"From age five, Sufiya Abdur-Rahman, the daughter of two Black Power-era converts to Islam, feels drawn to the faith even as her father, a devoted Muslim, introduces her to and, at the same time, distances her from it. He and her mother abandoned their Harlem mosque before she was born and divorced when she was twelve. Forced apart from her father--her portal into Islam--she yearns to reconnect with the religion and, through it, him. In Heir to the Crescent Moon, Abdur-Rahman's longing to comprehend her father's complicated relationship with Islam leads her first to recount her own history with it. Later, as she seeks to discover what both pulled her father to and pushed him from the mosque and her mother, Abdur-Rahman delves into the past. She journeys from the Christian righteousness of Adam Clayton Powell Jr.'s 1950s Harlem, through the Malcolm X-inspired college activism of the late 1960s, to the unfulfilled potential of the early-'70s' black American Muslim movement. When a painful reminder of the reason for her father's inconsistent ties to his former mosque appears to threaten his life, Abdur-Rahman's search nearly ends. She's forced to come to terms with her Muslim identity, and learns how events from generations past can reverberate through the present. Told, at times, with lighthearted humor or heartbreaking candor, Abdur-Rahman's story of adolescent Arabic lessons, fasting, and Muslim mosque, funeral, and eid services speaks to the challenges of bridging generational and cultural divides and what it takes to maintain family amidst personal and societal upheaval. Writing with quiet beauty but intellectual force about identity, community, violence, hope, despair, and faith, Abdur-Rahman weaves a vital tale about a family: black, Muslim, and distinctly American"-- Provided by publisher.
An ordinary Gazan's chronicle of the struggle to survive during Israel's 2014 invasion of Gaza The fifty-day Israel-Gaza conflict that began in early July of 2014 left over 2,100 people dead. The overwhelming majority of the dead were Palestinians, including some 500 children. Another 13,000-odd Palestinians were wounded, and 17,200 homes demolished. These statistics are sadly familiar, as is the political rhetoric from Israeli and Palestinian authorities alike. What is less familiar, however, is a sense of the ordinary Gazan society that war lays to waste. One of the few voices to make it out of Gaza was that of Atef Abu Saif, a writer and teacher from Jabalia refugee camp, whose eyewitness accounts (published in the Guardian, New York Times, and elsewhere) offered a rare window into the conflict for Western readers. Here, Abu Saif's complete diaries of the war allow us to witness the events of 2014 from the perspective of a young father, fearing for his family's safety. In The Drone Eats with Me, Abu Saif brings readers an intimate glimpse of life during wartime, as he, his wife, and his two young children attempt to live their lives with a sense of normalcy, in spite of the ever-present danger and carnage that is swallowing the place they call home.
An urgent primer on race and racism, from the host of the viral hit video series "Uncomfortable Conversations with a Black Man." "You cannot fix a problem you do not know you have." So begins Emmanuel Acho in his essential guide to the truths Americans need to know to address the systemic racism that has recently electrified protests in all fifty states. "There is a fix," Acho says. "But in order to access it, we're going to have to have some uncomfortable conversations." In Uncomfortable Conversations With a Black Man, Acho takes on all the questions, large and small, insensitive and taboo, many white Americans are afraid to ask-yet which all Americans need the answers to, now more than ever. With the same open-hearted generosity that has made his video series a phenomenon, Acho explains the vital core of such fraught concepts as white privilege, cultural appropriation, and "reverse racism." In his own words, he provides a space of compassion and understanding in a discussion that can lack both. He asks only for the reader's curiosity-but along the way, he will galvanize all of us to join the antiracist fight.
"Race: The Power of an Illusion" is a three-part documentary series produced by California Newsreel that investigates the idea of race in society, science and history. The educational documentary originally screened on American public television and was primarily funded by the Corporation for Public Broadcasting, the Ford Foundation and PBS.
"An excitement and a wonder: strange, crazed, urgent and funny...The wildly talented Adjei-Brenyah has made these edgy tales immensely charming, via his resolute, heartful, immensely likeable narrators, capable of seeing the world as blessed and cursed at once." -- George Saunders
"This book is dark and captivating and essential...A call to arms and a condemnation. Adjei-Brenyah offers powerful prose as parable. The writing in this outstanding collection will make you hurt and demand your hope. Read this book." -- Roxane Gay
A piercingly raw debut story collection from a young writer with an explosive voice; a treacherously surreal, and, at times, heartbreakingly satirical look at what it's like to be young and black in America. From the start of this extraordinary debut, Nana Kwame Adjei-Brenyah's writing will grab you, haunt you, enrage and invigorate you. By placing ordinary characters in extraordinary situations, Adjei-Brenyah reveals the violence, injustice, and painful absurdities that black men and women contend with every day in this country. These stories tackle urgent instances of racism and cultural unrest, and explore the many ways we fight for humanity in an unforgiving world. In "The Finkelstein Five," Adjei-Brenyah gives us an unforgettable reckoning of the brutal prejudice of our justice system. In "Zimmer Land," we see a far-too-easy-to-believe imagining of racism as sport. And "Friday Black" and "How to Sell a Jacket as Told by Ice King" show the horrors of consumerism and the toll it takes on us all. Entirely fresh in its style and perspective, and sure to appeal to fans of Colson Whitehead, Marlon James, and George Saunders, Friday Black confronts readers with a complicated, insistent, wrenching chorus of emotions, the final note of which, remarkably, is hope.
A treacherously surreal, and, at times, heartbreakingly satirical look at what it's like to be young and black in America. By placing ordinary characters in extraordinary situations, Adjei-Brenyah reveals the violence, injustice, and painful absurdities that black men and women contend with every day in this country. Readers are left with a complicated, insistent, wrenching chorus of emotions, the final note of which, remarkably, is hope." -- adapted from info provided
"Jenna Arnold, director of strategic engagement for the historic 2017 Women's March, helps American white women (one of the most powerful demographics in the world-but too often passive) understand how their influence, power, and voice can better serve those most in need, and how you can take an active role in creating a better future"-- Provided by publisher.
"This imaginative, soulful debut poetry collection captures the experiences of being a young Pakistani Muslim woman in contemporary America. Orphaned as a child, Fatimah Asghar grapples with coming of age and navigating questions of sexuality and race without the guidance of a mother or father. These poems at once bear anguish, joy, vulnerability, and compassion, while also exploring the man facets of violence: how it persists within us, how it is inherited across generations, and how it manifests itself in our relationships. In experimental forms and language both lyrical and raw, Asghar seamlessly braids together marginalized people's histories with her own understanding of identity, place, and belonging."
"Billie James' inheritance isn't much: a little money and a shack in the Mississippi Delta. The house once belonged to her father, a renowned black poet who died unexpectedly when Billie was four years old. Though Billie was there when the accident happened, she has no memory of that day, and she hasn't been back to the South since. Thirty years later, Billie returns but her father's home is unnervingly secluded: her only neighbors are the McGees, the family whose history has been entangled with hers since the days of slavery. As Billie encounters the locals, she hears a strange rumor: that she herself went missing on the day her father died. As the mystery intensifies, she finds out that this forgotten piece of her past could put her in danger."--Book cover flap.
"This book gives voice to the experiences of women of color–women of African, Native American, Latina, East Indian, Korean and Japanese descent–as students pursuing terminal degrees and as faculty members navigating the Academy, grappling with the dilemmas encountered by others and themselves as they exist at the intersections of their work and identities. This book uses critical race feminism (CRF) to place women of color in the center, rather than the margins, of the discussion, theorizing, research and praxis of their lives as they co-exist in the dominant culture. The first part of the book addresses the issues faced on the way to achieving a terminal degree: the struggles encountered and the lessons learned along the way. Part Two, "Pride and Prejudice: Finding Your Place After the Degree" describes the complexity of lives of women with multiple identities as scholars with family, friends, and lives at home and at work. The book concludes with the voices of senior faculty sharing their journeys and their paths to growth as scholars and individuals."
A vibrant and empowering history that emphasizes the perspectives and stories of African American women to show how they are—and have always been—instrumental in shaping our countryIn centering Black women's stories, two award-winning historians seek both to empower African American women and to show their allies that Black women's unique ability to make their own communities while combatting centuries of oppression is an essential component in our continued resistance to systemic racism and sexism. Daina Ramey Berry and Kali Nicole Gross offer an examination and celebration of Black womanhood, beginning with the first African women who arrived in what became the United States to African American women of today.A Black Women's History of the United States reaches far beyond a single narrative to showcase Black women's lives in all their fraught complexities. Berry and Gross prioritize many voices: enslaved women, freedwomen, religious leaders, artists, queer women, activists, and women who lived outside the law. The result is a starting point for exploring Black women's history and a testament to the beauty, richness, rhythm, tragedy, heartbreak, rage, and enduring love that abounds in the spirit of Black women in communities throughout the nation. (From the publisher.)
"This work marks a radical shift away from the pervasive focus on the challenges that Black male students face and the deficit rhetoric that often limits perspectives about them. Instead, Derrick R. Brooms offers reflective counter-narratives of success. He uses in-depth interviews to investigate the collegiate experiences of Black male students at historically White institutions. Framed through Critical Race Theory and Blackmaleness, the study provides new analysis on the utility and importance of Black Male Initiatives (BMIs). This work explores Black men's perceptions, identity constructions, and ambitions, while it speaks meaningfully to how race and gender intersect as they influence students' experiences." -- Publisher's description.
"Jericho Brown's daring new book The Tradition details the normalization of evil and its history at the intersection of the past and the personal. Brown's poetic concerns are both broad and intimate, and at their very core a distillation of the incredibly human: What is safety? Who is this nation? Where does freedom truly lie? Brown makes mythical pastorals to question the terrors to which we've become accustomed, and to celebrate how we survive. Poems of fatherhood, legacy, blackness, queerness, worship, and trauma are propelled into stunning clarity by Brown's mastery, and his invention of the duplex--a combination of the sonnet, the ghazal, and the blues--testament to his formal skill. The Tradition is a cutting and necessary collection, relentless in its quest for survival while reveling in a celebration of contradiction"--Goodreads.com.
"From the founder and activist behind one of the largest movements of the twentieth and twenty-first centuries, the "me too" movement, Tarana Burke debuts a powerful memoir about her own journey to saying those two simple yet infinitely powerful words-me too-and how she brought empathy back to an entire generation in one of the largest cultural events in American history. Tarana didn't always have the courage to say "me too." As a child, she reeled from her sexual assault, believing she was responsible. Unable to confess what she thought of as her own sins for fear of shattering her family, her soul split in two. One side was the bright, intellectually curious third generation Bronxite steeped in Black literature and power, and the other was the bad, shame ridden girl who thought of herself as a vile rule breaker, not of a victim. She tucked one away, hidden behind a wall of pain and anger, which seemed to work...until it didn't. Tarana fought to reunite her fractured soul, through organizing, pursuing justice, and finding community. In her debut memoir she shares her extensive work supporting and empowering Black and brown girls, and the devastating realization that to truly help these girls she needed to help that scared, ashamed child still in her soul. She needed to stop running and confront what had happened to her, for Heaven and Diamond and the countless other young Black women for whom she cared. They gave her the courage to embrace her power. A power which in turn she shared with the entire world. Through these young Black and brown women, Tarana found that we can only offer empathy to others if we first offer it to ourselves. Unbound is the story of an inimitable woman's inner strength and perseverance, all in pursuit of bringing healing to her community and the world around her, but it is also a story of possibility, of empathy, of power, and of the leader we all have inside ourselves. In sharing her path toward healing and saying "me too," Tarana reaches out a hand to help us all on our own journeys"-- Provided by publisher.
"In 2025 California, an eighteen-year-old African American woman, suffering from a hereditary trait that causes her to feel others' pain as well as her own, flees northward from her small community and its desperate savages." -- (Source of summary not specified)
"Lilith Lyapo is in the Andes, mourning the death of her family, when war destroys Earth. Centuries later, she is resurrected, by miraculously powerful unearthly beings, the Oankali. Driven by an irresistible need to heal others, the Oankali are rescuing our dying planet by merging genetically with mankind. But Lilith and all humanity must now share the world with uncanny, unimaginably alien creatures: Their own children. This is their story."
"Though colleges and universities are arguably paying more attention to diversity and inclusion than ever before, to what extent do their efforts result in more socially just campuses? This book examines how race, ethnicity, class, gender, sexuality, sexual orientation, age, disability, nationality, and other identities connect to produce intersected campus experiences"-- Provided by publisher.
"Recorded over six years, Raising Bertie delivers an authentic and tender portrait of the lives of three young boys as they face a precarious coming of age within Bertie County, a rural African-American community in North Carolina. The film shows the process of growing up in a place afflicted by generations of economic and educational segregation. Growing up in a neighborhood of Bertie David "Bud" Perry calls "the 'hood," Bud has developed a tough exterior, leading to repeated suspensions for fighting and altercations with authority that threaten to derail his dreams of stability and success as an adult. Reginald "Junior" Askew lives in a small home, wedged between fields of corn, with his sister, and their mother – left to care for her children when their father was incarcerated for murder when Junior was three. For Davonte "Dada" Harrell, the youngest of the three, family is everything and the recent separation of his parents weighs heavily on his heart. All three boys attend The Hive, an alternative school for at-risk boys. But, when budget shortfalls lead the Board of Education to close The Hive, Junior, Bud, and Dada must return to Bertie High School and a system that once failed them. This documentary weaves the young men's stories together as the boys navigate school, unemployment, violence, first love, fatherhood, and estrangement from family members and mentors, all while trying to define their identities. Intimate access allows an honest portrayal of the boys' perspectives and an in-depth look at issues facing rural America's youth and what happens in the everyday lives of young people caught in the complex interplay of generational poverty, economic isolation, and educational inequity."–Container.
"Emplumada is Lorna Dee Cervantes's first book, a collection of poems remarkable for their surface clarity, precision of image, and emotional urgency. Rooted in her Chicana heritage, these poems illuminate the American experience of the last quarter century and, at a time when much of what is merely fashionable in American poetry is recondite and exclusive, Cervantes has the ability to speak to and for a large audience."--Amazon.com.
"In the wake of the police shooting of a black teenager, Los Angeles is as tense as it's been since the unrest of the early 1990s. But Grace Park and Shawn Matthews have their own problems. Grace is sheltered and largely oblivious, living in the Valley with her Korean-immigrant parents, working long hours at the family pharmacy. She's distraught that her sister hasn't spoken to their mother in two years, for reasons beyond Grace's understanding. Shawn has already had enough of politics and protest after an act of violence shattered his family years ago. He just wants to be left alone to enjoy his quiet life in Palmdale. But when another shocking crime hits LA, both the Park and Matthews families are forced to face down their history while navigating the tumult of a city on the brink of more violence"-- Amazon.com