a rising young literary talent, who offers a glimpse into not only the survival required of one born in a city like Baltimore, but how we can move forward to tackle violent murders, police brutality, and poverty. Throughout it all, he pursued his Master of Fine Arts in Creative Writing & Publishing Arts from the University of Baltimore, while being deeply immersed in his community–helping combat racism in schools by getting students to understand the importance of literacy and critical thinking. With his gift for storytelling, he measures the pulse of injustice, which is the heartbeat of this country." – From Amazon.
"Americans have finally started to pay attention to the sexual assault crisis on our college campuses. Yet, Donna Freitas warns, the way universities educate students about sexual assault and consent is wholly inadequate. Universities, she argues, have not really reckoned with the heart of the problem. Freitas advocates for teaching not just how to consent but why it's important to care about consent--and for doing so in the university's most important space: the classroom. Consent on Campus is a call to action for university administrators, faculty, parents, and students themselves to create cultures of consent on their campuses." -- Back cover.
"It has long been assumed that no Armenian presence remained in eastern Turkey after the 1915 massacres. As a result of what has come to be called the Armenian Genocide, those who survived in Anatolia were assimilated as Muslims, with most losing all traces of their Christian identity. In fact, some did survive and together with their children managed during the last century to conceal their origins. Many of these survivors were orphans, adopted by Turks, only discovering their "true" identity late into their adult lives. Outwardly, they are Turks or Kurds and while some are practising Muslims, others continue to uphold Christian and Armenian traditions behind closed doors. ln recent years, a growing number of "secret Armenians" have begun to emerge from the shadows. Spurred by the bold voices of journalists like Hrant Dink, the Armenian newspaper editor murdered in Istanbul in 2007, the pull towards freedom of speech and soul-searching is taking hold across the region. Avedis Hadjian has traveled to the towns and villages once densely populated by Armenians, recording stories of survival and discovery from those who remain in a region that is deemed unsafe for the people who once lived there. This book takes the reader to the heart of these hidden communities for the first time, unearthing their unique heritage and identity. Revealing the lives of a people that have been trapped in a history of denial for more than a century, Secret Nation is essential reading for anyone with an interest in the aftermath of the Armenian Genocide in the very places where the events occurred." -- Dust jacket.
"The civil rights of LGBTQ people have slowly yet steadily strengthened since the Stonewall Riots of June, 1969. Despite enormous opposition from some political segments and the catastrophic effects of the AIDS crisis, the last five decades have witnessed improvement in the conditions of the lives of LGBTQ individuals in the United States. As such, the realities and challenges faced by a young gay man coming of age and coming out in the 1960s is, in many profound ways, different from the experiences of a young gay man coming of age and coming out today. Out in Time explores the life experiences of three generations of gay men --the Stonewall, AIDS, and Queer generations-- arguing that while there are generational differences in the lived experiences of young gay men, each one confronts its own unique historical events, realities, and socio-political conditions, there are consistencies across time that define and unify the identity formation of gay men. Guided by the vast research literature on gay identity formation and coming out, the ideas and themes explored here are seen through the oral histories of a diverse set of fifteen gay men, five from each generation. Out in Time demonstrates how early life challenges define and shape the life courses of gay men, demarcating both the specific time-bound challenges encountered by each generation, and the universal challenges encountered by gay men coming of age across all generations and the conditions that define their lives."--Publisher's description
"In the early 1800s, the Mvskoke people were forcibly removed from their original lands east of the Mississippi to Indian Territory, which is now part of Oklahoma. Two hundred years later, Joy Harjo returns to her family's lands and opens a dialogue with history ... Harjo finds blessings in the abundance of her homeland and confronts the site where her people, and other indigenous families, essentially disappeared. From her memory of her mother's death, to her beginnings in the Native rights movement, to the fresh road with her beloved, Harjo's personal life intertwines with tribal histories to create a space for renewed beginnings. Her poems sing of beauty and survival, illuminating a spirituality that connects her to her ancestors and thrums with the quiet anger of living in the ruins of injustice." -- Jacket.
"Whenever we envision a world without war, without prisons, without capitalism, we are producing visionary fiction. Organizers and activists envision, and try to create, such worlds all the time. This book brings twenty of them together in the first anthology of short stories to explore the connections between radical speculative fiction and movements for social change. The visionary tales of Octavia's Brood span genres--sci-fi, fantasy, horror, magical realism--but all are united by an attempt to experiment with new ways of understanding ourselves, the world around us, and all the selves and worlds that could be. The collection is rounded off with essays by Tananarive Due and Mumia Abu-Jamal, and a foreword by Sheree Renée Thomas"--Page 4 of cover.