"A Jamaican woman leaves her daughter behind to immigrate to New York, where the happier life she expected is difficult to find as an undocumented worker." -- adapted from jacket description.
"When Patsy gets her long-coveted visa to America, she looks forward leaving Pennyfield, the beautiful but impoverished Jamaican town where they were raised. Her plans don't include her overzealous, evangelical mother-- or her own five-year-old daughter, Tru. When Patsy arrives in Brooklyn, she survives as an undocumented immigrant, working as a bathroom attendant and nanny. Meanwhile, Tru builds a faltering relationship with her father back in Jamaica, grappling with her own questions of identity and sexuality, and trying desperately to empathize with her mother's decision." -- adapted from jacket
When Jason DeParle moved in with Tita Comodas in the Manila slums thirty years ago, he didn't expect to make a lifelong friend. Nor did he expect to spend decades reporting on her family–husband, children, and siblings–as they came to embody the stunning rise of global migration. In A Good Provider Is One Who Leaves, DeParle paints an intimate portrait of an unforgettable family across three generations, as migration reorders economics, politics, and culture across the world. At the heart of the story is Rosalie, Tita's middle child, who escapes poverty by becoming a nurse, and lands jobs in Jeddah, Abu Dhabi and, finally, Texas–joining the record forty-four million immigrants in the United States. Migration touches every aspect of global life. It pumps billions in remittances into poor villages, fuels Western populism, powers Silicon Valley, sustains American health care, and brings one hundred languages to the Des Moines public schools. One in four children in the United States is an immigrant or the child of one. With no issue in American life so polarizing, DeParle expertly weaves between the personal and panoramic perspectives. Reunited with their children after years apart, Rosalie and her husband struggle to be parents, as their children try to find their place in a place they don't know. Ordinary and extraordinary at once, their journey is a twenty-first-century classic, rendered in gripping detail.
"A look at life in contemporary Palestine through the lens of its literary culture Marcello Di Cintio first visited Palestine in 1999 and, like most outsiders, the Palestinian narrative he knew was one defined by unending struggle, a near-Sisyphean curse of stories of oppression, exile, and occupation told over and over again. In the summer of 2014, during a brief lull in the bombing from Israel's Operation Protective Edge, photos emerged of a young Gazan girl in a green dress sifting through the rubble of her destroyed home. She was looking for her books. In Pay No Heed to the Rockets, Di Cintio travels to Palestine to find the girl. Using the form of a political-literary travelogue, he explores what literature means to modern Palestinians and how Palestinians make sense of the conflict between a rich imaginative life and the daily violence of survival. Taking the long route through the West Bank, into Jerusalem, across Israel and finally into Gaza, he meets with poets, authors, librarians, and booksellers to learn about Palestine through their eyes, and through the story of their stories. Di Cintio travels through the rich cultural and literary heritage of Palestine. It's there that he uncovers a humanity, and a beauty, often unnoticed by news media. At the seventieth anniversary of the Arab-Israeli War, Pay No Heed to the Rockets tells a fresh story about Palestine, one that begins with art rather than war"–Provided by publisher.
"In this groundbreaking and timely book, antiracist educator Robin DiAngelo deftly illuminates the phenomenon of white fragility. Referring to the defensive moves that white people make when challenged racially, white fragility is characterized by emotions such as anger, fear, and guilt, and by behaviors including argumentation and silence. These behaviors, in turn, function to reinstate white racial equilibrium and prevent any meaningful cross-racial dialogue. In this in-depth exploration, DiAngelo explores how white fragility develops, how it protects racial inequality, and what we can do to engage more constructively." -- Publisher's description.
"This dark and suspenseful novel tells the story of a fictitious West African country caught in the grip of civil war. The dispassionate and deadpan narrator, Asante Kroma, is a former head of Secret Services and finds himself living with the corpse of the dictator, a man who once ruled his nation with an iron fist. Through a series of flashbacks and letters penned by the dictator, N'Zo Nikiema, readers discover the role of the French shadow leader, Pierre Castaneda, whose ongoing ambition to exploit the natural resources of the country knows no limits. As these powerful men use others as pawns in a violent real-life chess match, it is the murder of six-year-old Kaveena and her mother's quest for vengeance that brings about a surprise reckoning." - Publisher description.
"Through the story of Tamara, an abused Native American girl, North Dakota Senator Byron Dorgan tells the story of the many children living on Indian reservations. On a winter morning in 1990, Senator Byron Dorgan of North Dakota picked up the Bismarck Tribune. On the front page, a small girl gazed into the distance, shedding a tear. The headline: "Foster home children beaten–and nobody's helping". Dorgan, who had been working with American Indian tribes to secure resources, was distressed. He flew to the Standing Rock Indian Reservation to meet with five-year-old Tamara and her grandfather. They became friends. Then she disappeared. And he would search for her for decades until they finally found each other again. This book is her story, from childhood to the present, but it's also the story of a people and a nation. More than one in three American Indian/Alaskan Native children live in poverty. AI/AN children are disproportionately in foster care and awaiting adoption. Suicide among AI/AN youth ages 15 to 24 is 2.5 times the national rate. How have we allowed this to happen? As distressing a situation as it is, this is also a story of hope and resilience. Dorgan, who founded the Center for Native American Youth at the Aspen Institute, has worked tirelessly to bring Native youth voices to the forefront of policy discussions, engage Native youth in leadership and advocacy, and secure and share resources for Native youth. Readers will fall in love with this heartbreaking story, but end the book knowing what can be done and what they can do"– provided by publisher.
"With a reporter's eye for the inside story and a historian's grasp of the ironies in our collective past, Greg Downs affectionately observes some of the last survivors of what Greil Marcus has called the old, weird America. Living off the map and out of sight, folks like Embee, Rudy, Peg, and Branch define themselves by where they are, not by what they eat, drink, or wear.
The man who is soon to abandon his family in "Ain't I a King, Too?" is mistaken for the populist autocrat of Louisiana, Huey P. Long--on the day after Long's assassination. In "Hope Chests," a history teacher marries his student and takes her away from a place she hated, only to find that neither one of them can fully leave it behind. An elderly man in "Snack Cakes" enlists his grandson to help distribute his belongings among his many ex-wives, living and dead. In the title story, another intergenerational family tale, a young boy is caught in a feud between his mother and grandmother. The older woman uses the language of baseball to convey her view of religion and nobility to her grandson before the boy's mother takes him away, maybe forever.
Caught up in pasts both personal and epic, Downs's characters struggle to maintain their peculiar, grounded manners in an increasingly detached world."
"Championed by Toni Morrison and Walter Mosley, Dumas's fabulist fiction is a masterful synthesis of myth and religion, culture and nature, mask and identity. From the Deep South to the simmering streets of Harlem, his characters embark on real, magical, and mythic quests. Humming with life, Dumas's stories create a collage of midcentury Black experiences, interweaving religious metaphor, African cosmologies, diasporic folklore, and America's history of slavery and systemic racism. Henry Dumas was born in Sweet Home, Arkansas, in 1934 and moved to Harlem at the age of ten. He joined the air force in 1953 and spent a year on the Arabian Peninsula. Upon his return, Dumas became active in the civil rights movement, married, had two sons, attended Rutgers University, worked for IBM, and taught at Hiram College in Ohio and at Southern Illinois University. In 1968, at the age of thirty-three, he was shot and killed by a New York City Transit Authority police officer."--Amazon.com.
"Finalist for the National Book Award for Nonfiction A startling and eye-opening look into America's First Family, Never Caught is the powerful story about a daring woman of "extraordinary grit" (The Philadelphia Inquirer). When George Washington was elected president, he reluctantly left behind his beloved Mount Vernon to serve in Philadelphia, the temporary seat of the nation's capital. In setting up his household he brought along nine slaves, including Ona Judge. As the President grew accustomed to Northern ways, there was one change he couldn't abide: Pennsylvania law required enslaved people be set free after six months of residency in the state. Rather than comply, Washington decided to circumvent the law. Every six months he sent the slaves back down south just as the clock was about to expire. Though Ona Judge lived a life of relative comfort, she was denied freedom. So, when the opportunity presented itself one clear and pleasant spring day in Philadelphia, Judge left everything she knew to escape to New England. Yet freedom would not come without its costs. At just twenty-two-years-old, Ona became the subject of an intense manhunt led by George Washington, who used his political and personal contacts to recapture his property. "A crisp and compulsively readable feat of research and storytelling" (USA TODAY), historian Erica Armstrong Dunbar weaves a powerful tale and offers fascinating new scholarship on how one young woman risked everything to gain freedom from the famous founding father."
"A deeply personal story about growing up Black and queer in the US. In his characteristically powerful voice, Duncan recounts hitchhiking across the country, spending time in solitary confinement, battling for sobriety, and discovering a deep faith, examining pressing issues like poverty, mass incarceration, white supremacy, and LGBTQ inclusion through an intimate portrayal of his life's struggles and joys. The result is a love story about America, revealing the joy and resilience and making the bold claim that God is present with us in the most difficult of circumstances, bringing life out of death. -- adapted from jacket
"You don't have to be racist to be biased. Unconscious bias can be at work without our realizing it, and even when we genuinely wish to treat all people equally, ingrained stereotypes can infect our visual perception, attention, memory, and behavior. This has an impact on education, employment, housing, and criminal justice. Now one of the world's leading experts on implicit racial bias offers us insights into the dilemma and a path forward. In [this book], with a perspective that is at once scientific, investigative, and informed by personal experience, Jennifer Eberhardt tackles one of the central controversies and culturally powerful issues of our time. Eberhardt works extensively as a consultant to law enforcement and as a psychologist at the forefront of this new field. Her research takes place in courtrooms and boardrooms, in prisons, on the street, and in classrooms and coffee shops. She shows us the subtle--and sometimes dramatic--daily repercussions of implicit bias in how teachers grade students, or managers deal with customers. It has an enormous impact on the conduct of criminal justice, from the rapid decisions police officers have to make to sentencing practices in court. Eberhardt's work and her book are both influenced by her own life, and the personal stories she shares emphasize the need for change. She has helped companies that include Airbnb and Nextdoor address bias in their business practices and has led anti-bias initiatives for police departments across the country. Here, she offers practical suggestions for reform and new practices that are useful for organizations as well as individuals. Unblinking about the tragic consequences of prejudice, Eberhardt addresses how racial bias is not the fault of nor restricted to a few "bad apples," but is present at all levels of society in media, education, and business. The good news is that we are not hopelessly doomed by our innate prejudices. In Biased, Eberhardt reminds us that racial bias is a h uman problem--one all people can play a role in solving."--Jacket.
"In 2014, award-winning journalist Reni Eddo-Lodge wrote about her frustration with the way that discussions of race and racism in Britain were being led by those who weren't affected by it. She posted a piece on her blog, entitled: 'Why I'm No Longer Talking to White People About Race'. Her words hit a nerve. The post went viral and comments flooded in from others desperate to speak up about their own experiences. Galvanised by this clear hunger for open discussion, she decided to dig into the source of these feelings. The result is a searing, illuminating, absolutely necessary examination of what it is to be a person of colour in Britain today. Exploring issues from eradicated black history to the political purpose of white dominance, whitewashed feminism to the inextricable link between class and race, Reni Eddo-Lodge offers a new framework for how to see, acknowledge and counter racism today. Full of clear, bold and keenly felt arguments, [this book] is a wake-up call to a nation in denial about the structural and institutional racism occurring at its heart. It is a timely, essential book by a vital new voice."--Jacket.
"Boy Erased tells the courageous story of Jared Eamons, the son of a Baptist pastor in a small American town, who must overcome the fallout of being outed to his parents. His parents struggle with reconciling their love for their son with their beliefs. Fearing a loss of family, friends, and community, Jared is pressured into attending a conversion therapy program. While there, Jared comes into conflict with its leader and begins his journey to finding his own voice and accepting his true self."
"Washington Black is an eleven-year-old field slave who knows no other life than the Barbados sugar plantation where he was born. When his master's eccentric brother chooses him to be his manservant, Wash is terrified of the cruelties he is certain await him. But Christopher Wilde, or "Titch," is a naturalist, explorer, scientist, inventor, and abolitionist. He initiates Wash into a world where a flying machine can carry a man across the sky; where two people, separated by an impossible divide, might begin to see each other as human; and where a boy born in chains can embrace a life of dignity and meaning. But when a man is killed and a bounty is placed on Wash's head, Titch abandons everything to save him. What follows is their flight along the eastern coast of America, and, finally, to a remote outpost in the Arctic, where Wash, left on his own, must invent another new life."
"Approximately 2.5 million men and women have deployed to Iraq and Afghanistan in the service of the U.S. War on Terror. Marian Eide and Michael Gibler have collected and compiled personal combat accounts from some of these war veterans. In modern warfare no deployment meets the expectations laid down by stories of Appomattox, Ypres, Iwo Jima, or Tet. Stuck behind a desk or the wheel of a truck, many of today’s veterans feel they haven’t even been to war though they may have listened to mortars in the night or dodged improvised explosive devices during the day. When a drone is needed to verify a target’s death or bullets are sprayed like grass seed, military offensives can lack the immediacy that comes with direct contact.
After Combat bridges the gap between sensationalized media and reality by telling war’s unvarnished stories. Participating soldiers, sailors, marines, and air force personnel (retired, on leave, or at the beginning of military careers) describe combat in the ways they believe it should be understood. In this collection of interviews, veterans speak anonymously with pride about their own strengths and accomplishments, with gratitude for friendships and adventures, and also with shame, regret, and grief, while braving controversy, misunderstanding, and sanction."
"A bold and uncompromising feminist manifesto that shows women and girls how to defy, disrupt, and destroy the patriarchy by embracing the qualities they've been trained to avoid. Seizing upon the energy of the #MeToo movement, feminist activist Mona Eltahawy advocates a muscular, out-loud approach to teaching women and girls to harness their power through what she calls the "seven necessary sins" that women and girls are not supposed to commit: to be angry, ambitious, profane, violent, attention-seeking, lustful, and powerful. All the necessary "sins" that women and girls require to erupt. Eltahawy knows that the patriarchy is alive and well, and she is fed the hell up: Sexually assaulted during hajj at the age of fifteen. Groped on the dance floor of a night club in Montreal at fifty. Countless other injustices in the years between. Illuminating her call to action are stories of activists and ordinary women around the world--from South Africa to China, Nigeria to India, Bosnia to Egypt--who are tapping into their inner fury and crossing the lines of race, class, faith, and gender that make it so hard for marginalized women to be heard. Rather than teaching women and girls to survive the poisonous system they have found themselves in, Eltahawy arms them to dismantle it. Brilliant, bold, and energetic, The Seven Necessary Sins for Women and Girls is a manifesto for all feminists in the fight against patriarchy"-- Provided by publisher.
"In seven essays that combine memoir, polemic and cultural criticism, Mona Eltahawy explains how we must seize what she calls the feminist revolutionary moment that has galvanized women and queer people across the world through such movements as #MeToo, to support survivors of sexual assault and expose predators, the Irish women who successfully led a successful referendum to legalize abortion in their country, the South Korean women who have held the largest women's protests in their country against spycams that are used to invade their privacy, to the LGBTQ activists in India who pushed their Supreme Court to overturn British colonial era legislation criminalizing homosexuality"-- Provided by publisher.
"The first book of poems from an acclaimed young author, whose meteoric rise has already landed them on the cover of Time Magazine. In their bold debut poetry collection, Akwaeke Emezi—award-winning author of Freshwater, PET, The Death of Vivek Oji,and Dear Senthuran—imagines a new depth of belonging. Crafted of both divine and earthly materials, these poems travel from home to homesickness, tracing desire to surrender and abuse to survival, while mapping out a chosen family that includes the son of god, mary auntie, and magdalene with the chestnut eyes. Written from a spiritfirst perspective and celebrating the essence of self that is impossible to drown, kill, or reduce, Content Warning: Everything distills the radiant power and epic grief of a mischievous and wanting young deity, embodied." - Publisher description
"A tender, potent, and compulsively readable novel of a Nigerian-Indian family and the deeply held secret that tests their traditions and bonds"– Provided by publisher., Southeastern Nigeria. Raised by a distant father and an understanding but overprotective mother, Vivek suffers disorienting blackouts, moments of disconnection between self and surroundings. As adolescence gives way to adulthood, Vivek finds solace in friendships with the boisterous daughters of the Nigerwives, foreign-born women married to Nigerian men. But Vivek's closest bond is with Osita, the worldly, high-spirited cousin whose teasing confidence masks a guarded private life. As their relationship deepens, an act of violence leads to a family's struggle with loss and transcendence. – adapted from jacket
"In three critically acclaimed novels, Akwaeke Emezi has introduced readers to a landscape marked by familial tensions, Igbo belief systems, and a boundless search for what it means to be free. Now, in this extraordinary memoir, the bestselling author of The Death of Vivek Oji reveals the harrowing yet resolute truths of their own life. Through candid, intimate correspondence with friends, lovers, and family, Emezi traces the unfolding of a self and the unforgettable journey of a creative spirit stepping into power in the human world. Their story weaves through transformative decisions about their gender and body, their precipitous path to success as a writer, and the turmoil of relationships on an emotional, romantic, and spiritual plane, culminating in a book that is as tender as it is brutal. Electrifying and inspiring, animated by the same voracious intelligence that distinguishes Emezi's fiction, Dear Senthuran is a revelatory account of storytelling, self, and survival." - Publisher description.
"In 2016, a small protest encampment at the Standing Rock reservation in North Dakota, initially established to block construction of the Dakota Access oil pipeline, grew to be the largest Indigenous protest movement in the twenty-first century, attracting tens of thousands of Indigenous and non-Native allies from around the world. Its slogan "Mni Wiconi"–Water is Life–was about more than just a pipeline. Water Protectors knew this battle for Native sovereignty had already been fought many times before, and that, even after the encampment was gone, their anti-colonial struggle would continue. In Our History is the Future, Nick Estes traces traditions of Indigenous resistance leading to the \#NoDAPL movement from the days of the Missouri River trading forts through the Indian Wars, the Pick-Sloan dams, the American Indian Movement, and the campaign for Indigenous rights at the United Nations. While a historian by trade, Estes also draws on observations from the encampments and from growing up as a citizen of the Oceti Sakowin (the Nation of the Seven Council Fires), making Our History is the Future at once a work of history, a personal story, and a manifesto"– provided by publisher.