Complete Collection

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Not Quite Not White: Losing and Finding Race in America
Sen, Sharmila. Not Quite Not White: Losing and Finding Race in America. New York: Penguin Books, 2018. Book @ Harvard LibraryAbstract
At the age of 12, Sharmila Sen emigrated from India to the U.S. The year was 1982, and everywhere she turned, she was asked to self-report her race: on INS forms, at the doctor's office, in middle school. Never identifying with a race in the India of her childhood, she rejects her new "not quite" designation: not quite white, not quite black, not quite Asian, and spends much of her life attempting to blend into American whiteness. But after her teen years trying to assimilate, watching shows like General Hospital and The Jeffersons, dancing to Duran Duran and Prince, and perfecting the art of Jell-O no-bake desserts, she is forced to reckon with the hard questions: What does it mean to be white, why does whiteness retain the magic cloak of invisibility while other colors are made hypervisible, and how much does whiteness figure into Americanness?
Whipping Girl: A Transsexual Woman on Sexism and the Scapegoating of Femininity
Serano, Julia. Whipping Girl: A Transsexual Woman on Sexism and the Scapegoating of Femininity. Second edition. Emeryville, CA: Seal Press, 2007. eBook @ Harvard Library [Harvard Key required]Abstract
In the updated second edition of Whipping Girl, Julia Serano, a transsexual woman whose supremely intelligent writing reflects her diverse background as a lesbian transgender activist and professional biologist, shares her powerful experiences and observations—both pre- and post-transition—to reveal the ways in which fear, suspicion, and dismissiveness toward femininity shape our societal attitudes toward trans women, as well as gender and sexuality as a whole.
Excluded: Making Feminist and Queer Movements More Inclusive
Serano, Julia. Excluded: Making Feminist and Queer Movements More Inclusive. Berkeley, CA: Seal Press, 2013. eBook @ Harvard Library [Harvard Key required]Abstract
Among LGBTQ activists, there is a long history of lesbians and gay men dismissing bisexuals, transgender people, and other gender and sexual minorities. In each case, exclusion is based on the premise that certain ways of being gendered or sexual are more legitimate, natural, or righteous than others. In Excluded, Julia Serano chronicles many of these instances of exclusion and argues that marginalizing others often stems from a handful of assumptions that are routinely made about gender and sexuality.
The Revisioners
Sexton, Margaret Wilkerson. The Revisioners. Berkeley, California: Counterpoint, 2019. Book @ Harvard LibraryAbstract
In 1925, Josephine is the proud owner of a thriving farm. As a child, she channeled otherworldly power to free herself from slavery. Now, her new neighbor, a white woman named Charlotte, seeks her company, and an uneasy friendship grows between them. But Charlotte has also sought solace in the Ku Klux Klan, a relationship that jeopardizes Josephine's family. Nearly one hundred years later, Josephine's descendant, Ava, is a single mother who has just lost her job. She moves in with her white grandmother Martha, a wealthy but lonely woman who pays her grandchild to be her companion. But Martha's behavior soon becomes erratic, then even threatening, and Ava must escape before her story and Josephine's converge.
J'accuse
Shabtai, Aharon. J'accuse. New York: New Directions, 2003. Book @ Harvard Library
Assata: An Autobiography
Shakur, Assata. Assata: An Autobiography. Chicago: Lawrence Hill Books, 2001. Book @ Harvard LibraryAbstract

View eBook @ Harvard Library [HarvardKey required]

"On May 2, 1973, Black Panther Assata Shakur, aka JoAnne Chesimard, lay in a hospital, close to death, handcuffed to her bed, while local, state, and federal police attempted to question her about the shootout on the New Jersey Turnpike that claimed the life of a white state trooper. Long a target of J. Edgar Hoover's campaign to defame, infilitrate, and criminalize Black nationalist organizations and their leaders, Shakur was incarcerated for four years prior to her conviction on flimsy evidence in 1977 as an accomplice to murder. ... Two years after her conviction, Assata Shakur escaped from prison. She was given political asylum by Cuba, where she now resides." From the bookjacket.

Palestinian Walks: Forays Into a Vanishing Landscape
Shehadeh, Raja. Palestinian Walks: Forays Into a Vanishing Landscape. New York: Scribner, 2008. Book @ Harvard LibraryAbstract
"Raja Shehadeh is a passionate hill walker. He enjoys nothing more than heading out into the countryside that surrounds his home. But in recent years, his hikes have become less than bucolic and sometimes downright dangerous. That is because his home is Ramallah, on the Palestinian West Bank, and the landscape he traverses is now the site of a tense standoff between his fellow Palestinians and settlers newly arrived from Israel.

In this original and evocative book, we accompany Raja on six walks taken between 1978 and 2006. The earlier forays are peaceful affairs, allowing our guide to meditate at length on the character of his native land, a terrain of olive trees on terraced hillsides, luxuriant valleys carved by sacred springs, carpets of wild iris and hyacinth and ancient monasteries built more than a thousand years ago. Shehadeh's love for this magical place saturates his renderings of its history and topography. But latterly, as seemingly endless concrete is poured to build settlements and their surrounding walls, he finds the old trails are now impassable and the countryside he once traversed freely has become contested ground. He is harassed by Israeli border patrols, watches in terror as a young hiking companion picks up an unexploded missile and even, on one occasion when accompanied by his wife, comes under prolonged gunfire.

Amid the many and varied tragedies of the Middle East, the loss of a simple pleasure such as the ability to roam the countryside at will may seem a minor matter. But in Palestinian Walks, Raja Shehadeh's elegy for his lost footpaths becomes a heartbreaking metaphor for the deprivations of an entire people estranged from their land." --Publisher description.
And the Band Played On: Politics, People, and the AIDS Epidemic
Shilts, Randy. And the Band Played On: Politics, People, and the AIDS Epidemic. New York: St. Martins Press, 2000. Book @ Harvard LibraryAbstract
An examination of the AIDS crisis exposes the federal government for its inaction, health authorities for their greed, and scientists for their desire for prestige in the face of the AIDS pandemic.
The Good Immigrant: 26 Writers Reflect on America
Shukla, Nikesh, and Chimène Suleyman, ed. The Good Immigrant: 26 Writers Reflect on America. New York: Little, Brown and Company, 2019. Book @ Harvard LibraryAbstract
Presents essays by first- and second-generation immigrant writers on the realities of immigration, multiculturalism, and marginalization in an increasingly divided America.
The Prettiest Star
Sickels, Carter. The Prettiest Star. Spartanburg, S.C. Hub City Press, 2020. Book & eBook @ Harvard LibraryAbstract
"Small-town Appalachia doesn't have a lot going for it, but it's where Brian is from, where his family is, and where he's chosen to return to die. At eighteen, Brian, like so many other promising young gay men, arrived in New York City without much more than a love for the freedom and release from his past that it promised. But within six short years, AIDS would claim his lover, his friends, and his future. With nothing left in New York but memories of death, Brian decides to write his mother a letter asking to come back to the place, and family, he was once so desperate to escape. Set in 1986, a year after Rock Hudson's death shifted the public consciousness of the epidemic and brought the news of AIDS into living rooms and kitchens across America, The Prettiest Star is part Dog Years by Mark Doty and part Tell the Wolves I'm Home by Carol Rifka Brunt. But it is also an urgent story now: it a novel about the politics and fragility of the body; it is a novel about sex and shame. And it is a novel that speaks to the question of what home and family means when we try to forge a life for ourselves in a world that can be harsh and unpredictable. It is written at the far reaches of love and understanding, and zeroes in on the moments where those two forces reach for each other, and sometimes touch."-- Provided by publisher
Ceremony
Silko, Leslie Marmon. Ceremony. Penguin classics. New York: Penguin, 2016. Book @ Harvard LibraryAbstract
"Almost forty years since its original publication, Ceremony remains one of the most profound and moving works of Native American literature–a novel that is itself a ceremony of healing. Masterfully written, filled with the somber majesty of Pueblo myth, Ceremony is a work of enduring power." -- Publisher's description.
Eyes Bottle Dark with a Mouthful of Flowers: Poems
Skeets, Jake. Eyes Bottle Dark with a Mouthful of Flowers: Poems. Minneapolis: Milkweed Editions, 2019. Book @ Harvard LibraryAbstract
Selected by Kathy Fagan as a winner of the 2018 National Poetry Series, Eyes Bottle Dark with a Mouthful of Flowers is a debut collection of poems by a dazzling geologist of queer eros. Drunktown, New Mexico, is a place where men 'only touch when they fuck in a backseat.' Its landscape is scarred by violence: done to it, done on it, done for it. Under the cover of deepest night, sleeping men are run over by trucks. Navajo bodies are deserted in fields. Resources are extracted. Lines are crossed. Men communicate through beatings, and football, and sex. In this place, 'the closest men become is when they are covered in blood / or nothing at all.' But if Jake Skeets's collection is an unflinching portrait of the actual west, it is also a fierce reclamation of a living place'full of beauty as well as brutality, whose shadows are equally capable of protecting encounters between boys learning to become, and to love, men. Its landscapes are ravaged, but they are also startlingly lush with cacti, yarrow, larkspur, sagebrush. And even their scars are made newly tender when mapped onto the lover's body: A spine becomes a railroad. 'Veins burst oil, elk black.' And 'becoming a man / means knowing how to become charcoal.' Rooted in Navajo history and thought, these poems show what has been brewing in an often forgotten part of the American literary landscape, an important language, beautiful and bone dense. Sculptural, ambitious, and defiantly vulnerable, the poems of Eyes Bottle Dark with a Mouthful of Flowers are coal that remains coal, despite the forces that conspire for diamond, for electricity.
Heartland: A Memoir of Working Hard and Being Broke in the Richest Country on Earth
Smarsh, Sarah. Heartland: A Memoir of Working Hard and Being Broke in the Richest Country on Earth. New York: Scribner, 2018. Book @ Harvard LibraryAbstract
"During Sarah Smarsh's turbulent childhood in Kansas in the 1980s and 1990s, the country's changing economic policies solidified her family's place among the working poor. By telling the story of her life and the lives of the people she loves, Smarsh challenges us to examine the class divide in our country and the myths about people thought to be less because they earn less. Her personal history affirms the corrosive impact intergenerational poverty can have on individuals, families, and communities, and she explores this idea as lived experience, metaphor, and level of consciousness. Born a fifth-generation Kansas wheat farmer on her paternal side and the product of generations of teen mothers on her maternal side, Smarsh grew up in a family of laborers trapped in a cycle of poverty. Whether working the wheat harvest, helping on her dad's construction sites, or visiting her grandma's courthouse job, she learned about hard work. She also absorbed painful lessons about economic inequality. Through her experience growing up as the child of a dissatisfied teenage mother--and being raised predominantly by her grandmother on a farm thirty miles west of Wichita--she gives us a unique, essential look into the lives of poor and working-class Americans living in the middle of our country. Combining memoir with powerful analysis and cultural commentary, Heartland is an uncompromising look at class, identity, and the particular perils of having less in a country known for its excess. "--Dust jacket.
How the Word is Passed: A Reckoning with the History of Slavery Across America
Smith, Clint. How the Word is Passed: A Reckoning with the History of Slavery Across America. New York: Little, Brown and Company, 2021. Book @ Harvard LibraryAbstract
"'How the Word is Passed' is Clint Smith's revealing, contemporary portrait of America as a slave owning nation. Beginning in his own hometown of New Orleans, Smith leads the reader through an unforgettable tour of monuments and landmarks - those that are honest about the past and those that are not - that offer an intergenerational story of how slavery has been central in shaping our nations collective history, and ourselves."-- Provided by publisher.
Afterparties: Stories
So, Anthony Veasna. Afterparties: Stories. New York: Ecco, 2021. Book @ Harvard LibraryAbstract
"A debut story collection about Cambodian-American life-immersive and comic, yet unsparing-that marks the arrival of an indisputable new talent in American fiction" (from the publisher)
Whose Story Is This? Old Conflicts, New Chapters
Solnit, Rebecca. Whose Story Is This? Old Conflicts, New Chapters. Chicago: Haymarket Books, 2019. Book @ Harvard LibraryAbstract
Who gets to shape the narrative of our times? The current moment is a battle royale over that foundational power, one in which women, people of color, non-straight people are telling other versions, and white people and men and particularly white men are trying to hang onto the old versions and their own centrality. In Whose Story Is This? Rebecca Solnit appraises what's emerging and why it matters and what the obstacles are.
The Voice at the Back Door
Spencer, Elizabeth. The Voice at the Back Door. Baton Rouge, LA: Louisiana State University Press, 1994. eBook @ Harvard Library [Harvard Key required]Abstract

In the mid-1950s, the town of Lacey in the Mississippi hill country is a place where the lives of blacks and whites, though seemingly separate, are in fact historically and inevitably intertwined. When Lacey's fair-haired boy, Duncan Harper, is appointed interim sheriff, he makes public his private convictions about the equality of blacks before the law, and the combined threat and promise he represents to the understood order of things in Lacey affects almost every member of the community. In the end, Harper succeeds in pointing the way for individuals, both black and white, to find a more harmonious coexistence, but at a sacrifice all must come to regret.

In The Voice at the Back Door, Mississippi native Elizabeth Spencer gives form to the many voices that shaped her view of race relations while growing up, and at the same time discovers her own voice -- one of hope. Employing her extraordinary literary powers -- finely honed narrative techniques, insight into a rich, diverse cast of characters, and an unerring ear for dialect -- Spencer makes palpable the psychological milieu of a small southern town hobbled by tradition but lurching toward the dawn of the civil rights movement. First published in 1956, The Voice at the Back Door is Spencer's most highly praised novel yet, and her last to treat small-town life in Mississippi.

Maus: A Survivor's Tale
Spiegelman, Art. Maus: A Survivor's Tale. 25th ed. New York: Pantheon Books, 2011. Book @ Harvard LibraryAbstract

In a world where Jews are mice, Germans are Cats and the Polish are pigs, a son documents his parents' experience during the Holocaust and his relationship with his father.

"On the occasion of the twenty-fifth anniversary of its first publication, here is the definitive edition of the book acclaimed as "the most affecting and successful narrative ever done about the Holocaust" (Wall Street Journal) and "the first masterpiece in comic book history" (The New Yorker). The Pulitzer Prize-winning Maus tells the story of Vladek Spiegelman, a Jewish survivor of Hitler's Europe, and his son, a cartoonist coming to terms with his father's story. Maus approaches the unspeakable through the diminutive. Its form, the cartoon (the Nazis are cats, the Jews mice), shocks us out of any lingering sense of familiarity and succeeds in "drawing us closer to the bleak heart of the Holocaust" (The New York Times). Maus is a haunting tale within a tale. Vladek's harrowing story of survival is woven into the author's account of his tortured relationship with his aging father. Against the backdrop of guilt brought by survival, they stage a normal life of small arguments and unhappy visits. This astonishing retelling of our century's grisliest news is a story of survival, not only of Vladek but of the children who survive even the survivors. Maus studies the bloody pawprints of history and tracks its meaning for all of us." -- from publisher's website.

Just Mercy: A Story of Justice and Redemption
Stevenson, Bryan. Just Mercy: A Story of Justice and Redemption. New York: Spiegel & Grau, 2015. eBook @ Harvard Library [Harvard Key required]Abstract

"From one of the most brilliant and influential lawyers of our time comes an unforgettable true story about the redeeming potential of mercy. Bryan Stevenson was a gifted young attorney when he founded the Equal Justice Initiative, a legal practice dedicated to defending the poor, the wrongly condemned, and those trapped in the furthest reaches of our criminal justice system. One of his first cases was that of Walter McMillian, a young man sentenced to die for a notorious murder he didn't commit. The case drew Stevenson into a tangle of conspiracy, political machination, and legal brinksmanship - and transformed his understanding of mercy and justice forever."--Back cover.

Find the Print Book in HOLLIS. (Record #1 and Record #2)

In the Country of Women: A Memoir
Straight, Susan. In the Country of Women: A Memoir. New York: Catapult, 2019. Book @ Harvard LibraryAbstract
"In inland Southern California, near the desert and the Mexican border, Susan Straight, a self-proclaimed book nerd, and Dwayne Sims, an African American basketball player, started dating in high school. After college, they married and drove to Amherst, Massachusetts, where Straight met her teacher and mentor, James Baldwin, who encouraged her to write. Once back in Riverside, at driveway barbecues and fish fries with the large, close-knit Sims family, Straight--and eventually her three daughters--heard for decades the stories of Dwayne's female ancestors. Some women escaped violence in post-slavery Tennessee, some escaped murder in Jim Crow Mississippi, and some fled abusive men. Straight's mother-in-law, Alberta Sims, is the descendant at the heart of this memoir. Susan's family, too, reflects the hardship and resilience of women pushing onward--from Switzerland, Canada, and the Colorado Rockies to California. A Pakistani word, biraderi, is one Straight uses to define a complex system of kinship and clan--those who become your family. An entire community helped raise her daughters. Of her three girls, now grown and working in museums and the entertainment industry, Straight writes, "The daughters of our ancestors carry in their blood at least three continents. We are not about borders. We are about love and survival." In the Country of Women is a valuable social history and a personal narrative that reads like a love song to America and indomitable women." -- from Jacket.

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