On growing up in the American South of the 1960s--an all-American white boy--son of a long line of Methodist preachers, in the midst of the civil rights revolution, and discovering the culpability of silence within the church. "My dad was a Methodist preacher and his dad was a Methodist preacher," writes John Archibald. "It goes all the way back on both sides of my family. When I am at my best, I think it comes from that sermon place." Everything Archibald knows and believes about life is "refracted through the stained glass of the Southern church. It had everything to do with people. And fairness. And compassion." In Shaking the Gates of Hell, Archibald asks: Can a good person remain silent in the face of discrimination and horror, and still be a good person? Archibald had seen his father, the Rev. Robert L. Archibald, Jr., the son and grandson of Methodist preachers, as a moral authority, a moderate and a moderating force during the racial turbulence of the '60s, a loving and dependable parent, a forgiving and attentive minister, a man many Alabamians came to see as a saint. But was that enough? Even though Archibald grew up in Alabama in the heart of the civil rights movement, he could recall few words about racial rights or wrongs from his father's pulpit at a time the South seethed, and this began to haunt him. In this moving and powerful book, Archibald writes of his complex search, and of the conspiracy of silence his father faced in the South, in the Methodist Church and in the greater Christian church. Those who spoke too loudly were punished, or banished, or worse. Archibald's father was warned to guard his words on issues of race to protect his family, and he did. He spoke to his flock in the safety of parable, and trusted in the goodness of others, even when they earned none of it, rising through the ranks of the Methodist Church, and teaching his family lessons in kindness and humanity, and devotion to nature and the Earth. Archibald writes of this difficult, at times uncomfortable, reckoning with his past in this unadorned, affecting book of growth and evolution.

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"For Sylvia Chan-Malik, Muslim womanhood is constructed through everyday and embodied acts of resistance, what she calls affective insurgency. In negotiating the histories of anti-Blackness, U.S. imperialism, and women's rights of the twentieth and twenty-first centuries, Being Muslim explores how U.S. Muslim women's identities are expressions of Islam as both Black protest religion and universal faith tradition. Through archival images, cultural texts, popular media, and interviews, the author maps how communities of American Islam became sites of safety, support, spirituality, and social activism, and how women of color were central to their formation. By accounting for American Islam's rich histories of mobilization and community, Being Muslim brings insight to the resistance that all Muslim women must engage in the post-9/11 United States. From the stories that she gathers, Chan-Malik demonstrates the diversity and similarities of Black, Arab, South Asian, Latina, and multiracial Muslim women, and how American understandings of Islam have shifted against the evolution of U.S. white nationalism over the past century. In borrowing from the lineages of Black and women-of-color feminism, Chan-Malik offers us a new vocabulary for U.S. Muslim feminism, one that is as conscious of race, gender, sexuality, and nation, as it is region and religion."-- Publisher description.

"Set in 1902, members of a Gullah family from the Sea Islands off Georgia's coast struggle with the decision to move North, leaving behind a culture still very close to its African roots."

 "Championed by Toni Morrison and Walter Mosley, Dumas's fabulist fiction is a masterful synthesis of myth and religion, culture and nature, mask and identity. From the Deep South to the simmering streets of Harlem, his characters embark on real, magical, and mythic quests. Humming with life, Dumas's stories create a collage of midcentury Black experiences, interweaving religious metaphor, African cosmologies, diasporic folklore, and America's history of slavery and systemic racism. Henry Dumas was born in Sweet Home, Arkansas, in 1934 and moved to Harlem at the age of ten. He joined the air force in 1953 and spent a year on the Arabian Peninsula. Upon his return, Dumas became active in the civil rights movement, married, had two sons, attended Rutgers University, worked for IBM, and taught at Hiram College in Ohio and at Southern Illinois University. In 1968, at the age of thirty-three, he was shot and killed by a New York City Transit Authority police officer."--Amazon.com.

"A queer Muslim searches for the language to express her truest self, making peace with her sexuality, her family, and Islam. Growing up in Pakistan, Samra Habib lacks a blueprint for the life she wants. She has a mother who gave up everything to be a pious, dutiful wife and an overprotective father who seems to conspire against a life of any adventure. Plus, she has to hide the fact that she's Ahmadi to avoid persecution from religious extremists. As the threats against her family increase, they seek refuge in Canada, where new financial and cultural obstacles await them. When Samra discovers that her mother has arranged her marriage, she must again hide a part of herself–the fun-loving, feminist teenager that has begun to bloom–until she simply can't any longer. So begins a journey of self-discovery that takes her to Tokyo, where she comes to terms with her sexuality, and to a queer-friendly mosque in Toronto, where she returns to her faith in the same neighbourhood where she attended her first drag show. Along the way, she learns that the facets of her identity aren't as incompatible as she was led to believe, and that her people had always been there–the world just wasn't ready for them yet."– provided by publisher.

 "Steeped in Cherokee myths and history, a novel about a fractured family reckoning with the tragic death of their son long ago--from National Book Award finalist Brandon Hobson"-- Provided by publisher.

"Quah, Oklahoma. In the fifteen years since their teenage son, Ray-Ray, was killed in a police shooting, the Echota family has been suspended in private grief. The mother, Maria, increasingly struggles to manage the onset of Alzheimer's in her husband, Ernest. Their adult daughter, Sonja, leads a life of solitude, punctuated only by spells of dizzying romantic obsession. And their son, Edgar, fled home long ago, turning to drugs to mute his feelings of alienation. With the family's annual bonfire approaching-- marking both the Cherokee National Holiday and Ray-Ray's death-- each of them feels a strange blurring of the boundary between normal life and the spirit world." -- adapted from jacket

"Two teenagers at the time of the Normandy invasion in 1944 are friends but they are divided by the same thing that unites them–their faith. Though both are devout Jews, there's a subtle difference. Danny is an Hasidic Jew, brought up to accept faith blindly by his father–an ultra-orthodox rabbi who rejects the 20th century for the special joys of centuries-old tradition. Reuven, on the other hand, has been brought up by his father who is a secular scholar, to question everything around him."

"From the Pulitzer Prize finalist, author of The Moor's Account–a timely and powerful new novel about the suspicious death of a Moroccan immigrant that is at once a family saga, a murder mystery, and a love story, all of it informed by the treacherous fault lines of American culture. Nora Guerraoui, a jazz composer, returns home to a small town in the Mojave after hearing that her father, owner of a popular restaurant there, has been killed in a suspicious hit-and-run car accident. Told by multiple narrators–Nora herself, Jeremy (the Iraq war veteran with whom she develops an intimacy), widow Maryam, Efrain (an immigrant witness to the accident who refuses to get involved for fear of deportation), Coleman (the police investigator), and Driss (the dead man himself), The Other Americans deftly explores one family's secrets and hypocrisies even as it offers a portrait of Americans riven by race, class, and religion, living side by side, yet ignorant of the vicissitudes that each tribe, as it were, faces" – provided by publisher.

"From the Pulitzer Prize finalist, author of The Moor's Account–a timely and powerful new novel about the suspicious death of a Moroccan immigrant that is at once a family saga, a murder mystery, and a love story, all of it informed by the treacherous fault lines of American culture. Nora Guerraoui, a jazz composer, returns home to a small town in the Mojave after hearing that her father, owner of a popular restaurant there, has been killed in a suspicious hit-and-run car accident. Told by multiple narrators–Nora herself, Jeremy (the Iraq war veteran with whom she develops an intimacy), widow Maryam, Efrain (an immigrant witness to the accident who refuses to get involved for fear of deportation), Coleman (the police investigator), and Driss (the dead man himself), The Other Americans deftly explores one family's secrets and hypocrisies even as it offers a portrait of Americans riven by race, class, and religion, living side by side, yet ignorant of the vicissitudes that each tribe, as it were, faces" – provided by publisher.

"Essays describe how the author's experiences as an Indian American, the wife of a white Christian woman, and the mother of an adopted black son have been challenged by rigid cultural family norms."

"Haroon Moghul was first thrust into the spotlight after 9/11, as an undergraduate leader at New York University's Islamic Center. Suddenly, he was making appearances everywhere: on TV, talking to interfaith audiences, combating Islamophobia in print. He was becoming a prominent voice for American Muslims. Privately, Moghul had a complicated relationship with Islam. In high school he was barely a believer and entirely convinced he was going to hell. He sometimes drank. He didn't pray regularly. All he wanted was a girlfriend. But as Haroon discovered, it wasn't so easy to leave religion behind. To be true to himself, he needed to forge a unique American Muslim identity that reflected his own beliefs and personality. How to Be a Muslim is the story of a young man coping with the crushing pressure of a world that shuns and fears Muslims, struggling with his faith and searching for intellectual forebears, and suffering the onset of bipolar disorder. This is the story of the second-generation immigrant, of what it's like to lose yourself between cultures, and how to pick up the pieces."

If the Oceans Were Ink is Carla Power's story of how she and her longtime friend Sheikh Mohammad Akram Nadwi found a way to confront ugly stereotypes and persistent misperceptions that were cleaving their communities. Their friendship -- between a secular American and a madrasa-trained sheikh -- had always seemed unlikely, but now they were frustrated and bewildered by the battles being fought in their names. Both knew that a close look at the Quran would reveal a faith that preached peace and not mass murder; respect for women and not oppression. And so they embarked on a yearlong journey through the controversial text. A journalist who grew up in the Midwest and the Middle East, Power offers her unique vantage point on the Quran's most provocative verses as she debates with Akram at cafes, family gatherings, and packed lecture halls, conversations filled with both good humor and powerful insights. Their story takes them to madrasas in India and pilgrimage sites in Mecca, as they encounter politicians and jihadis, feminist activists and conservative scholars.

Threading My Prayer Rug is a richly textured reflection on what it is to be a Muslim in America today. Beginning with a sweetly funny, moving account of the author's arranged marriage, the author undercuts stereotypes and offers the refreshing view of an American life through Muslim eyes.

"You know that feeling of being at the wrong end of the table? Like you’re at a party but all the good stuff is happening out of earshot (#FOMO)? That’s life—especially for an immigrant.

What happens when a shy, awkward Arab girl with a weird name and an unfortunate propensity toward facial hair is uprooted from her comfortable (albeit fascist-regimed) homeland of Iraq and thrust into the cold, alien town of Columbus, Ohio—with its Egg McMuffins, Barbie dolls, and kids playing doctor everywhere you turned?

This is Ayser Salman’s story. First comes Emigration, then Naturalization, and finally Assimilation—trying to fit in among her blonde-haired, blue-eyed counterparts, and always feeling left out. On her journey to Americanhood, Ayser sees more naked butts at pre-kindergarten daycare that she would like, breaks one of her parents’ rules (“Thou shalt not participate as an actor in the school musical where a male cast member rests his head in thy lap”), and other things good Muslim Arab girls are not supposed to do. And, after the 9/11 attacks, she experiences the isolation of being a Muslim in her own country. It takes hours of therapy, fifty-five rounds of electrolysis, and some ill-advised romantic dalliances for Ayser to grow into a modern Arab American woman who embraces her cultural differences.

Part memoir and part how-not-to guide, The Wrong End of the Table is everything you wanted to know about Arabs but were afraid to ask, with chapters such as “Tattoos and Other National Security Risks,” “You Can’t Blame Everything on Your Period; Sometimes You’re Going to Be a Crazy Bitch: and Other Advice from Mom,” and even an open letter to Trump. This is the story of every American outsider on a path to find themselves in a country of beautiful diversity." --Publisher description.

"A powerful true story about a Muslim doctor's service to a small town and the hope of overcoming our country's climate of hostility and fear. In 2013, Dr. Ayaz Virji left a comfortable job at an East Coast hospital and moved to a town of 1,400 in Minnesota, feeling called to address the shortage of doctors in rural America. But in 2016, this decision was tested when the reliably blue, working-class county swung for Donald Trump. Virji watched in horror as his children faced anti-Muslim remarks at school and some of his most loyal patients began questioning whether he belonged in the community. Virji wanted out. But in 2017, just as he was lining up a job in Dubai, a local pastor invited him to speak at her church and address misconceptions about what Muslims practice and believe. That invitation has grown into a well-attended lecture series that has changed hearts and minds across the state, while giving Virji a new vocation that he never would have expected. In [this book], Virji relates this story in a gripping, unforgettable narrative that shows the human consequences of our toxic politics, the power of faith and personal conviction, and the potential for a renewal of understanding in America's heartland."–Dust jacket

"Throughout her life, Elissa Washuta has been surrounded by cheap facsimiles of Native spiritual tools and occult trends, "starter witch kits" of sage, rose quartz, and tarot cards packaged together in paper and plastic. Following a decade of abuse, addiction, PTSD, and heavy-duty drug treatment for a misdiagnosis of bipolar disorder, she felt drawn to the real spirits and powers her dispossessed and discarded ancestors knew, while she undertook necessary work to find love and meaning. In this collection of intertwined essays, she writes about land, heartbreak, and colonization, about life without the escape hatch of intoxication, and about how she became a powerful witch. She interlaces stories from her forebears with cultural artifacts from her own life -- Twin Peaks, the Oregon Trail II video game, a Claymation Satan, a YouTube video of Stevie Nicks and Lindsey Buckingham -- to explore questions of cultural inheritance and the particular danger, as a Native woman, of relaxing into romantic love under colonial rule." -- from the publisher.