"In the tradition of Mark Doty's "Heaven's Coast" comes an original memoir from the acclaimed poet and author about the accident that left him a paraplegic, and his struggle to find independence, love, and a life on his own terms."
"Xiaolu Guo is one of the most acclaimed Chinese-born writers of her generation, an iconoclastic and completely contemporary voice. Her vivid, poignant memoir, Nine Continents is the story of a curious mind coming of age in an inhospitable country, and her determination to seek a life beyond the limits of its borders. Xiaolu Guo has traveled further than most to become who she needed to be. Now, as she experiences the birth of her daughter in a London maternity ward surrounded by women from all over the world, she looks back on that journey. It begins in the fishing village shack on the East China Sea where her illiterate grandparents raised her, and brings her to a rapidly changing Beijing, full of contradictions: a thriving underground art scene amid mass censorship, curious Westerners who held out affection only to disappear back home. Eventually Xiaolu determined to see the world beyond China for herself, and now, after fifteen years in Europe, her words resonate with the insight of someone both an outsider and at home, in a world far beyond the country of her birth. Nine Continents presents a fascinating portrait of China in the eighties and nineties, how the Cultural Revolution shaped families, and how the country's economic ambitions gave rise to great change. It is also a moving testament to the birth of a creative spirit, and of a new generation being raised to become citizens of the world. It confirms Xiaolu Guo as one of world literature's most urgent voices."--Provided by publisher.
"Rosa Guy's novel follows Wade Williams, a brilliant young black man who wakes up in a mental hospital and is told he has assaulted his sister. Throughout Guy's engrossing story, Wade retraces his steps to identify the circumstances that brought him to commit this unthinkable act, and reveals the rich complexity of mid-twentieth-century Harlem and its mothers, sons, and daughters, whose aspirations prevail and perish within both white and black America."–Jacket.
"A queer Muslim searches for the language to express her truest self, making peace with her sexuality, her family, and Islam. Growing up in Pakistan, Samra Habib lacks a blueprint for the life she wants. She has a mother who gave up everything to be a pious, dutiful wife and an overprotective father who seems to conspire against a life of any adventure. Plus, she has to hide the fact that she's Ahmadi to avoid persecution from religious extremists. As the threats against her family increase, they seek refuge in Canada, where new financial and cultural obstacles await them. When Samra discovers that her mother has arranged her marriage, she must again hide a part of herself–the fun-loving, feminist teenager that has begun to bloom–until she simply can't any longer. So begins a journey of self-discovery that takes her to Tokyo, where she comes to terms with her sexuality, and to a queer-friendly mosque in Toronto, where she returns to her faith in the same neighbourhood where she attended her first drag show. Along the way, she learns that the facets of her identity aren't as incompatible as she was led to believe, and that her people had always been there–the world just wasn't ready for them yet."– provided by publisher.
"It has long been assumed that no Armenian presence remained in eastern Turkey after the 1915 massacres. As a result of what has come to be called the Armenian Genocide, those who survived in Anatolia were assimilated as Muslims, with most losing all traces of their Christian identity. In fact, some did survive and together with their children managed during the last century to conceal their origins. Many of these survivors were orphans, adopted by Turks, only discovering their "true" identity late into their adult lives. Outwardly, they are Turks or Kurds and while some are practising Muslims, others continue to uphold Christian and Armenian traditions behind closed doors. ln recent years, a growing number of "secret Armenians" have begun to emerge from the shadows. Spurred by the bold voices of journalists like Hrant Dink, the Armenian newspaper editor murdered in Istanbul in 2007, the pull towards freedom of speech and soul-searching is taking hold across the region. Avedis Hadjian has traveled to the towns and villages once densely populated by Armenians, recording stories of survival and discovery from those who remain in a region that is deemed unsafe for the people who once lived there. This book takes the reader to the heart of these hidden communities for the first time, unearthing their unique heritage and identity. Revealing the lives of a people that have been trapped in a history of denial for more than a century, Secret Nation is essential reading for anyone with an interest in the aftermath of the Armenian Genocide in the very places where the events occurred." -- Dust jacket.
"The civil rights of LGBTQ people have slowly yet steadily strengthened since the Stonewall Riots of June, 1969. Despite enormous opposition from some political segments and the catastrophic effects of the AIDS crisis, the last five decades have witnessed improvement in the conditions of the lives of LGBTQ individuals in the United States. As such, the realities and challenges faced by a young gay man coming of age and coming out in the 1960s is, in many profound ways, different from the experiences of a young gay man coming of age and coming out today. Out in Time explores the life experiences of three generations of gay men --the Stonewall, AIDS, and Queer generations-- arguing that while there are generational differences in the lived experiences of young gay men, each one confronts its own unique historical events, realities, and socio-political conditions, there are consistencies across time that define and unify the identity formation of gay men. Guided by the vast research literature on gay identity formation and coming out, the ideas and themes explored here are seen through the oral histories of a diverse set of fifteen gay men, five from each generation. Out in Time demonstrates how early life challenges define and shape the life courses of gay men, demarcating both the specific time-bound challenges encountered by each generation, and the universal challenges encountered by gay men coming of age across all generations and the conditions that define their lives."--Publisher's description
"Part graphic novel, part memoir, "Wake" is an imaginative tour de force that tells the story of women-led slave revolts and chronicles scholar Rebecca Hall's efforts to uncover the truth about these warriors who, until now, have been left out of the historical record. Women warriors planned and led slave revolts on ships during the Middle Passage. They fought their enslavers throughout the Americas. And then they were erased from history. "Wake" tells the story of Dr. Rebecca Hall, a historian, granddaughter of slaves, and woman haunted by the legacy of slavery. The accepted history of slave revolts has always told her that enslaved women took a back seat to men in fighting for freedom. But Rebecca decided to look deeper, and her journey takes her through old court records, slave ship captains' logs, crumbling correspondence, and even the forensic evidence from the bones of enslaved women from the "African burial ground" uncovered in Manhattan. She finds women warriors everywhere. Using in-depth archival research and a measured approach to historical imagination, Rebecca constructs the likely pasts of women rebels who fought for freedom during the Middle Passage, as well as the stories of women who led slave revolts in colonial New York. We also follow Rebecca's own story as the legacy of slavery shapes her life, both during the time as an attorney and later as a historian seeking the past that haunts her. The exploration of both a personal and national legacy, "Wake" is a powerful reminder that while the past is gone, we still live in its wake." – jacket summary., "An historical and imaginative tour-de-force, WAKE brings to light for the first time the existence of enslaved black women warriors, whose stories can be traced by carefully scrutinizing historical records; and where the historical record goes silent, WAKE reconstructs the likely past of two female rebels, Adono and Alele, on the slave ship The Unity. WAKE is a graphic novel that offers invaluable insight into the struggle to survive whole as a black woman in today's America; it is a historiography that illuminates both the challenges and the necessity of uncovering the true stories of slavery; and it is an overdue reckoning with slavery in New York City where two of these armed revolts took place. It is, also, a transformative and transporting work of imaginative fiction, bringing to three-dimensional life Adono and Alele and their pasts as women warriors. In so doing, WAKE illustrates the humanity of the enslaved, the reality of their lived experiences, and the complexity of the history that has been, till now, so thoroughly erased"– Provided by publisher
"In the village of al-Awafi in Oman, we encounter three sisters: Mayya, who marries after a heartbreak; Asma, who marries from a sense of duty; and Khawla, who chooses to refuse all offers and await a reunion with the man she loves, who has emigrated to Canada. These three women and their families, their losses and loves, unspool ... against a backdrop of a rapidly changing Oman, a country evolving from a traditional, slave-owning society into its complex present"– provided by publisher.
"In the early 1800s, the Mvskoke people were forcibly removed from their original lands east of the Mississippi to Indian Territory, which is now part of Oklahoma. Two hundred years later, Joy Harjo returns to her family's lands and opens a dialogue with history ... Harjo finds blessings in the abundance of her homeland and confronts the site where her people, and other indigenous families, essentially disappeared. From her memory of her mother's death, to her beginnings in the Native rights movement, to the fresh road with her beloved, Harjo's personal life intertwines with tribal histories to create a space for renewed beginnings. Her poems sing of beauty and survival, illuminating a spirituality that connects her to her ancestors and thrums with the quiet anger of living in the ruins of injustice." -- Jacket.
"With hundreds of thousands of copies sold, a Ron Howard movie in the works, and the rise of its author as a media personality, J. D. Vance's Hillbilly Elegy: A Memoir of a Family and Culture in Crisis has defined Appalachia for much of the nation. What about Hillbilly Elegy accounts for this explosion of interest during this period of political turmoil? Why have its ideas raised so much controversy? And how can debates about the book catalyze new, more inclusive political agendas for the region's future? Appalachian Reckoning is a retort, at turns rigorous, critical, angry, and hopeful, to the long shadow Hillbilly Elegy has cast over the region and its imagining. But it also moves beyond Hillbilly Elegy to allow Appalachians from varied backgrounds to tell their own diverse and complex stories through an imaginative blend of scholarship, prose, poetry, and photography. The essays and creative work collected in Appalachian Reckoning provide a deeply personal portrait of a place that is at once culturally rich and economically distressed, unique and typically American. Complicating simplistic visions that associate the region almost exclusively with death and decay, Appalachian Reckoning makes clear Appalachia's intellectual vitality, spiritual richness, and progressive possibilities."--Back cover.
"Michele Harper is a female, African American emergency room physician in a profession that is overwhelmingly male and white. Brought up in Washington, D.C., in a complicated family, she went to Harvard, where she met her husband. They stayed together through medical school until two months before she was scheduled to join the staff of a hospital in central Philadelphia, when he told her he couldn’t move with her. Her marriage at an end, Harper began her new life in a new city, in a new job, as a newly single woman.
In the ensuing years, as Harper learned to become an effective ER physician, bringing insight and empathy to every patient encounter, she came to understand that each of us is broken—physically, emotionally, psychically. How we recognize those breaks, how we try to mend them, and where we go from there are all crucial parts of the healing process.
The Beauty in Breaking is the poignant true story of Harper’s journey toward self-healing. Each of the patients Harper writes about taught her something important about recuperation and recovery. How to let go of fear even when the future is murky: How to tell the truth when it’s simpler to overlook it. How to understand that compassion isn’t the same as justice. As she shines a light on the systemic disenfranchisement of the patients she treats as they struggle to maintain their health and dignity, Harper comes to understand the importance of allowing ourselves to make peace with the past as we draw support from the present. In this hopeful, moving, and beautiful book, she passes along the precious, necessary lessons that she has learned as a daughter, a woman, and a physician." - Publisher description.
"This book focuses on the boundaries which faculty of color encounter in everyday experiences on campus and presents a more complete picture of life in the academy - one that documents how faculty of color are tested, but also how they can not only overcome, but thrive in their respective educational institutions."
"Ames Hawkins's These are Love(d) Letters is a genre-bending visual memoir and work of literary nonfiction that explores the questions: What inspires a person to write a love letter? What inspires a person to save a love letter even when the love has shifted or left? And what does it mean when a person uses someone else's love letters as a place from which to create their own sense of self? Beginning with the "simple act" of the author receiving twenty letters written by her father to her mother over a six-week period in 1966, These are Love(d) Letters provides a complex pictorial and textual exploration of the work of the love letter. Through intimate and incisive prose-the letters were, after all, always intended to be a private dialogue between her parents-Hawkins weaves her own struggles with gender, sexuality, and artistic awakening in relation to the story of her parents' marriage that ended in divorce. Her father's HIV diagnosis and death by complications related to AIDS provide the context for an unflinchingly honest look at bodily disease and mortality. Hawkins delicately and relentlessly explores the tensions in a father-daughter relationship that stem from a differently situated connection to queer identity and a shared struggle with artistic desire. In communion with queer and lesbian writers from Emily Dickinson and Virginia Woolf to Alison Bechdel and Maggie Nelson, Hawkins pushes exploration of the self with the same intellectual rigor that she critiques the limits of epistolarity by continually relocating all the generative and arresting creative powers of this found art with scholarly rhetorical strategies. Exquisitely designed by Jessica Jacobs, These are Love(d) Letters presents an affective experience that reinforces Hawkins's meditations on the ephemeral beauty of love letters. As poetic as it is visually enticing, the book offers both an unconventional and queer(ed) understanding of the documentarian form, which will excite both readers and artists across and beyond genres."
"Drawing upon 25 years of experience representing black youth in Washington D.C.'s juvenile court, Kris Henning confronts America's irrational, manufactured fears of Black youth and makes a powerfully compelling case that the crisis in racist American policing begins with its relationship to Black children. She explains how discriminatory and aggressive policing has socialized a generation of Black teenagers to fear, resent, and resist the police, and details the long-term consequences of racism and trauma Black youth experience at the hands of police and their vigilante surrogates. She makes clear that unlike white youth who are afforded the freedom to test boundaries, experiment with sex and drugs, and figure out who they are and want to be, Black youth are seen as a threat to white America and are denied healthy adolescent development. She examines the criminalization of Black adolescent play and sexuality, and of Black fashion, hair and music. She limns the effects of police presence in schools, and the depth of policing-induced trauma in Black adolescents. Especially in the wake of the recent unprecedented, worldwide outrage at racial injustice and inequality, The Rage of Innocence: How America Criminalizes Black Youth is an essential book for our moment"– Provided by publisher.
"With beauty, grace, and honesty, Castillo recounts his and his familys encounters with a system that treats them as criminals for seeking safe, ordinary lives. He writes of the Sunday afternoon when he opened the door to an ICE officer who had one hand on his holster, of the hours he spent making a fake social security card so that he could work to support his family, of his fathers deportation and the decade that he spent waiting to return to his wife and children only to be denied reentry."
"In See How We Roll Melinda Hinkson follows the experiences of Nungarrayi, a Warlpiri woman from the central Australian desert, as she struggles to establish a new life for herself in the city of Adelaide. Banished from her hometown, on the urban streets Nungarrayi energetically navigates promises of transformation as well as sedimented racialized expectations. Drawing on a decades-long friendship, Hinkson explores these circumstances through Nungarrayi's relationships: those between her country and kin that sustain and confound life beyond the desert, those that regulate her marginalized citizenship, as well as the new friendships called out by displacement and metropolitan life. An intimate ethnography, See How We Roll provides great insight into the enduring violence of the settler colonial state while illuminating the efforts of Indigenous people to create lives of dignity and shared purpose in the face of turbulence, grief and tightening governmental controls"–
"Steeped in Cherokee myths and history, a novel about a fractured family reckoning with the tragic death of their son long ago--from National Book Award finalist Brandon Hobson"-- Provided by publisher.
"Quah, Oklahoma. In the fifteen years since their teenage son, Ray-Ray, was killed in a police shooting, the Echota family has been suspended in private grief. The mother, Maria, increasingly struggles to manage the onset of Alzheimer's in her husband, Ernest. Their adult daughter, Sonja, leads a life of solitude, punctuated only by spells of dizzying romantic obsession. And their son, Edgar, fled home long ago, turning to drugs to mute his feelings of alienation. With the family's annual bonfire approaching-- marking both the Cherokee National Holiday and Ray-Ray's death-- each of them feels a strange blurring of the boundary between normal life and the spirit world." -- adapted from jacket
"Asian Americans inhabit a purgatorial status: neither white enough nor black enough, unmentioned in most conversations about racial identity. In the popular imagination, Asian Americans are all high-achieving professionals. But in reality, this is the most economically divided group in the country, a tenuous alliance of people with roots from South Asia to East Asia to the Pacific Islands, from tech millionaires to service industry laborers. How do we speak honestly about the Asian American condition--if such a thing exists? Poet and essayist Cathy Park Hong fearlessly and provocatively confronts this thorny subject, blending memoir, cultural criticism, and history to expose the truth of racialized consciousness in America. Binding these essays together is Hong's theory of "minor feelings." As the daughter of Korean immigrants, Cathy Park Hong grew up steeped in shame, suspicion, and melancholy. She would later understand that these "minor feelings" occur when American optimism contradicts your own reality--when you believe the lies you're told about your own racial identity. With sly humor and a poet's searching mind, Hong uses her own story as a portal into a deeper examination of racial consciousness in America today. This intimate and devastating book traces her relationship to the English language, to shame and depression, to poetry and artmaking, and to family and female friendship. A radically honest work of art, Minor Feelings forms a portrait of one Asian American psyche--and of a writer's search to both uncover and speak the truth"-- Provided by publisher.
A ruthlessly honest, emotionally charged, and utterly original exploration of Asian American consciousness and the struggle to be human. Hong blends memoir, cultural criticism, and history to expose the truth of racialized consciousness in America. She believes that "minor feelings" occur when American optimism contradicts your own reality-- when you believe the lies you're told about your own racial identity. -- adapted from jacket
"Steve Howard departed for the Sudan in the early 1980s as an American graduate student beginning a three-year journey in which he would join and live with the Republican Brotherhood, the Sufi Muslim group led by the visionary Mahmoud Mohamed Taha. Taha was a religious intellectual who participated in the early days of Sudan's anticolonial struggle, but quickly turned his movement into a religious reform effort based on his radical reading of the Qur'an. He was executed in 1985 for apostasy.
Decades after returning to the life of an academic in the United States, Howard brings us this memoir of his time with the Republican Brotherhood, who advocated, among other things, equality for women. Modern Muslims describes Howard's path to learning not only about Islam and Sufism but also about Sudan's history and culture. When the Brotherhood was thrust into confrontation with Sudan's then-president Jaafar Nimeiry, Howard had a front-line perspective on the difficult choices communities make as they try to reform and practice their faith freely.
As well as a story of personal transformation, the book offers an insider's perspective on a modernist nonviolent Islamic movement that thrived and was brutally suppressed. An important book for our times, Modern Muslims yields significant insights for our understanding of modern Islam, African history, and contemporary geopolitics." - Publisher description.
"For fifteen years August Sitwell has worked for the Barclays, a well-to-do white family who plucked him from an orphan asylum and gave him a job. The groundskeeper is part of the household's all-black staff, along with "Miss Mamie," the talented cook, pretty new maid Jennie Williams, and three young kitchen apprentices - the latest orphan boys Mr. Barclay has taken in to "civilize" - boys like August. But the Barclays' fortunes have fallen, and their money is almost gone. When a prospective business associate proposes selling Miss Mamie's delicious rib sauce to local markets under the brand name "The Rib King" - using a caricature of a wildly grinning August on the label - Mr. Barclay, desperate for cash, agrees. Yet neither Miss Mamie nor August will see a dime. Humiliated, August grows increasingly distraught, his anger building to a rage that explodes in shocking tragedy. "--Publisher.